Sing Me Home by Belle Calhoune: Rain Santos and her best friends are embarking on a ten-week road trip. The first destination is Nashville, where Rain hopes to explore her lifelong singing aspirations. When she comes face to face with her country singer ex-boyfriend, Luke Avery, Rain has to deal with their painful past. Luke Avery is seeking redemption for the pain he caused Rain in their relationship. As the two reconnect and Luke helps Rain with her singing aspirations, they find themselves falling into familiar rhythms. Can true love conquer all? Hitched In Hot Springs by Kristen Ethridge: Bridget Vaughan left a childhood of abuse behind and used the adversity to make her stronger, becoming a multi-millionaire small business coach in the years since she left Treasure Harbor. James Cromberg would do just about anything to help his mom, including leaving the military career he loved in order to come home and help her run her family's historic business and take care of his ailing father. When a woman running away from her past connects with a man who fears his own future, is there a way for them to find their way to a present happily-ever-after? Romancing the Storm by Patrica Pacjac Carroll: Lark Morgan is drifting through life. Even though her father’s advice of trust the Lord and enjoy the journey sounds fun, she’s lost the joy not to mention her job. Cody Merrill has amends to make, but he’s a new man and determined to set things right. As the owner of Storm Rangers, he takes people on adventures to see tornadoes. He loves the storms, but something is missing. Or maybe it’s someone. Journey to Her Past by Angel Moore: Jessica Stinson wants to find the man who left her eight years ago with no explanation. Griffin Renfroe’s world turned upside down when he learned he’d been stolen from the hospital on the day he was born. He made decisions he’s come to regret. When Jessica shows up in Amarillo, he knows convincing her of his love will be almost impossible in the face of his new name – and identity. Can Jessica trust the love she still holds for a man who no longer exists? Restore My Heart: Cassidy Frey’s life falls to pieces in the aftermath of her father’s political scandal. Out of a job and ostracized from her current friends, she jumps at the chance for a road trip with her childhood friends. Joel Kingston’s dream of owning a motel along Route 66 is threatened by a shortage of money, but his discouragement doesn’t stop him from helping a group of stranded motorists. Could a broken-down SUV lead to restoration—of hearts and motels?

    Five full-length novels in one wonderful collection. Why reviewers love the Spark brothers:“These Spark brothers sure do set a girl's heart on fire.”“I absolutely LOVE this series. This is an awesome family of five brothers all who have a strong faith.”“I know I enjoy books when they feel real and after this series, I wish the Spark brothers were real. Thank you, Liwen Y. Ho, for writing stories to remind me that God wastes nothing and is always at work. Now please excuse me while I go reread the series.”A Single Spark (Book One): A pop singer running from his past. A deejay who's given up on men. Will the sparks igniting between them end up in flames or romance?A Sudden Spark (Book Two): A writer too shy to speak to women. A single mom who’s sworn off men. Will a marriage of convenience end their friendship or spark a lasting romance? The Sweetest Spark (Book Three): A fun-loving ice cream shop owner looking for more than a fling. A straight-laced food critic too scared for love. Will an accident be the spark that drives them apart for good or gives them their sweetest taste of romance yet?At First Spark (Book Four): A tender-hearted firefighter who’s been burned by love. An optimistic bookstore owner determined to heal his heart. Will the spark that drew them to each other be enough to keep their love burning or will their short-lived romance go down in flames?An Extra Spark (Book Five): An actor pressured to risk everything for his job. An actress struggling to fit into the Hollywood scene. Will the hazards of show business spark new insecurities or strengthen their bond of trust?Grab your copy and fall in love with the Spark brothers today!

    But this poetry is not a sentimental celebration of the goodness of nature, and harmony with the world is never something assumed. The harmony Forché seeks goes deeper than simple submission to natural processes or identification with an ethnic group, and it must be fought for with a tenuous faith, the balance that must be found between the ugliness, the harshness of her history—both natural and social—and its intense beauty, is what distinguishes Forché’s poetry, gives it is depth and dimension.

    Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.

    Women's Studies. INDICTUS re-imagines various creation myths to bear the invisible and unsaid assaults of women. In doing so, it subverts notions of patriarchal power into a genre that can be demolished and set again. INDICTUS is a Latin word, from which other words like "indict" and "indicate" are born. It translates literally as "to write the unsaid." There is an effort in this book to create the supernatural through the utterance of violence, because jurisdiction fails in real time. That sexual assault can so easily become a science fiction when power is rearranged to serve the victim speaks to the abject lack of control within victims to ever be redeemed. Crimes resolve to misdemeanors. In a world without my abusers, how can I soon become myself? Combining the mythological and autobiographical, this book attempts to indict us, so that the wounded might one day be free.

    Heartbreaking and humorous, Atlantis is a journey about picking up the pieces from the ruins of a life they said would be good for you.

    Responding to the post-industrial landscape of rural life, Jenny George braids together regional plains poetry and the darkly fantastic imagery of medieval painting. Alluding to Goya’s grotesque bestiary, The Dream of Reason is similarly preoccupied with creatures of all kinds: tiny husks of insects, bats crawling across porches like goblins, purring moths, and pigs, in many forms. George names these creatures and documents the traumas of farm life, the role of the handlers involved, and the empathy and horror that comes with it. The collection lingers, transfixed by its strange imaginings, searching for sense in the dark.

    Here refugees listen to relaxation tapes that create an Arcadia out of tires and bleach. Here the alphabet spells out disaster and devours children. Here plate tectonics birth a misery rift, spinning loved ones away from each other across an uncaring sea. And here the cosmos--and Cosmos, as Carl Sagan's hopeful words are fissured by erasure--yawns wide.Wilder is grimly visceral but also darkly sly; it paints its world in shades of neon and rust, and its apocalypse in language that runs both sublime and matter-of-fact. "Some of us didn't have lungs left," writes Wahmanholm. "So when we lay beneath the loudspeaker sky--when we were told to pay attention to our breath--we had to improvise." The result is a debut collection that both beguiles and wounds, whose sky is "black at noon, black in the afternoon."

    Whether focused on a lesson, a teacher, or the girls themselves as they collectively school -- or refuse to -- the poems explore ways girls are trained in the broadest sense of the word.Gossips, the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In Early Lessons, the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below, punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained, back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.

    In his screenplays and short stories, Ethan Coen surprises and delights us with a rich brew of ideas, observations, and perceptions. In his first collection of poems he does much the same. The range of his poems is remarkable–funny, ribald, provocative, sometimes raw, and often touching and profound.In these poems Coen writes of his childhood, his hopes and dreams, his disappointments, his career in Hollywood, his physically demanding love affair with Mamie Eisenhower, and his decade-long battle with amphetamines that produced some of the lengthier poems in the collection. You will chuckle, nodding with recognition as you turn the pages, perhaps even stopping occasionally to read a poem. Handsomely and durably bound between hard covers, this is a book that will stand up to most readers’ attempts to destroy it.

    Greenstreet's highly original CASE SENSITIVE posits a female central character who writes chapbooks that become the sections in this book. What happens in the book I want to read? Greenstreet asked herself. And how would it sound? Everything the character is reading, remembering, and dreaming turns up in what she writes, duly referenced with notes. Using natural language charged with concision and precise syntax, Greenstreet has created a memorable and lasting first collection. A poem intrigue of the highest order. Greenstreet has made a brilliant beginning with this first book--Kathleen Fraser. A beautiful dwelling of ideas. CASE SENSITIVE suggests that there need be no divide between the associative connections of poetry and the extended thinking of the essay. This is a book full of luminous footnotes, details, and attentive readings. CASE SENSITIVE strings together a series of moments to create something resonate, large, and inclusive--Juliana Spahr.

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    Awake chronicles Laux's coming to terms with a childhood darkened by violence and sexual abuse--a struggle at once to embrace and to forgive the past.

    With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history.From "The Winter's Wife":I want wild roots to prosperan invention of blooms, each unknownto every wise gardener. If I could bea color. If I could be a questionof tender regard. I know crabgrassand thistle. I know one algorithm:it has nothing to do with repetitionor rhythm. It is the route from numberto number (less to more, moreto less), a map drawn by proof not faith. Unlike twilight, I do notconclude with darkness. I conclude.