It's about Narmada Parikrama done by the author.On the Hindu pilgrimages along the banks of Narmada River; impressions of a Hindu, of his travel along the banks of the river.

    Set in Aligarh in the early 1960s, after the dust of Partition had ostensibly settled, Topi Shukla is an intriguing story about two friends--one Hindu and one Muslim.

    ‘Our purpose is to fulfil our destiny…All life is light and shadow.’ Like any other place on earth, the territory of the Adis in the mountains of Arunachal Pradesh is ‘Pensam’—the ‘in-between’ place. Anything can happen here, and everything can be lived, and ‘the narrow boat that we call life sails along somehow in calm or stormy weather’. A mysterious boy who fell from the sky is accepted as a son of the village and grows up to become a respected elder. A young woman wounded in love is healed by a marriage of which she expected little. A mother battles fate and the law for a son she has not seen since she lost him as an infant. A remote hamlet gets a road, but the new world that comes with it threatens upheaval. And as villages become small towns and towns approximate cities, the brave and patient few guard the old ways, negotiating change with memory and remembrance. An intricate web of stories, images and the history of a tribe, The Legends of Pensam is a lyrical and moving tribute to the human spirit. With a poet’s sense for incident and language, Mamang Dai paints a memorable portrait of a land that is at once particular and universal.

    First published in 1984, The Outcaste is a first-person account of the dehumanizing impact of caste oppression in India.

    One awakens the sorrow and one brings cheerfulness. Patil never wrote for the sake of humour, but his stories have many unseen sown seeds of laughter. They are full of the contrast in life, the contrast is the central theme of his stories. Patil must get the credit for adding this caricature type stories to Marathi literature. The humorists are the wise men of the world because the most forcible way to impart truth is through laugh. Yes, Patil proves to this test. He is a very clever, astute, ingenious, naughty and mischievous writer. This book is a proof of his qualities.

    His collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day.Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.

    He attends the same private tuitions as his classmate, Shirodkar, just for a glimpse of her, and follows her back home every day. Sadly, she has not a clue that he is pining away for her, because in their society, boys and girls don't interact freely, much less talk about love. When he's not negotiating the tricky alleys of love, Mukund sits around the school field or loafs about town with his close friends, Surya, Chitre and Phawdya, railing against the education system, and debating ideas such as discipline and Bohemianism. Set in a small Maharashtrian town during the Emergency of 1975, Shala is a heart-warming, nuanced novel about the adolescent struggles that are as tortuous in real time as they are amusing in retrospect.

    In this book, Nikhil continues taking his readers along for a journey which try to solve the riddles of basic human existence - riddles of love, of childhood's lost and found, of relationships and of our day to day trials.His characters vary from a gangster who chooses love over looting, a couple trying to steal their first kiss in a right-wing nightmare, children playing one-tip one-hand cricket to an early jobber trying to rise above his mundane job to an old man contemplating the purpose of life after getting replaced by technology.Nikhil's characters are immensely relatable and his stories are his voice speaking out your own stories. This book reminds you of the smell of summer sunshine hitting garden leaves and takes you to back to a kinder gentler and simpler time.

    Estep follows her first novel, "Diary of An Emotional Idiot, " with a set of linked stories that glimpses two women through the eyes of the men in their lives.

    First, there is the child Mallika, brimming with romantic fantasies and bemoaning the lack of passion in the lives of her mother, Padma, and her mother's contemporaries - women whom she nevertheless loves fiercely. Mallika renders her fantasies through a highly wrought imagination, re-creating for the reader the events that came to devastate her childhood. Then, we revisit the events Mallika has described as they are retold from the points of view of Padma and Padma's sister, mother and friends. The story that slowly emerges is not the same as the one Mallika told. For the world of these women is one where secrets grow like fungus, where guilt roots and ripens, where anger burns and smolders. Every one of them carries the burden of secrets that may or may not be known by the others - some secrets obvious, others subtler and more insidious - and that have for them become a way of life. And so they tell their stories, stories by no means as prosaic as the child Mallika believes. Layer after layer of concealing silence is relentlessly peeled off, till, at last, the truth behind the greatest secret of all is laid bare - the story of Padma's love.

    The curtain has been brought down on it. Two life-sentences have been run. And I have brought together my recollections of them within the cover of this book. They are narrated in brief and put together within the narrowest.When I came into this world, God sent me here possibly on a sort of life-sentence. It was the span of life allotted to me by time to stay in this ‘prison-house of life’. This story is but a chapter of that book of life, which is a longer story not yet ended. You can finish reading the book in a day, while I had to live it for 14 long years of transportation. And if the story is so tiresome, unendurable and disgusting to you, how much must have been the living of it for me! Every moment of those 14 years in that jail has been an agony of the soul and the body to me, and to my fellow convicts in that jail. It was not only fatiguing, unbearable and futile to us all, it was equally or more excruciating to them as to me. And it is only that you may know it and feel the fatigue, the disgust and the pain of it as we have felt it, that I have chosen to write it for you. —Excerpts from this bookThis is the story of Swatantrayaveer Vinayak Damodar Savarkar—a great revolutionary, politician, poet and seer who tried to free India from the British yoke!British policy was to torture and persecute the political prisoners/revolutionaries so that they would reveal the names of all their colleagues or go mad or commit suicide. My Transportation for Life is a firsthand story of the sufferings and humiliation of an inmate of the infamous Cellular Jail of Andamans, the legendary Kala Paani. The physical tortures inside the high walls were made all the more insufferable by the sickening attitude of the men who mattered—the native leaders back home. This is a running commentary on the prevalent political conditions in India and a treatise for students of revolution. It is a burning story of all Tapasvis who were transported to Andaman.

    A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.

    The Mahabharata story is removed from its mythological elements and the whole theme and characters are placed in the historical time of 12th century B.C in India. Bhyrappa spent five years in researching the social, economic and cultural details of the period.

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.Serious, moving, funny and ironic by turns, these stories are replete with the perceptions of a man who has viewed the world with equanimity and compassion.

    A twenty-seven-year-old college dropout with stalled ambitions, he works at an animal shelter and lives with his bullheaded older brother, Littlefield, in their old family home on Meadow Island, Maine, a house that has fallen into disrepair since their father’s untimely death several years earlier.When a massive blizzard hits the state one Saturday afternoon, Bennie, Littlefield, and a crew of roughneck war-game enthusiasts decide to play paintball at the local granite quarry. Bennie accidentally falls into a gully, landing in the hospital, and wonders if his life can get any worse. But when one of the players disappears during the storm and Littlefield becomes the main suspect in the disappearance, Bennie realizes that the game might have had much higher stakes. Then Littlefield takes off without a word of explanation, forcing Bennie to seriously question his loyalty to his enigmatic brother. With the guidance of his intrepid girlfriend, Helen, and his twin sister, Gwen, Bennie goes looking for answers, embarking on a journey that brings him closer to a truth he may not want to discover. What he finds will change his family and his life forever.Written in prose as arresting and spare as the novel’s rural Maine setting, Lewis Robinson’s Water Dogs is a marvel of modern fiction, a book rich in empathy that follows one man’s path through the uncertainties of youth and loss toward self-discovery.