But does that make her capable of a vicious murder? Fearing the worst, Work launches his own investigation, crossing paths with a power-hungry detective, a string of damning evidence, and the ugly rumors that swirl within his small, moneyed Southern town.Desperate for the redemption that has eluded him for so many years and stripped of everything he once valued, he fights to save his sister and clear his name--in this poignant and thrilling anatomy of a murder and its ripple effect within a family and a community.

    For Harry Angel, a routine missing-persons case soon turns into a fiendish nightmare of voodoo and black magic, of dizzying peril and violent death. Many people feel that Falling Angel is the greatest American supernatural horror novel of the 20th century.With a new foreword by Ridley Scott, an introduction by the late James Crumley, and a new afterword by the author and a bonus short story, plus a letter from Stephen King, the first time that the letter has ever been published in its complete form.The hardcover edition is limited to just 300 copies and is signed by William Hjortsberg. Bound in cloth with a dustjacket with the original Stanislaw Zagorski wraparound dustjacket printed against a black background with spot varnish.

    Burke's newest client is a woman named Flood, who has the face of an angel, the body of a high-priced stripper, and the skills of a professional executioner.  She wants Burke to find a monster for her—so she can kill him with her bare hands.In this cauterizing thriller, Andrew Vachss's renegade investigator teams up with a lethally gifted avenger to follow a child's murderer through the catacombs of New York, where every alley is blind and the penthouses are as dangerous as the basements.  Fearfully knowing, crackling with narrative tension, and written in prose as forceful as a hollow-point slug, Flood is Burke at his deadliest—and Vachss at the peak of his form.

    Solitary and haunted, he prefers to be invisible. He doesn't allow himself friends or lovers and makes a living rescuing young girls from the deadly clutches of the sex trade. But when a high-ranking New York politician hires him to extricate his teenage daughter from a Manhattan brothel, Joe uncovers a web of corruption that even he may not be able to unravel. When the men on his trail take the only person left in the world who matters to him, he forsakes his pledge to do no harm. If anyone can kill his way to the truth, it's Joe...Novelist, essayist, creator of the beloved TV series Bored to Death and Blunt Talk, Jonathan Ames is celebrated not only for his comic sensibilities and devotion to the absurd but for his lurid attraction to inner demons. In this shocking and suspenseful thriller, the author goes darker than noir, with an ass-kicking and psychologically tormented guardian angel who rescues others but refuses to save himself.

    Transporting racehorses is big business for ex-jockey Freddie Croft. But when one of his drivers breaks a cardinal rule--never pick up a hitchhiker--the results are fatal. Now strange nighttime stalkers and unseen conspirators are weaving a web of deceit and danger that Freddie might never escape.

    When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose. Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he's walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan's most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City's history.

    He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse, she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

    From Jeffery Deaver--the New York Times bestselling author of the upcoming Lincoln Rhyme novel THE KILL ROOM (on sale June 4, 2013)--comes an original short story featuring Rhyme.When a young woman is found brutally murdered in a parking garage, with a veritable mountain of potential evidence to sift through, it may be the most challenging case former NYPD detective Lincoln Rhyme has ever taken on.

    He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.

    "Red Harvest" is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.The Op was in Personville, derogatory nickname aside, as the result of a letter to the Continental Detective Agency in San Francisco from Donald Willsson, publisher of the local paper, asking for an agent to visit. No other information. As soon as the OP arrives, the body count begins. It starts with his client!

    When Gibbons turns up dead on Navy Pier, Kelly enlists a team of his savviest colleagues to connect the dots between the recent murder and the cold case it revived: Diane Lindsay, a television reporter whose relationship with Kelly is not strictly professional; his best friend from childhood, Nicole Andrews, a forensic DNA expert; Nicole’s boyfriend, Vince Rodriguez, a detective with a special interest in rape cases; and Bennett Davis from the DA’s office, a friend since Kelly’s days on the force. To close the case, Kelly will have to face the mob, a serial killer, his own double-crossing friends, and the mean streets of the city he loves.Ferociously plotted and crackling with wit, The Chicago Way is first-rate suspense steeped in the glorious, gritty atmosphere of a great city: a marvelous debut.

    In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life. Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake. Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone. Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows.'