From Africa to the Middle East, and from London to Beijing, Archer takes us to places we've never seen and introduces us to people we'll never forget.Meet the philandering husband who thinks he's committed the perfect murder; the self-assured chess champion who plays a beautiful woman for stakes far higher than cash; and the finance minister who needs to crack the secrets of a Swiss bank. Jeffrey Archer's collection of twelve spellbinding stories will sweep you on a journey of thwarted ambition, undying passion, and unswerving honor that you'll never forget.

    They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    How could this mansion have anything to do with her family, and in particular with her grandmother Charity? But as she became immersed in the story of the house, it became vital that she uncovered the truth.

    Surrounded by ancient standing stones, crop circles and burial mounds, this is a place where all is not as it seems.

    Accused of the horrific murder of his best friend Nathan 12 years before, he has exhausted all appeals and now faces the long walk to the electric chair. All he can do is make peace with his God. Father John Rousseau is the man to whom the last month of Daniel's life has been entrusted. All the two men have left to do is rake over the last ashes of Ford's existence. So he begins to tell his story. Beginning with his first meeting with Nathan, aged 6, on the shores of a lake in 1952, through first loves, Vietnam, the death of Kennedy, and finally their flight from the draft which ended in Nathan's brutal murder.

    They share happy lives with their children and their close friends Craig and Jenny. They’re lucky. But beneath the surface, no relationship is simple: can another woman’s husband and another man’s wife ever just be good friends?Little by little, Carly’s question sends her life spiralling out of control, as she begins to doubt everything she thought was true. Who can she trust? The man she has promised to stick by forever, or the best friend she has known for years? And is Carly being entirely honest with either of them?

    It seems Mathilda's favorite heirloom was also an instrument of torture from the Middle Ages, an iron cage used to gag yapping women. Among the Dorset villagers, only Sarah Blakeney, Mathilda's doctor for her final year, seems even mildly disturbed that the miserable nag has been muzzled forever.OR TRAGIC VICTIM?But suicide starts to look like homicide, and Sarah's sorrow seems a bit contrived when the bombshell drops that Mathilda has disinherited her daughter and granddaughter, leaving her entire fortune to Sarah.Now the object of vicious gossip and the police's prime suspect in a brutal murder, Sarah must prove her innocence by delving into Mathilda's past to unmask the real killer. What she finds beneath the sleepy village facade is a grisly potpourri of blackmail, butchery, and perversion.

    . . with his bruised characters, raw-edged dialogue, and extraordinary night vision."-"The New York Times Book Review" "London's dark heart has seldom been exposed with such surgical precision. Brutal, mesmerizing stuff."-Ian Rankin"A huge talent."-"TimeOut London""One of the brightest stars in the British crime writing firmament."-John ConnollyA research scientist has gone missing. An ace newspaper reporter has disappeared; so has a minidisc, along with its incriminating evidence. And a teenage hustler is on the run. In his pursuer, the Hammer, a skin-headed professional killer with a blue sapphire tooth and a taste for death metal, "the principle of evil" has indeed been "made flesh."From its staggering opening to an electrifying finish, its prose pumping adrenaline all the way, Martyn Waites' new novel wrests former investigative journalist Joe Donovan out of his reclusion in Newcastle. His heart broken by the disappearance of his six-year-old son two years earlier-a case that remains unsolved-he now finds his destiny entwined with that of the streetwise but vulnerable and frightened teenager Jamal. For on the minidisc, lifted by an unwitting Jamal, lies a crucial, increasingly perilous link to Donovan's past.Unsettling and unpredictable, this taut, compelling page-turner of a novel delivers point-blank every unexpected narrative hit, twist, and turn as it leads Donovan finally to the terror of the mercy seat.Martyn Waites is emerging as one of the leading writers of British noir fiction. "The Mercy Seat" is his first American release. He lives in Newcastle.

    But an unscrupulous trader in works of art knows their true worth; and exploits the situation, involving Cleverden in his shady activities. A major heist is planned by the trader, which first necessitates the theft of many of Turner`s paintings. These are held to ransom in exchange for priceless artifacts displayed in the British Museum. Once again, Alan Cleverden is unwittingly swept up in this unlawful venture. One word to the authorities, he would most certainly serve time. A pawn in a highly-charged affair, the odds are against him as he tries to free himself from the trader`s clutches; ensure the safety of the Turners; and return to their original owners the paintings acquired by his grandfather during the Second World War. A fast-paced thriller, Artifice is a must read for those who appreciate fine art, and are drawn to mysteries that hold you spellbound to the very last page. Patrick Gooch has enjoyed an interesting and varied career. He studied History of Art, and went on to lecture at the Central School of Art and Design in London. Patrick worked in marketing, travelling throughout Europe and Central and South America. It was while travelling that he began writing. Married with two sons, he lives close to the Ashdown Forest in East Sussex. “Absorbing and convincing heist thriller” Kevin McManus, author of 'New Blood'.

    Graham is the greatest profiler the FBI ever had, but the physical and mental scars of capturing Hannibal Lecter have caused Graham to go into early retirement. Now, Graham must turn to Lecter for help.

    Life has given her every reason to mistrust people, but circumstances force her to trust her neighbor Mitch with watching Leonard while she goes off to work. Then one day Pearl drops her son off…and never returns. They are an unlikely pair: Mitch is a young, unattached business owner, and Leonard is a precocious, five-year-old boy. But together they must find a way to move forward in the wake of Pearl’s unexplained disappearance. Their bond as parent and child shifts and endures, even as Mitch must eventually surrender Leonard to a two-parent home.Is it possible to love the people who can’t always be there for us? The answers will surprise and move you. As their lives unfold, profound questions emerge about the nature of love and family. Ultimately, this novel’s richest reward is watching Mitch and Leonard grow up together, through the power and the magic of the human heart.

    "Instantly immersive, then intriguing, then insanely suspenseful, then . . . the truth. Believe me, Lesley Kara knows what she's doing."--Lee Child We said to keep it a secret, that no one needed to know. Astrid is newly sober and trying to turn her life around. Having reluctantly moved back in with her mother, in a quiet seaside town away from the temptations and darkness of her previous life, she is focusing on her recovery. She's going to meetings. Confessing her misdeeds. Making amends to those she's wronged. If she fills her days, maybe she can outrun the ghosts that haunt her. Maybe she can start anew. But someone is tormenting me now. Someone knows where I am and what I've done. Someone knows exactly what Astrid is running from. And they won't stop until she learns that some mistakes can't be corrected. Some mistakes, you have to pay for . . . The question is: Who did you tell?

    1 bestselling author of Fatherland; Enigma; Archangel; Pompeii and Imperium. “The moment I heard how McAra died I should have walked away. I can see that now. I should have said, ‘Rick, I’m sorry, this isn’t for me, I don’t like the sound of it,’ finished my drink and left. But he was such a good storyteller, Rick — I often thought he should have been the writer and I the agent — that once he’d started talking there was never any question I wouldn’t listen, and by the time he had finished, I was done for.”After five books set firmly in the past, Robert Harris returns with a contemporary novel that brings the reader face to face with some of the biggest issues of our time — the result is a gripping and genuinely thrilling read.

    The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . .

    The last she--and anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.Now a rising star in the NYC art scene, Emma turns her past into paintings.. They catch the attention of Francesca Harris-White, the socialite and wealthy owner of the very same Camp Nightingale--and when Francesca implores Emma to return to the camp as a painting counselor, Emma sees an opportunity to find closure and move on.Yet, it is immediately clear that all is not right at Camp Nightingale. Already haunted by surfacing memories, Emma is suddenly plagued by a security camera pointed directly at her cabin, mounting mistrust from Francesca, and, most disturbing of all, cryptic clues Vivian apparently left behind about the camp's twisted origins. And as history begins to repeat itself and three girls go missing again, Emma must face threats from both man and nature in order to uncover all the buried secrets--including what really happened all those years ago.