Now reaching its four hundredth anniversary, it remains one of the most frequently used Bibles in the English-speaking world, especially in America. Lavishly illustrated with reproductions from early editions of the KJB, Bible: The Story of the King James Version offers a vivid and authoritative history of this renowned translation, ranging from the Bible's inception to the present day. Gordon Campbell, a leading authority on Renaissance literatures, tells the engaging and complex story of how this translation came to be commissioned, who the translators were, and how the translation was accomplished. Campbell does not end with the printing of that first edition, but also traces the textual history from 1611 to the establishment of the modern text by Oxford University Press in 1769, shedding light on the subsequent generations who edited and interacted with the text and bringing to life the controversies surrounding later revisions. In addition, the author examines the reception of the King James Version, showing how its popularity has shifted through time and territory, ranging from adulation to deprecation and attracting the attention of a wide variety of adherents. Since the KJB is more widely read in America today than in any other country, Campbell pays particular attention to the history of the KJB in the United States. Finally, the volume includes appendices that contain short biographies of the translators and a guide to the 74-page preliminaries of the 1611 edition. A fitting tribute to the enduring popularity of the King James Version, Bible offers an illuminating history of this most esteemed of biblical translations.

    This study will challenge women to evaluate the modern-day idols in our culture and embrace a deeper, more meaningful relationship with Jesus.Often, idols are obvious--money, power, fame. But subtler idols can sometimes take the form of sweet loved ones, Instagramable interiors, and busy seasons of ministry.But if your heart is prioritizing any of those pursuits before God, they are taking up space meant for Him alone.In this 8-session study, learn to identify the functional gods you are serving daily and the lies they tell. Only when you learn to dethrone modern-day idols can you pursue a deeper, more meaningful relationship with Jesus.Benefits: Stop wasting time on the temporal, false gods, and invest in the eternal, one true God.Recognize the lies behind false gods, and learn to identify the Truth.Dethrone your modern-day idols, and experience the abundant life in Christ.Features: Interactive teaching videos approximately 20-25 minutes in length per sessionLeader helps to guide questions and discussions within small groupsPersonal study segments with homework to complete between 8 weeks of group sessionsRecipes to help grow friendship and community within your small group

    He considers how this medieval theory of orders originated, discusses its complex history, and shows how different interests--cultural, political, and economic--were involved in its creation and use. The Three Orders shows how the tripartite schema come to occupy a central position in social thought and clarifies the manner in which feudal society viewed itself.The book begins with a brief examination of a popular early seventh-century treatise on the “three estates” of France. Duby then jumps abruptly back to the period in which the notion that French society was divided into three estates was born. It was the bishops of a tottering Capetian state who drew upon older imaginings of hierarchical order to project a new rationale for royal power and peasant subservience; their ternary scheme collapsed with the monarchy itself, to be resuscitated in the twelfth century, when the maturing of feudal-vassalic institutions and the conflict between Capetians and Plantagenets contributed to a definitive restoration of monarchical trifunctionality. In tracing the fortunes of the three orders, Duby shows how the tripartite schema came to occupy a central position in social thought and clarifies the manner in which feudal society viewed itself.Praise for The Three Orders:"The Three Orders is a brilliant book, superbly reflecting the author's special scholarly style and remarkableintellectual power....To the best of my knowledge, there is no scholarly work which, taken as a whole, even remotely resembles it.” —Professor Robert Benson, UCLA

    Because the source material is so meager for much of early British history, Mr. Blair is careful to explain just how scholars have arrived at an accurate knowledge of the first 900 years.The real history of Britain begins with the Roman occupation, for the Romans were the first to leave substantial documentary and archaeological evidence. After the governorship of Agricola the written sources almost entirely disappear until the early Anglo-Saxon era of the fifth century; but archaeologists have been able to gather a great deal of information about the intervening centuries from excavations of old walled towns, roads, and fortresses dating from the Roman period. Mr. Blair skillfully describes the transition from Roman to Saxon England and shows why Rome's greatest legacy to her former colony—Christianity—flowered within Anglo-Saxon culture. The source material on Saxon England is mainly documentary, as these new inhabitants built in wood and little archaeological evidence has survived. However, Bede's Ecclesiatical History of the English Nation and other great Christian writings, the Anglo-Saxon Chronicle, Beowulf, the stories of Caedmon, and other poems and epics in the Germanic minstrelsy tradition, have revealed much about English economic, social, and cultural life up to the accession of Alfred the Great.

    Sound art’s roots can be found in the experimental work of Italian Futurism, Dada, and later the Fluxus group and the pioneering efforts of the American composer and artist John Cage. In the wake of this groundbreaking work, sound art began to mature into a movement, and artists explored the interactive possibilities of sound and in turn created entirely new modes of experiencing and engaging with art. In this volume, the complete story of sound art is told by one of the country’s leading critics and scholars. The author traces the history of this form of art–highlighting the convergence of the indie world bands such as Sonic Youth with the art world–looking at the critical cross-pollination that has led to some of the most important and challenging art being produced today, including work by Christian Marclay, LaMonte Young, Janet Cardiff, Rodney Graham, and Laurie Anderson, among many others.

    They are dying from ergot poisoning, from eating infected crops. But this is the year 1244, and almost no one has heard of this condition, a disease later called, St. Anthony’s Fire. Desperate to save his clan, Laird Gus turns to a soothsayer for answers. The mystic tells him to hunt down and capture a special Sassenach woman with God-given healing gifts. Laird Gus tracks down Lady Sybilla and kidnaps her. Only trouble is, she keeps insisting that she has no magical abilities, nor healing skills of any sort. She’s not even clever with herbs. He has captured the wrong lass. English Lady Sybilla might not have the ability to break curses and cure a castle of folk, but she is clever. And cleverness turns out to be exactly what he needs.