Gun. A common word, but one which turns Deen Datta's world upside down.A dealer of rare books, Deen is used to a quiet life spent indoors, but as his once-solid beliefs begin to shift, he is forced to set out on an extraordinary journey; one that takes him from India to Los Angeles and Venice via a tangled route through the memories and experiences of those he meets along the way. There is Piya, a fellow Bengali-American who sets his journey in motion; Tipu, an entrepreneurial young man who opens Deen's eyes to the realities of growing up in today's world; Rafi, with his desperate attempt to help someone in need; and Cinta, an old friend who provides the missing link in the story they are all a part of. It is a journey which will upend everything he thought he knew about himself, about the Bengali legends of his childhood and about the world around him.Gun Island is a beautifully realised novel which effortlessly spans space and time. It is the story of a world on the brink, of increasing displacement and unstoppable transition. But it is also a story of hope, of a man whose faith in the world and the future is restored by two remarkable women.

    Bhishma, the venerable patriarch of the families, lies fatally wounded on the plains of Kurukshetra. On his deathbed he offers Radheya, his nemesis, a chance to rule the Kuru kingdom by capturing Yudhishthira.In the Pandava camp, Yudhishthira, a reluctant warrior, tries desperately to hold his allies together and escape capture without appearing to be a coward. Meanwhile, his young and impulsive nephew, Abhimanyu, a warrior prince, dreams of glory and yearns for a chance to save the Pandava cause. The lives of these three warriors, Yudhisthira, Radheya and Abhimanyu, collide brutally on the thirteenth day. A story of how stories are created, how fact becomes fiction, how history becomes mythology and how men become legends, The Thirteenth Day re-imagines India's greatest epic like never before.

    But Circe is a strange child - not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power - the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus.But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love.

    The era of peace marked by the parama dharma, a rigorous code that forbids the spilling of blood, seems about to end. A new and deadly race of beings that destroy and devour anything that lives is gathering outside Kishkindha’s northern frontiers, and invasion is imminent. Hanuman, meanwhile, has been exiled by the intrigues of his aunt, the empress Riksharaja, in order to make way for Vali. Only his cousin Sugreeva, and wise guru Vishwamitra, can help Hanuman as his destiny takes him onward to face himself and a world no one in Kishkindha has known about until now.‘The Kishkindha Chronicles’ re-imagines the ancient prehistory of India from a startlingly new perspective that will make us rethink what it means to be human and animal. Saraswati’s Intelligence is the first book in the trilogy.

    In a few moons, the Goddess will claim me, and I do not have a fresh young virgin by my side to absorb my knowledge and take my place once I am gone. The Mysteries of Ganga and her Sight will vanish with me, and the Great River will become nothing more than a body of lifeless water … It is my intention, therefore, to tell you the story as it happened, as I saw it happen.’The Mahabharata is the story of women, even though men have focused far too much on the Great Battle. It is women who have set events in motion, guided the action and measured the men. The Winds of Hastinapur begins at the point that Ganga was cursed and sent to Earth. She lives among the mortals and bears Shantanu, the King of Hastinapur, seven children, all of whom she kills. With the eighth, she leaves. That boy, who returns to Earth, will prove to be the key to the future of Hastinapur.The story, as told through the lives of his mother Ganga and stepmother Satyavati, is violent, fraught with conflict and touched with magic.A lady of the river who has no virgin daughter to carry on her legacy, Celestials who partake of a mysterious lake they guard with their very lives, sages overcome by lust, a randy fisher-princess – these and other characters lend a startling new dimension to a familiar tale. SharathKomarraju does not so much retell the epic as rewrite it

    The Mahabharata story is removed from its mythological elements and the whole theme and characters are placed in the historical time of 12th century B.C in India. Bhyrappa spent five years in researching the social, economic and cultural details of the period.

    - LORD GOVIND. Born in the quiet village of Shambala, Kalki Hari, son of Vishnuyath and Sumati, has no idea about his heritage until he is pitted against tragedies and battles. Whisked into the province of Keekatpur, which is under the fist of Lord Kali, Kalki sees the ignominy of death trumping life all around him. He learns that he has been born to cleanse the world he lives in, for which he must journey to the North and learn the ways of Lord Vishnu’s Avatar; from an immortal who wields an axe. But trapped in the midst of betrayals, political intrigue and forces that seek to decimate him, will he be able to follow his destiny before the Kaliyug begins?

    But a vengeful ancient spirit has returned to shatter the peace. With the help of magical powers, he has possessed a young man and mobilised black yogis to destroy the NINE. Plucked from their ordinary lives, empowered with special abilities, Tara, Akash and Zubin are swept into an occult world of kala yogis and siddhis to fight an ancient warrior spirit...NINE will take you on a riveting journey from Europe to India to America and a deadly climax in Cambodia.http://amzn.to/2xZhvKn

    Each set of family members occupies a floor of the home, in accordance to their standing within the family. Poisonous rivalries between sisters-in-law, destructive secrets, and the implosion of the family business threaten to unravel bonds of kinship as social unrest brews in greater Indian society. This is a moment of turbulence, of inevitable and unstoppable change: the chasm between the generations, and between those who have and those who have not, has never been wider. The eldest grandchild, Supratik, compelled by his idealism, becomes dangerously involved in extremist political activism—an action that further catalyzes the decay of the Ghosh home.Ambitious, rich, and compassionate, The Lives of Others anatomizes the soul of a nation as it unfolds a family history, at the same time as it questions the nature of political action and the limits of empathy. It is a novel of unflinching power and emotional force.

    In Volga’s retelling, it is Sita who, after being abandoned by Purushottam Rama, embarks on an arduous journey to self-realization. Along the way, she meets extraordinary women who have broken free from all that held them back: Husbands, sons and their notions of desire, beauty and chastity. The minor women characters of the epic as we know it – Surpanakha, Renuka, Urmila and Ahalya – steer Sita towards an unexpected resolution. Meanwhile, Rama too must reconsider and weigh out his roles as the king of Ayodhya and as a man deeply in love with his wife. A powerful subversion of India’s most popular tale of morality, choice and sacrifice, The Liberation of Sita opens up new spaces within the old discourse, enabling women to review their lives and experiences afresh. This is Volga at her feminist best.

    Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devyani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, My lust for pleasure is unsatisfied. His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son s youth.

    The sequel to Adi Parva, which was chosen as one of 2012's Best Graphic Novels by comic book historian Paul Gravett, this book combines breath-taking art with classic storytelling. Based on the Mahabharata, the Puranas and the tradition of oral storytellers, Sauptik is also very contemporary. The narrative, with its lush visuals, emphasizes, over and over, our forgotten connection with the soil, with rivers, with forests, with fire. In book one, Adi Parva: Churning of the Ocean, the celestial river Ganga narrates events from the beginning of time and in its sequel, Sauptik: Blood and Flowers, Ashwatthama carries the story forward after surviving the Kurukshetra battle.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra.”It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.Introduction by Arthur Lall

    As punishment for a past rebellion, nine Greek gods are forced to walk the earth as mortals, hunted by the descendants of ancient bloodlines, all eager to kill a god and seize their divine power and immortality.Long ago, Lore Perseous fled that brutal world in the wake of her family's sadistic murder by a rival line, turning her back on the hunt's promises of eternal glory. For years she's pushed away any thought of revenge against the man--now a god--responsible for their deaths.Yet as the next hunt dawns over New York City, two participants seek out her help: Castor, a childhood friend of Lore believed long dead, and a gravely wounded Athena, among the last of the original gods.The goddess offers an alliance against their mutual enemy and, at last, a way for Lore to leave the Agon behind forever. But Lore's decision to bind her fate to Athena's and rejoin the hunt will come at a deadly cost--and still may not be enough to stop the rise of a new god with the power to bring humanity to its knees.