Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann, and a young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

    

    In this powerful historical narrative, Oxford historian Alexandra Richie follows Berlin from its Medieval foundation to the nation-building dreams of Frederick the Great and Bismarck. Most important, she concentrates on the city during the twentieth century's upheavals: the Weimar Republic's decadent capital; Hitler and Goebbels's fascist metropolis; the city divided by the Cold War. Published to international acclaim, Faust's Metropolis is history at its most enthralling. "Brilliant work . . . the material is all fascinating, and Richie is an excellent descriptive writer." - New York Review of Books "Thoroughgoing and engrossing" - Peter Gay, author of My German Question "Outstanding . . . brilliantly written" - Michael Howard, Times Literary Supplement "Magnificent . . . should be required reading for anyone with any curiosity about where Europe has been and where it is going" - Piers Paul Read, Sunday Telegraph "A compelling narrative" - Philadelphia Inquirer "Absorbing" - Wall Street Journal

    In this thrilling narrative, John Rees brings to life the men—including John Lilburne, Rich-ard Overton, Thomas Rainsborough—and women who ensured victory at war, and brought England to the edge of radical repub-licanism.From the raucous streets of London and the clattering printers’ workshops that stoked the uprising, to the rank and file of the New Model Army and the furious Putney debates where the levellers argued with Oliver Cromwell for the future of English democracy, this story reasserts the revolutionary nature of the 1642–48 wars, and the role of ordinary people in this pivotal moment in history.The legacy of the Levellers can be seen in the modern struggles for freedom and democracy across the world.

    It was a rash, doomed, symbolic uprising, and the rebel leaders knew it. Crack British troops killed and wounded hundreds of the rebels in the week of fighting, and British artillery shells left Dublin's city center in ruins.But the Rising of 1916 was not in vain. The short-lived insurrection and the subsequent executions of sixteen rebel leaders galvanized the Irish people. The overthrow of seven centuries of British rule in Ireland began on Easter Monday, 1916.In Rebels, Peter de Rosa, author of the bestselling Vicars of Christ, tells the story of the 1916 Rising in all its terror and beauty. With the dramatic flair of a novelist and the scrupulous accuracy of a professional historian, de Rosa brings to life the people, passions, politics, and repercussions of this historic event.

    At a certain distance yet still with access to many of the people who enabled and who opposed the führer and his Third Reich, Toland strove to treat this life as if Hitler lived and died a hundred years before instead of within his own memory. From childhood and obscurity to his desperate end, Adolf Hitler emerges as, in Toland’s words, “far more complex and contradictory . . . obsessed by his dream of cleansing Europe Jews . . . a hybrid of Prometheus and Lucifer.”

    For the group of ordinary men in the French Sixth Battalion, thrown together from all over France and longing for home, war is simply a matter of survival, lightened only by the arrival of their rations or a glimpse of a pretty girl or a brief reprieve in the hospital. Reminiscent of classics like Hemingway's A Farewell to Arms and Remarque's All Quiet on the Western Front, Under Fire (originally published in French as La Feu) vividly evokes life in the trenches: the mud, stench, and monotony of waiting while constantly fearing for one's life in an infernal and seemingly eternal battlefield.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Twenty years after the end of the war, this was the first time that the German people were confronted with the horrific details of the Holocaust executed by 'ordinary men' still living in their midst.The trial sent Krüger back to his childhood in the 1930s, in an attempt to understand 'how it really was, that incomprehensible time'. He had grown up in a Berlin suburb, among a community of decent, lower-middle-class homeowners. This was not the world of torch-lit processions and endless ranks of marching SA men. Here, people lived ordinary, non-political lives, believed in God and obeyed the law, but were gradually seduced and intoxicated by the promises of Nazism. He had been, Krüger realised, 'the typical child of innocuous Germans who were never Nazis, and without whom the Nazis would never have been able to do their work'.This world of respectability, order and duty began to crumble when tragedy struck. Krüger's older sister decided to take her own life, leaving the parents struggling to come to terms with the inexplicable. The author's teenage rebellion, his desire to escape the stifling conformity of family life, made him join an anti-Nazi resistance group. He narrowly escaped imprisonment only to be sent to war as Hitler embarked on the conquest of Europe. Step by step, a family that had fallen under the spell of Nazism was being destroyed by it.Written in accomplished prose of lingering beauty, The Broken House is a moving coming-of-age story that provides an unforgettable portrait of life under the Nazis. Yet the book's themes also chime with our own times - how the promise of an 'era of greatness' by a populist leader intoxicates an entire nation, how thin is the veneer of civilisation, and what makes one person a collaborator and another a resister.