Upset, he asks his mother why; she deflects, assuring him that he is safe. Later, they visit an aunt and uncle, where the TV, always on, shows a rally in response to the police shooting. The child glimpses a moving press conference with the victim’s family while his aunt claims she simply “can’t watch the news.”The book’s narrator accompanies the child as he faces history and himself. The activities section urges kids to grow justice (“like a bean sprout in a milk carton”) inside of themselves, seek out and listen to the truth about racism and white supremacy, and prepare to be changed, heartbroken, and liberated by this experience.Part history lesson, part compassionate primer to assist children (and parents) past defensiveness, Not My Idea is a tangible tool for necessary conversations.

    She wanted to live right in the middle of the roughest, poorest communities and create a place where people could go to find food, work, and help. In 1889, she bought a house in a run-down Chicago neighborhood and turned it into a settlement home, adding on playgrounds, kindergartens, and a public bath. By 1907, Hull House included thirteen buildings. And by the early 1920s, more than 9,000 people visited Jane's home each week. An inspiration to all, Jane Addams continues to be a role model to girls and women of all ages.This title has Common Core connections.

    When Sharon Langley was born in the early 1960s, many amusement parks were segregated, and African-American families were not allowed entry. This book reveals how in the summer of 1963, due to demonstrations and public protests, the Gwynn Oak Amusement Park in Maryland became desegregated and opened to all for the first time. Co-author Sharon Langley was the first African-American child to ride the carousel. This was on the same day of Martin Luther King Jr.’s March on Washington for Jobs and Freedom. Langley’s ride to remember demonstrated the possibilities of King’s dream. This book includes photos of Sharon on the carousel, authors’ notes, a timeline, and a bibliography.

    Martin Luther King Jr. speak. They protested the laws that kept black people separate from white people. Facing fear, hate, and danger, these children used their voices to change the world.

    In the early-morning hours of June 28, 1969, the Stonewall Inn was raided by police in New York City. Though the inn had been raided before, that night would be different. It would be the night when empowered members of the LGBTQ+ community--in and around the Stonewall Inn--began to protest and demand their equal rights as citizens of the United States. Movingly narrated by the Stonewall Inn itself, and featuring stirring and dynamic illustrations, Stonewall: A Building. An Uprising. A Revolution is an essential and empowering civil rights story that every child deserves to hear.

    Ten-year-old Lina is thrilled when she finds a sandal that fits her foot perfectly, until she sees that another girl has the matching shoe. But soon Lina and Feroza meet and decide that it is better to share the sandals than for each to wear only one. As the girls go about their routines washing clothes in the river, waiting in long lines for water, and watching for their names to appear on the list to go to America the sandals remind them that frie ndship is what is most important. Four Feet, Two Sandals was inspired by a refugee girl who asked the authors why there were no books about children like her. With warm colors and sensitive brush strokes, this book portrays the strength, courage, and hope of refugees around the world, whose daily existence is marked by uncertainty and fear.

    But after school, no one can stop her--and she's free to run endless miles to her heart's content. She is told no yet again when she tries to enter the Boston Marathon in 1966, because the officials claim that it's a man's race and that women are just not capable of running such a long distance. So what does Bobbi do? She bravely sets out to prove the naysayers wrong and show the world just what a girl can do.

    They work hard, surrounded by top security and sworn to secrecy, until finally they take their creation far out into the desert to test it, and afterward the world will never be the same.

                    As a young Nahua girl in Mexico during the early 1900s, Luz learned how to grind corn in a metate, to twist yarn with her toes, and to weave on a loom. By the fire at night, she listened to stories of her community’s joys, suffering, and survival, and wove them into her heart. But when the Mexican Revolution came to her village, Luz and her family were forced to flee and start a new life. In Mexico City, Luz became a model for painters, sculptors, and photographers such as Diego Rivera, Jean Charlot, and Tina Modotti. These artists were interested in showing the true face of Mexico and not a European version. Through her work, Luz found a way to preserve her people's culture by sharing her native language, stories, and traditions. Soon, scholars came to learn from her.

    But clean drinking water is scarce in her small African village. And try as she might, Gie Gie cannot bring the water closer; she cannot make it run clearer. Every morning, she rises before the sun to make the long journey to the well. Instead of a crown, she wears a heavy pot on her head to collect the water. After the voyage home, after boiling the water to drink and clean with, Gie Gie thinks of the trip that tomorrow will bring. And she dreams. She dreams of a day when her village will have cool, crystal-clear water of its own.

    Elizabeth Cotten was only a little girl when she picked up a guitar for the first time. It wasn't hers (it was her big brother's), and it wasn't strung right for her (she was left-handed). But she flipped that guitar upside down and backwards and taught herself how to play it anyway. By age eleven, she'd written "Freight Train," one of the most famous folk songs of the twentieth century. And by the end of her life, people everywhere—from the sunny beaches of California to the rolling hills of England—knew her music.

    Her family, like most Dutch families, must patch their old worn clothing and go without everyday things like soap and milk. Then one spring morning when the tulips bloom "thick and bright," Postman Kleinhoonte pedals his bicycle down Katje's street to deliver a mysterious box – a box from America! Full of soap, socks, and chocolate, the box has been sent by Rosie, an American girl from Mayfield, Indiana. Her package is part of a goodwill effort to help the people of Europe. What's inside so delights Katje that she sends off a letter of thanks – beginning an exchange that swells with so many surprises that the girls, as well as their townspeople, will never be the same.This inspiring story, with strikingly original art, is based on the author's mother's childhood and will show young readers that they, too, can make a difference.Boxes for Katje is a 2004 Bank Street - Best Children's Book of the Year.

    From the award-winning author of Ada’s Violin, Susan Hood, this is a poetic and visual picture book that celebrates persistent women throughout history. Among the powerful pairings: Caldecott Medalist Sophie Blackall takes on heroic World War II spies Eileen and Jacqueline Nearne; Selina Alko is matched with the brave Malala Yousafzai; New York Times bestselling illustrator Emily Winfield Martin is paired with the inventor of the controversial one-piece bathing suit, Annette Kellerman; and Shadra Strickland introduces America’s first known female firefighter, Molly Williams. While women make up over half of the U.S. population, they face discrimination, have less representation in government and other fields, and struggle every day for their human rights. It is more important now than ever to raise a generation of girls who, in the face of adversity, persevere. This book was written, illustrated, edited, and designed by women. Includes a foreword by a prominent female activist, an author’s note, a timeline, and additional resources. This book features: Selina Alko, Sophie Blackall, Lisa Brown, Hadley Hooper, Emily Winfield Martin, Oge Mora, Julie Morstad, Sara Palacios, LeUyen Pham, Erin Robinson, Isabel Roxas, Shadra Strickland, and Melissa Sweet.

    and the 1963 March on Washington. But there's little on his legendary speech and how he came to write it. Find out more in this gripping book with illustrations by Caldecott Medalist Jerry Pinkney.Martin Luther King, Jr. was once asked if the hardest part of preaching was knowing where to begin. No, he said. The hardest part is knowing where to end. "It's terrible to be circling up there without a place to land."Finding this place to land was what Martin Luther King, Jr. struggled with, alongside advisors and fellow speech writers, in the Willard Hotel the night before the March on Washington, where he gave his historic "I Have a Dream" speech. But those famous words were never intended to be heard on that day, not even written down for that day, not even once.Barry Wittenstein teams up with legendary illustrator Jerry Pinkney to tell the story of how, against all odds, Martin found his place to land.

    Growing up enslaved in Tennessee, Doc was sent to plantations around the state to care for sick and wounded animals. When the Civil War ended and Doc was freed, he began to dream of breeding a winning racehorse. But those dreams were dashed when his colt was born weak and sickly. Although many people would have euthanized the colt, Doc nursed him back to health and named him Jim.Noticing a level of curiosity and eagerness in the horse, Doc began teaching Beautiful Jim Key first to recognize letters, then to read, write, add, subtract, and more. Doc soon took his talented horse on the road, spreading a message of patience and kindness, over cruelty, to all animals.With striking illustrations by Daniel Minter, Step Right Up is the inspiring story of one man and one horse who showed the world the power of kindness.This biography explores Common Core English Language Arts Standards and Social Studies Standards.