Editor Faubion Bowers provides a foreword and many informative notes to the poems.

    Watts offers a new history of the fall of the Roman Republic that explains why Rome exchanged freedom for autocracy. For centuries, even as Rome grew into the Mediterranean's premier military and political power, its governing institutions, parliamentary rules, and political customs successfully fostered negotiation and compromise. By the 130s BC, however, Rome's leaders increasingly used these same tools to cynically pursue individual gain and obstruct their opponents. As the center decayed and dysfunction grew, arguments between politicians gave way to political violence in the streets. The stage was set for destructive civil wars--and ultimately the imperial reign of Augustus. The death of Rome's Republic was not inevitable. In Mortal Republic, Watts shows it died because it was allowed to, from thousands of small wounds inflicted by Romans who assumed that it would last forever.

    When famed archaeologist Arthur Evans unearthed the ruins of a sophisticated Bronze Age civilization that flowered on Crete 1,000 years before Greece's Classical Age, he discovered a cache of ancient tablets, Europe's earliest written records. For half a century, the meaning of the inscriptions, and even the language in which they were written, would remain a mystery. Award-winning New York Times journalist Margalit Fox's riveting real-life intellectual detective story travels from the Bronze Age Aegean--the era of Odysseus, Agamemnon, and Helen--to the turn of the 20th century and the work of charismatic English archeologist Arthur Evans, to the colorful personal stories of the decipherers. These include Michael Ventris, the brilliant amateur who deciphered the script but met with a sudden, mysterious death that may have been a direct consequence of the decipherment; and Alice Kober, the unsung heroine of the story whose painstaking work allowed Ventris to crack the code.

    They agreed, therefore, that they would form a strong intrenchment at the spot where they were to embark. It was unlikely in the extreme that the Romans would seek to penetrate such a country, but if they did they were to be opposed as soon as they entered the swamps, and a desperate stand was to be made at the intrenchment, which would be approachable at one or two points only.

    As the sole survivor of the assault, Kalie makes her way home, and warns her people to prepare for the invasion that she knows is coming. But the goddess-worshiping farmers of her home have no concept of battle, and dismiss Kalie's warning.When the marauders strike again, they cut a swath of destruction and death that prove too late the truth of Kalie’s words. Then Haraak, the leader of the invaders, demands a tribute of gold, grain and women in exchange for sparing her village. Yet it is in Harak's cruel show of power that Kalie sees a chance to save her people--and gain revenge for herself.Kalie leads a group of volunteers to infiltrate the horseman's society, and then destroy them from within. Once she is among them, Kalie uses her skill as a storyteller, and her knowledge of healing to penetrate the horsemen’s inner circle and to discover the secrets that could lead to their destruction.But Kalie discovers that price of revenge is high, and that a quest for vengeance can become a journey of healing and redemption.

    4 BC–65 AD). He counseled readers to “study death always,” and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca’s remarkable meditations on death and dying. Edited and translated by James Romm, How to Die reveals a provocative thinker and dazzling writer who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.Seneca believed that life is only a journey toward death and that one must rehearse for death throughout life. Here, he tells us how to practice for death, how to die well, and how to understand the role of a good death in a good life. He stresses the universality of death, its importance as life’s final rite of passage, and its ability to liberate us from pain, slavery, or political oppression.Featuring beautifully rendered new translations, How to Die also includes an enlightening introduction, notes, the original Latin texts, and an epilogue presenting Tacitus's description of Seneca's grim suicide.

    By the fourth century, the time of Constantine, the Roman Empire had changed so dramatically in geography, ethnicity, religion, and culture that it would have been virtually unrecognizable to Augustus. Rome’s legacy remains today in so many ways, from language, law, and architecture to the seat of the Roman Catholic Church. Strauss examines this enduring heritage through the lives of the men who shaped it: Augustus, Tiberius, Nero, Vespasian, Trajan, Hadrian, Marcus Aurelius, Septimius Severus, Diocletian and Constantine.

    A god might be a mountain or a shower of gold. A nymph may be a stream or an echo in the wind. The myths of ancient Greece are full of such wonders, as well as a host of courageous heroes, cunning heroines, and terrible monsters. Ann Turnbull’s compelling prose enlivens sixteen of the most celebrated myths, from the sadness of Persephone to the ill-fated love of Orpheus and Eurydice, from Pandora’s unlucky curiosity to the greed of King Midas to many more age-old tales filled with drama and romance. In vivid, expressive detail, Sarah Young’s fine-art illustrations bring this golden world to life, capturing creatures from Cerberus, the threeheaded dog, to the sinister snake-haired Medusa.

    The internationally acclaimed “American with the Venetian heart,” Donna Leon, tells its fascinating story (The Washington Post).First used in medieval Venice as a deftly maneuverable getaway boat, the gondola evolved over the centuries into a floating pleasure palace, bedecked in silk, that facilitated the romantic escapades of the Venetian elite. Today, the gondola wears black—a gleaming, elegant hue, and is manned by robust gondolieri in black-and-white-striped shirts and straw hats.A tourist favorite, the gondola has never ceased to be a part of authentic Venice. Each boat’s 280 pieces are carefully fashioned in a maestro’s workshop—though Leon also recounts a tale of an American friend who attempted to make a gondola all on his own. The feat took five years and countless do-overs. But the gondola is a work of art well worth the labor. And once its arched prow pushes off from the dock, the single Venetian at its oar just might break out in a barcarole, a popular Italian boat song. The best of these songs, as timeless as the allure of the gondola itself, are compiled into an accompanying CD.

    Forced into slavery. Reborn as a Gladiator. The classic tale of the Republic's most infamous rebel comes alive in the graphic and visceral Starz tv show, Spartacus. Torn from his homeland and the woman he loves, Spartacus is condemned to the brutal world of the arena where blood and death are primetime entertainment. But not all battles are fought upon the sands. Treachery, corruption, and the allure of sensual pleasures will constantly test Spartacus. To survive, he must become more than a man. More than a gladiator. He must become a legend.  The first in a series of brand-new original Spartacus novels.

    A member of the bourgeoisie rather than an aristocrat, she was physically too cold for the carnal Bourbon king, and had so many enemies that she could not travel publicly without risking a pelting of mud and stones. History has loved her little better. Nancy Mitford's delightfully candid biography recreates the spirit of 18th-century Versailles with its love of pleasure and treachery. We learn and see France increasingly overcome with class conflict. With a fiction writer's felicity, Mitford restores the royal mistress and celebrates her as a survivor, unsurpassed in "the art of living," who reigned as the most powerful woman in France for nearly twenty years

    This is the period of the first and perhaps greatest Roman Emperors and it's a colorful story of rule and ruination, running from the rise of Augustus through to the death of Nero. Holland's expansive history also has distinct shades of I Claudius, with five wonderfully vivid (and in three cases, thoroughly depraved) Emperors—Augustus, Tiberius, Caligula, Claudius, and Nero—featured, along with numerous fascinating secondary characters. Intrigue, murder, naked ambition and treachery, greed, gluttony, lust, incest, pageantry, decadence—the tale of these five Caesars continues to cast a mesmerizing spell across the millennia.

    Lawrence (a.k.a. Lawrence of Arabia) was first published in the Army Quarterly in 1920. It is incredibly concise and well written. It contains all of the major analysis and conclusions of Seven Pillars of Wisdom (his book and most famous work) without the narrative of his war experiences. It is the "cliff notes" to Lawrence, written by Lawrence himself. It is essential reading for anyone with an interest in World War I, the Arab world, military history, unconventional, irregular, or guerrilla warfare.

    Pascal said the shape of her nose changed the history of the world. Shakespeare portrayed her as an icon of tragic love. But who was Cleopatra, really?Cleopatra was the last ruler of the Macedonian dynasty of Ptolemies. Highly intelligent, she spoke many languages and was rumored to be the only Ptolemy to read and speak Egyptian. Her famous liaisons with Julius Caesar and Mark Antony had as much to do with politics as the heart. Ruthless in dealing with her enemies, many within her own family, Cleopatra steered her kingdom through difficult times, and very nearly succeeded in creating an eastern empire to rival the growing might of Rome.Her story was well documented by her near contemporaries, and the tragic tale of contrasts and oppositions—the seductive but failing power of ancient Egypt versus the virile strength of modern Rome—is so familiar we almost feel that we know Cleopatra. But our picture is highly distorted. Cleopatra is often portrayed as a woman ruled by emotion rather than reason; a queen hurtling towards inevitable self-destruction. But these tales of seduction, intrigue, and suicide by asp have obfuscated Cleopatra’s true political genius.Stripping away our preconceptions, many of them as old as Egypt’s Roman conquerors, Egyptologist Joyce Tyldesley offers a magnificent biography of a most extraordinary queen.

    His dreams come true, but not in the way he expected them to, and war pitches him into the city of Lorenzo de' Medici. His cousin, Antonio, tries to enlist his help in a conspiracy to murder Lorenzo. Tommaso, now living and working with men who are members of the Platonic Academy wishes to enter the Academy himself but to do so he must make his peace with the keeper of its gates - Lorenzo. Torn, he does not know his own mind and heart until fate forces his arm.