But they never made it--Willow lost control of the car, and both of her parents were killed.Now seventeen, Willow is living with her older brother, who can barely speak to her. She has left behind her old home, friends, and school. But Willow has found a way to survive, to numb the new reality of her life: She is secretly cutting herself.And then she meets Guy, a boy as sensitive and complicated as she is. When Guy discovers Willow's secret, he pulls her out of the solitary world she's created for herself, and into a difficult, intense, and potentially life-changing relationship.Julia Hoban has created an unflinching story about cutting, grieving, and starting anew. But above all, she has written an unforgettable tale of first love.

    At school, the only people who acknowledge Elena are Dora’s friends and Jimmy Zenk—who failed at least one grade and wears black every day of the week. And at home, Elena’s parents keep arguing with each other. Elena will do anything to help her sister get better and get their lives back to normal—even when the responsibility becomes too much to bear.

    She talks with him, teases him, but reveals nothing about herself except her phone number. Later they have a perfect day at the London Zoo, and soon Joe is as addicted to Candy as she is to heroin, in spite of the threats of her menacing pimp Iggy. Almost nothing matters except his desire to free her from her terrible life-- not his band's chance for a recording contract, not the song he has written for her that has become a hit without him. But there is something that still matters to him, and when he rescues the young prostitute from her sordid rooming house and takes her into hiding to sweat out her addiction, Iggy finds and uses that one thing that is stronger than Joe's passion for Candy, in a heart-thumping, breathless conclusion.

    She wouldn't have had to go back for the yearbook camera, and she wouldn't have hit her head on the steps. She wouldn't have woken up in an ambulance with amnesia. She certainly would have remembered her boyfriend, Ace. She might even have remembered why she fell in love with him in the first place. She would understand why her best friend, Will, keeps calling her "Chief." She'd know about her mom's new family. She'd know about her dad's fiancée. She never would have met James, the boy with the questionable past and the even fuzzier future, who tells her he once wanted to kiss her. She wouldn't have wanted to kiss him back.But Naomi picked heads.After her remarkable debut, Gabrielle Zevin has crafted an imaginative second novel all about love and second chances.Memoirs of a Teenage Amnesiac is a 2008 Bank Street - Best Children's Book of the Year.

    But her mother is in rehab, and her father seems more interested in his congregation than his family. And when a young girl in her small town is kidnapped, her already-worn thread of faith begins to unravel. (Young Adults)Samara Taylor used to believe in miracles. She used to believe in a lot of things. As a pastor's kid, it's hard not to buy in to the idea of the perfect family, a loving God, and amazing grace. But lately, Sam has a lot of reason to doubt. Her mother lands in rehab after a DUI and her father seems more interested in his congregation than his family. When a young girl in her small town is kidnapped, the local tragedy overlaps with Sam's personal one, and the already-worn thread of faith holding her together begins to unravel. In her third novel, acclaimed author Sara Zarr examines the coexistence of affliction and hope, and what happens when everything you thought you believed---about God, about your family, about yourself---is transformed.

    What no one knows--not even his best friend--is the terror that Nick faces every time he is alone with his father. Then he and Caitlin fall in love, and Nick thinks his problems are over. Caitlin is the one person who he can confide in. But when things start to spiral out of control, Nick must face the fact that he's gotten more from his father than green eyes and money.

    Always positive. I need to be more positive, so I wake myself up every morning with a song of myself.”Sixteen-year-old James Whitman has been yawping (à la Whitman) at his abusive father ever since he kicked his beloved older sister, Jorie, out of the house. James’s painful struggle with anxiety and depression—along with his ongoing quest to understand what led to his self-destructive sister’s exile—make for a heart-rending read, but his wild, exuberant Whitmanization of the world and keen sense of humor keep this emotionally charged debut novel buoyant.

    Emily Delgado appears to be a smart, sweet girl, with a normal life, but as depression clutches at her, she struggles to feel normal. Both girls are in Ms. Diaz’s English class, where they connect to the words of Emily Dickinson. Both are hovering on the edge of an emotional precipice. One of them will attempt suicide. And with Dickinson’s poetry as their guide, both girls must conquer their personal demons to ever be happy.In an emotionally taut novel with a richly diverse cast of characters, readers will relish in the poetry of Emily Dickinson and be completely swept up in the turmoil of two girls grappling with demons beyond their control.

    Isabelle describes the scene at school with bemused accuracy--the self-important (but really not bad) English teacher, the boy that is constantly fixated on Ashley Barnum, the prettiest girl in class, and the dynamics of the lunchroom, where tables are turf in a all-eyes-open awareness of everybody's relative social position.But everything is not normal, really. Since the dealth of her father, Isabelle's family has only functioned on the surface. Her mother, who used to take care of herself, now wears only lumpy, ill-fitting clothes, cries all night, and has taken every picture of her dead husband and put them under her bed. Isabelle tries to make light of this, but the underlying tension is expressed in overeating and then binging. As the novel opens, Isabelle's little sister, April, has told their mother about Isabelle's problem. Isabelle is enrolled in group therapy. Who should show up there, too, but Ashley Barnum, the prettiest, most together girl in class.

    As he tries to hold his crazy father and their crumbling home together, Jason relies on a host of imaginary friends for guidance as he stumbles along trying not to draw attention to his father’s deteriorating condition.Both heartbreaking and funny, Crazy lives up to the intense and compelling characters Han Nolan is praised for. As Jason himself teeters on the edge of insanity, Nolan uncovers the clever coping system he develops for himself and throws him a lifeline in the guise of friendship.

    But that’s before a shocking phone call — and a horrifying allegation — about her rugby-star brother changes everything. With irreverent humor and surprising gravity, Carolyn Mackler creates an endearingly blunt heroine who speaks to every teen who struggles with family expectations, and proves that the most impressive achievement is to be true to yourself.

    her stepfather, Dino Cavalli. To the public, Dino is a world-renowned violin player and composer. To Cassie, he’s an erratic, self-centered bully. And he’s getting worse. Dino no longer sleeps, and he grows increasingly paranoid. Before, Cassie was angry. Now she is afraid. Enter Ian Waters: a brilliant young violinist, and Dino’s first-ever student. The minute Cassie lays eyes on Ian she knows she’s doomed to fall head-over-heels in love with him. Cassie thought she understood that love could bring pain, but this union will have consequences she could not have imagined.

    At the weekly movie night in town, she meets Stewart, from another rehab nearby. They fall for each other despite the crazy time. Madeline gets out and starts to regain her feet. But when Stewart joins her, both still are severely troubled, and he is getting worse.

    While navigating her doomed social life, she writes scathing, self-aware, and sometimes downright raunchy essays for English class. As a result of her unfiltered writing style, she is forced to see the school psychologist and enroll in a "social skills" class. But when she meets Daniel, another social misfit who is obsessed with the cult classic film The Big Lebowski, Danielle's resolve to keep everyone at arm's length starts to crumble.

    She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. As time passes, she becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back, refuses to be silent, and thereby achieves a measure of vindication. In Laurie Halse Anderson's powerful novel, an utterly believable heroine with a bitterly ironic voice delivers a blow to the hypocritical world of high school. She speaks for many a disenfranchised teenager while demonstrating the importance of speaking up for oneself.Speak was a 1999 National Book Award Finalist for Young People's Literature.