Twelve-year-old Olympia is an artist—and in her neighborhood, that's normal. Her dad and his business partner Apollo bring antique paintings back to life, while her mother makes intricate sculptures in a corner of their loft, leaving Ollie to roam the streets of New York with her best friends Richard and Alex, drawing everything that catches her eye.Then everything falls apart. Ollie's dad disappears in the middle of the night, leaving her only a cryptic note and instructions to destroy it. Her mom has gone to bed, and she's not getting up. Apollo is hiding something, Alex is acting strange, and Richard has questions about the mysterious stranger he saw outside. And someone keeps calling, looking for a missing piece of art. . . .Olympia knows her dad is the key--but first, she has to find him, and time is running out.

    When ten-year-old Winnie Foster stumbles on their secret, the Tucks take her home and explain why living forever at one age is less a blessing that it might seem. Complications arise when Winnie is followed by a stranger who wants to market the spring water for a fortune.

    Mama says Miss Effie talks much too much, but Raisin loves hearing her remember the old days--especially when one of her stories puts Raisin smack in the middle of real-life mystery.When Raisin is grounded for sneaking a night out, she not only misses her chance to compete in the Miss Ebony Pageant, but her efforts to uncover the famous person buried in the cemetery are brought to a half, too. Somehow Raisin's got to solve the big mystery no one in town wants to talk about. Will her discovery bring her glory, or is the past better off left buried?

    All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn’t have any answers.Until the day when she and her friends discover a box hidden in the attic—a box full of letters signed “Love, Edith,” and photos of a woman who looks just like her.Suddenly, Edie has a flurry of new questions about this woman who shares her name. Could she belong to the Native family that Edie never knew about? But if her mom and dad have kept this secret from her all her life, how can she trust them to tell her the truth now?

    Mary and Joseph weren't the only ones turned away from the inn at Bethlehem. In this new Nativity story, a widower named Micah travels the crowded road to return to the town of his birth. Just in front of him a young woman, heavy with child, rides in the back of a donkey. Her husband leads the way, walking slowly to make the ride smoother. Every so often the young woman turns toward Micah, offering gentle words of encouragement as he hobbles along behind them. And each time they stop for water, she makes sure that her husband offers Micah a sip. When they arrive at Bethlehem, Micah and the young couple go their separate ways. Micah wearily wanders the streets for shelter, a place to eat, and some way to fill his loneliness. Although he doesn't receive what he wants, he does receive what he needs--a warm quilt, a loaf of bread, and in the end, an invitation to come inside a small stable.

    Steal without a trace.Willa, a young night-spirit, is her clan's best thief. She creeps into the cabins of the day-folk under cover of darkness and takes what they won't miss. It's dangerous work--the day-folk kill whatever they don't understand--but Willa will do anything to win the approval of the padaran, the charismatic leader of the Faeran people.When Willa's curiosity leaves her hurt and stranded in the day-folk world, she calls upon the old powers of her beloved grandmother, and the unbreakable bonds of her forest allies, to escape. Only then does she begin to discover the shocking truth: that not all of her day-folk enemies are the same, and that the foundations of her own Faeran society are crumbling. What do you do when you realize that the society you were born and raised in is rife with evil? Do you raise your voice? Do you stand up against it?As forces of unfathomable destruction encroach on her forest home, Willa must decide who she truly is, facing deadly force with the warmest compassion, sinister corruption with trusted alliance, and finding a home for her longing heart.

    The first humorous book in the Dear America series follows an Italian girl's immigrant family as they move from New York City to a utopian community in the frontier West.While traveling in 1883 with her Italian American family (including a meddlesome little sister) and other immigrant pioneers to a utopian community in Idaho, fourteen-year-old Teresa keeps a diary of her experiences along the way.

    Liz is bold and brave, and always knows the right thing to say, especially to Sally, the resident mean girl. Liz even helps Marlee overcome her greatest fear - speaking, which Marlee never does outside her family. But then Liz is gone, replaced by the rumor that she was a Negro girl passing as white. But Marlee decides that doesn't matter. Liz is her best friend. And to stay friends, Marlee and Liz are willing to take on integration and the dangers their friendship could bring to both their families.

    Freedman is full of wild ideas. She's got her eye on handsome Peter Horstein, the Latin lover of her dreams . . . on old Mr. Zavodsky, who looks suspiciously like Hitler in disguise . . . and on her father, who Sally misses terribly. There are so many things to worry and wonder about--but what ever happens, Sally's school year will certainly be exciting--and unforgettable.

    It’s the summer of 1914 in England, and Beth Etheridge, great-granddaughter of the original Elizabeth Chatswood, can’t wait for her twelfth birthday to arrive. That’s when she’ll receive her family’s heirloom “Elizabeth” necklace: one half of a heart encrusted with beautiful sapphires. (The companion necklace, encrusted with rubies, will be given to Beth’s American cousin and pen pal, Kate, later in the series.) But when family from France visits Chatswood Manor for the occasion and another family heirloom goes missing, Beth finds herself on a quest to clear the name of her lady’s maid and friend, Shannon. Her search for answers leads her to a hidden diary with clues to a much larger family mystery that dates back generations. What secrets are hidden away in Chatswood Manor?

    Birdie McAdam, a ten-year-old orphan, is tougher than she looks. She's proud of her job as apprentice to Alfred the Bogler, a man who catches monsters for a living. Birdie lures the bogles out of their lairs with her sweet songs, and Alfred kills them before they kill her. On the mean streets of Victorian England, hunting bogles is actually less dangerous work than mudlarking for scraps along the vile river Thames. (See glossary!) Or so it seems—until the orphans of London start to disappear . . .

    With The Birchbark House, award-winning author Louise Erdrich's first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior's Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island. Readers will be riveted by the daily life of this Native American family, in which tanning moose hides, picking berries, and scaring crows from the cornfield are as commonplace as encounters with bear cubs and fireside ghost stories. Erdrich--a member of the Turtle Mountain Band of Ojibwa--spoke to Ojibwa elders about the spirit and significance of Madeline Island, read letters from travelers, and even spent time with her own children on the island, observing their reactions to woods, stones, crayfish, bear, and deer. The author's softly hewn pencil drawings infuse life and authenticity to her poetic, exquisitely wrought narrative. Omakayas is an intense, strong, likable character to whom young readers will fully relate--from her mixed emotions about her siblings, to her discovery of her unique talents, to her devotion to her pet crow Andeg, to her budding understanding of death, life, and her role in the natural world. We look forward to reading more about this brave, intuitive girl--and wholeheartedly welcome Erdrich's future series to the canon of children's classics. (Ages 9 and older) --Karin Snelson

    She disguises herself as a boy Rowan, befriends half-wolf Tykell, overgrown enchanting minstrel Lionel, and runaway princess Ettarde. Vicious Guy of Gisborne wears a black horse-head hide. But Robin says his camp is no place for a girl.

    Esther's father has fled to Cuba, and she is the first one to join him. It's heartbreaking to be separated from her beloved sister, so Esther promises to write down everything that happens until they're reunited. And she does, recording both the good--the kindness of the Cuban people and her discovery of a valuable hidden talent--and the bad: the fact that Nazism has found a foothold even in Cuba.Based on Ruth Behar's family history.

    Renamed True Son, he came to think of himself as fully Indian. But eleven years later his tribe, the Lenni Lenape, has signed a treaty with the white men and agreed to return their captives, including fifteen-year-old True Son. Now he must go back to the family he has forgotten, whose language is no longer his, and whose ways of dress and behavior are as strange to him as the ways of the forest are to them. A beautifully written, sensitively told story of a white boy brought up by Indians, The Light in the Forest is a beloved American classic.