Originally published to critical acclaim in 1995, The Rain Ascends has been revisited by the author, with substantive additions to the end of the narrative that bring to fruition the heroine's struggle for forgiveness and redemption.As a middle-aged mother, Millicent is confronted with the secrets of her father's past as she recalls certain events in her childhood-a childhood that, on the surface, was a blissful one. Disbelief turns to confusion as she faces up to the sins of her father and wrestles with a legacy of lies, silence and her own embattled conscience.In The Rain Ascends, Joy Kogawa beautifully sifts the truth from the past and the sinner from the perceived saint. The result is a sensitive, poetic, yet searing depiction of the wounds left by abuse and the redemption brought by truth.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    The poem explores the actual world of history transformed into the mythical world of poetry, where what we remember about the past may be more real than history tells us.

    Her arresting, edgy poems about aging and grief are surprising and invigorating: a defiant balm. At the same time, she revels in the quirkiness and whimsy of the natural world: the vision of a fly, the naming of an eggplant, and a woman who — not unhappily — finds that cockroaches are drawn to her.“God draws a life. And then begins to rub it out / with the eraser on his pencil.” Lorna Crozier draws a world in What the Soul Doesn’t Want, and then beckons us in. Crozier’s signature wit and striking imagery are on display as she stretches her wings and reminds us that we haven’t yet seen all that she can do.

    Set largely in the small Newfoundland mining town of Black Rock, but straying as far west as Vancouver and as far east as China, these stories are subtle, stark portrayals of people alternately looking for or trying desperately to escape their place in the world.A young boy confuses love and allegiance, then stumbles into the complexities of adulthood; a brother and sister fall in love with the same woman; a frustrated wife protests her husband’s neglect by going on strike with the miners’ union; a lover’s drug habit reunites a woman with the sister she has lost.Anchor Books is proud to publish an expanded edition of Michael Crummey’s brilliant collection Flesh and Blood, which includes three original stories written just for this edition. Graceful, affecting, and generous of spirit, these stories are unforgettable.

    As the journey progresses, secrets are unveiled, a friendship is tested, and there is a run-in with the Hurley family, a family both men have feared since childhood. In The Architects Are Here, Winter’s fifth and most emotionally resonant novel to date, he explores the nature of grief and friendship in unwaveringly powerful prose, and sheds light on who we are and how we go on when the future seems uncertain.

    A fascinating collection of six essays, written for the William Empson Lectures in Oxford, each exploring an aspect of writerly contemplation.

    Unable to commit suicide, she hires a professional killer and contracts him to kill her, by her choice and on her terms. In an effort to dissuade her from death, her killer elicits from her stories about her travels. In this reversal of Sheherazade, who saves her life through a continuous story, Restlessness becomes a story about how to avoid story, a travel book about how to evade travel, a manual for how to stay put.

    She mothers everyoneher social work clients, her husband, her twenty-something daughters, and her reclusive sister who lives in the attic. Elsie is committed to taking care of everyone--everyone but herself. So, when crazy Aunt Hildy writes to demand a bedroom in their Halifax home, Elsie cant help but say yes. When Hilda arrives, she enchants and enrages the family with her moxie. That and her proclamation that she has hidden treasure in the house and the kings ransom will go to whoever loved her most. When someone threatens Aunt Hildy, she responds with her trademark sass: Go ahead. Shoot me. I dare you. Whoever it is takes her up on it. Suddenly, the house is turned topsy-turvy as Elsies family searches for a treasure that Elsie doesnt believe even exists, and for a killer that could be any one of them. Shoot Me is a funny and sometimes heart-wrenching story about family, fortune, and figuring out who you are and who you love. In Elsie, Crewe has created a character who speaks with humour and honesty to conflicts that exist in the lives of so many women: between work and home, between loving one man and wanting others, and between feeling fulfilled not only as a wife and a mother, but as a woman.

    Funny, poignant and smart, full of unforgettable characters, these stories explore the violence of family, the constraints of small-town life and the elusive promise of escape.In "Ice Cream Man," an adolescent girl struggles to come to terms with her mother's death and her father's seeming indifference while conducting a secret affair with an older man from the local arena. Gerald, the young boy in "Big Dog Rage," goes to extreme and reckless measures to thwart the expectations of his parents, teachers, and the local priest, leaving his childhood friend to look longingly on. And in the title story, Bethany sees her gentle fiancé anew as she enters the raucous world of his hard-drinking family. Receiving a sharp shot to the mouth from her future sister-in-law Bethany finds her place in this clan secured.With her incisive, resonant prose, Lynn Coady elicits laughter, sadness, and compassion. Play the Monster Blind is a keenly observed, imaginative collection from one of the most distinctive talents to arrive on Canada's literary scene in years.

    Between jobs and marriages, states of sobriety, joy and anguish; between who they are and who they want to be. Kris Bertin's unforgettable debut introduces us to people at the tenuous moment before everything in their lives changes, for better or worse.Kris Bertin's stories have appeared in the Walrus, the Malahat Review, the New Quarterly, PRISM International, and other magazines. He lives and writes in Halifax, Nova Scotia.

    His memories cluster around the houses they lived in, the schools he went to, the uncles and aunts and cousins he knew as a boy. This is an extremely funny book and the account of how Ted O'Malley repaired the plumbing is likely to become a classic of its kind. It is also a warm and touching book. As a picture of its time, it is clear, true and absolutely unforgettable

    What he finds is the dying and the dead, an entire population suffering from a strange and unnatural plague. Is it possible that every one of the townsfolk have been poisoned? At the heart of the mystery is the local pharmacist, Aiken. He is responsible for summoning young Maxwell to Carrick. He offers motives, explanations, stories, questions. But could he also be guilty of this heinous crime? Maxwell soon realizes that, although a great violence is being done to Carrick, the town itself hides from its own secrets - events from long ago and truths hidden from outsiders at all costs, even their lives. Maxwell interviews the final survivors who are suffering from a disease characterized by a barely recognizable but nonetheless identifiable odour, and a garrulousness unusual in such taciturn people, long accustomed to keeping secrets. yet their confessions lead constantly to more questions and always back to Aiken. As one who knows him well queries, "He's like a stick in water. Is he bent or not?"In The Mysterium, Eric McCormack's second novel, the nature of truth is found to be as deadly as the poison killing the people of Carrick. For at the heart of everything, at the heart of every story and every truth, there is only the mystery.

    John's. By the Rivers of Brooklyn traces the story of the Evans family across two countries and three generations, exploring the hopes, passions and heartbreaks of those who went away and those who stayed behind. By the Rivers of Brooklyn transforms into fiction the experience of the 75,000 first- and second-generation Newfoundlanders who once lived in Brooklyn, New York - and the experience of Newfoundlanders throughout history who have gone away to find work and prosperity but never stopped dreaming of home.

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."