Over the course of her extraordinary life and career, Audrey Hepburn captured hearts around the world and created a public image that stands as one of the most recognizable and beloved in recent memory. But despite her international fame and her tireless efforts on behalf of UNICEF, Audrey was also known for her intense privacy. With unprecedented access to studio archives, friends and colleagues who knew and loved Audrey, bestselling author Donald Spoto provides an intimate and moving account of this beautiful, elusive and talented woman. Tracing her astonishing rise to stardom, from her harrowing childhood in Nazi-controlled Holland during World War II to her years as a struggling ballet dancer in London and her Tony Award-winning Broadway debut in "Gigi," Spoto illuminates the origins of Audrey's tenacious spirit and fiercely passionate nature. She would go on to star in some of the most popular movies of the twentieth century, including" Roman Holiday," "Sabrina," "Funny Face," " The Nun's Story," "Breakfast at Tiffany's" and "My Fair Lady." A friend and inspiration to renowned designer Hubert de Givenchy, Audrey emerged as a fashion icon as well as a film legend, her influence on women's fashion virtually unparalleled to this day. But behind the glamorous public persona, Audrey Hepburn was both a different and a deeper person and a woman who craved love and affection. Donald Spoto offers remarkable insights into her professional and personal relationships with her two husbands, and with celebrities such as Gregory Peck, William Holden, Fred Astaire, Gary Cooper, Robert Anderson, Cary Grant, Peter O'Toole, Albert Finney and Ben Gazzara. The turbulent romances of her youth, her profound sympathy for the plight of hungry children, and the thrills and terrors of motherhood prepared Audrey for the final chapter in her life, as she devoted herself entirely to the charity efforts of an organization that had once come to her rescue at the end of the war: UNICEF. Donald Spoto has written a poignant, funny and deeply moving biography of an unforgettable woman. At last, "Enchantment" reveals the private Audrey Hepburn--and invites readers to fall in love with her all over again. "She was as funny as she was beautiful. She was a magical combination of high chic and high spirits." --Gregory Peck "In spite of her fragile appearance, she's like steel." --Cary Grant "Audrey was known for something which has disappeared, and that is elegance, grace and manners . . . God kissed her on the cheek, and there she was." --Billy Wilder "There is not a woman alive who does not dream of looking like Audrey Hepburn." --Hubert de Givenchy "Her magnetism was so extraordinary that everyone wanted to be close to her. It was as if she placed a glass barrier between herself and the world. You couldn't get behind it easily. It made her remarkably attractive." --Stanley Donen "She has authentic charm. Most people simply have nice manners." --Alfred Lunt

    But how do these uncompromising and often haunting performances square with his off-duty reputation as the ultimate salt-of-the-earth diamond geezer? The answer lies in the East End of his youth. Revisiting the bomb-sites and boozers of his childhood and adolescence, Ray Winstone takes the reader on an unforgettable tour of a cockney heartland which is at once irresistibly mythic and undeniably real. Told with its author's trademark blend of brutal directness and roguish wit, Young Winstone offers a fascinating insight into the social history of East London, as well as a school of hard knocks coming-of-age story with a powerful emotional punch.

    When he died recently, he left behind an incredible celluloid legacy. Sunset Boulevard, Some Like It Hot, Double Indemnity, The Apartment, The Lost Weekend, Sabrina and other Wilder films have become a part of our shared experience and collective memory. In Nobody's Perfect, Billy Wilder speaks for himself, in what is as close to an autobiography as there ever will be. Charlotte Chandler, author of authorized bios on Groucho Marx and Federico Fellini, met Wilder in the mid-1970s and began a friendship that continued until his death. Over the course of more than 20 years, she interviewed not only Wilder, but many of the actors and other creative people who worked with him. The result is this remarkable book, a very personal look at one of filmdom's true creative geniuses. In a life as dramatic as his films, Wilder survived World War I and escaped the Holocaust. His great gift as a screenwriter soon became apparent, as did his easy rapport with actors. As a writer-director, he worked with such stars as Greta Garbo, William Holden, Tony Curtis, Barbara Stanwyck, Marlene Dietrich, Ginger Rogers, Gloria Swanson, Audrey Hepburn, Gary Cooper, James Cagney, Jack Lemmon, Walter Matthau and Marilyn Monroe - most of whom were interviewed for this book. This revealing and vastly entertaining book is a wonderful, timely tribute to this great writer-director, a legacy of Wilder's wit, insight and remarkable wisdom.

    Set against the splendor and barbarity of the Roman Empire in AD 180, Gladiator tells an epic story of courage and revenge: The great Roman general Maximus (Russell Crowe) has been forced into exile and slavery by the jealous heir to the throne, Commodus (Joaquin Phoenix). Trained as a gladiator, Maximus returns to Rome, intent on avenging the murder of his family by Commodus, now emperor. The one power stronger than that of the emperor is the will of the people, and Maximus knows he can attain his revenge only by becoming the greatest hero in all the Empire. Russell Crowe heads up an international cast that includes Joaquin Phoenix, Connie Nielson, Oliver Reed, Derek Jacobi, Djimon Hounsou, and Richard Harris. Directed by Ridley Scott from a script by David Franzoni and John Logan, Gladiator is produced by Franzoni, Douglas Wick, and Branko Lustig, with Walter F. Parkes serving as executive producer.This is the official full-color companion book, featuring excerpts from the screenplay, historical sidebars and illustrations, details on period costumes and epic set designs, behind-the-scenes photographs from the location filming, and interviews with the screenwriters, actors, and director.

    He provides easily understood guidelines for writing a screenplay, from concept to finished product. The art of film-writing is made accessible to novices and helps practiced writers improve their scripts, as the author pinpoints stylistic and structural elements such as characterisation and plot. Tips and techniques on what to do after your screenplay has been completed and much more are all here. There are also practical examples from films which Syd Field has collaborated on such as Lord of the Rings, American Beauty and The Pianist. Written for all levels of screenwriters, this is an indispensable reference book for anyone who wants to make money as a great screenwriter.

    Features interviews with all the original cast members and a comprehensive episode guide. Photos.

    She survived—and, miraculously, the baby was born healthy. But that’s where the good news ends. Marcella was left paralyzed from the chest down. This accident was much more than just a physical and emotional tragedy. Like so many Americans—50 million, or one-sixth of the country’s population—neither Marcella nor her husband, Dave, who works for a small business, had health insurance. On the day of the accident, she was on her way to class for the nursing program through which she hoped to secure one of the few remaining jobs in the area with the promise of employer-provided insurance. Instead, the accident plunged the young family into the tangled web of means-tested social assistance. As a social policy scholar, Campbell thought she knew a lot about means-tested assistance programs. What she quickly learned was that missing from most government manuals and scholarly analyses was an understanding of how these programs actually affect the lives of the people who depend on them. Using Marcella and Dave’s situation as a case in point, she reveals their many shortcomings in Trapped in America’s Safety Net. Because American safety net programs are designed for the poor, Marcella and Dave first had to spend down their assets and drop their income to near-poverty level before qualifying for help. What’s more, to remain eligible, they will have to stay under these strictures for the rest of their lives, meaning they are barred from doing many of the things middle-class families are encouraged to do: Save for retirement. Develop an emergency fund. Take advantage of tax-free college savings. And, while Marcella and Dave’s story is tragic, the financial precariousness they endured even before the accident is all too common in America, where the prevalence of low-income work and unequal access to education have generated vast—and growing—economic inequality. The implementation of Obamacare has cut the number of uninsured and underinsured and reduced some of the disparities in coverage, but it continues to leave too many people open to tremendous risk.Behind the statistics and beyond the ideological battles are human beings whose lives are stunted by policies that purport to help them. In showing how and why this happens, Trapped in America’s Safety Net offers a way to change it.

    Their sixth, Fargo, was released that March to acclaim; awards would follow. Alex Belth, a 25-year-old aspiring filmmaker, landed a job as their personal assistant on Lebowski — and for the next year, was the fly on the wall as the Coens created the movie that would become an enduring movie classic. First as their personal assistant and then as an assistant film editor, Belth observed everything from the pre-production work of location scouting, casting, and rehearsals, all the way through filming and post-production. Belth witnessed when Jeff Bridges and John Goodman met for the first time and rehearsed their iconic roles as The Dude and Walter; when a private screening was held for Alan Klein, the Rolling Stones' notorious former business manager; and long editing sessions with the Coen brothers in the editing room, as they tied their movie together. The Dudes Abide is the first behind-the-scenes account of the making of a Coen Brothers movie, and offers an intimate, first-hand narrative of the making of The Big Lebowski — including never-before-revealed details about the making of the film, and insight into the inner workings of the Coen Brothers' genius. About the Author: Alex Belth, praised as New York's best sportswriter by the Village Voice, is the creator of Bronx Banter, a blog about the New York Yankees. He began his career in the film business, working for Woody Allen, Ken Burns, and the Coen Brothers. Belth is the author of Stepping Up, a biography of Curt Flood, and the editor of The Best Sports Writing of Pat Jordan and Yankee Stadium Memories. He has written for Sports Illustrated, SB Nation, and The Daily Beast and Deadspin. His story on iconoclastic sportswriter George Kimball was included in The Best American Sports Writing 2012. [Cover Design by Adil Dara]

    From Zanjeer to Deewaar and Sholay to Shakti, their creative output changed the destinies of several actors and filmmakers and even made a cultural phenomenon of the Angry Young Man. Even after they decided to part ways, success continued to court them-a testament not only to their impeccable talent and professional ethos, but also their enterprising showmanship and business acumen. Fizzing with energy and brimming over with enough trivia to delight a cinephile's heart, Written by Salim-Javed tells the story of a dynamic partnership that transformed Hindi cinema forever.

    Challenges the conventional wisdom that violent horror films can only degrade women and incite violence.

    His own brilliant directing career has been marked by similarly grand ambitions, and he is unique in having premiered all of his features - from the highly styled The Element of Crime to the digital-video-originated The Idiots - at the Cannes Film Festival. Trier is a rare item in contemporary cinema, a restless innovator and polemicist, as his participation in the back-to-basics Dogme95 movement attests; and these conversations with Stig Bjorkman, author of Bergman on Bergman and Woody Allen on Woody Allen, trace the evolution of his career and thought in a manner that is both astonishingly detailed and engagingly humorous.

    Woody was apparently too busy for introductions. My instructions were to run out of a building, through a crowd, and into a strange car. When Woody called 'Action,' I opened the car door, jumped in, and landed smack on William Powell's lap. He looked up nonchalantly: 'Miss Loy, I presume?' I said, 'Mr. Powell?' And that's how I met the man who would be my partner in fourteen films.” – Myrna Loy Movie stars are revered for their ability to captivate audiences, and Hollywood began to flourish before the onset of television, allowing movies to enjoy relatively uncontested supremacy over American entertainment. The popularity of various actors would thus extend well beyond the success of any of their individual films, reflecting their much broader cultural significance as monuments of Hollywood during its Golden Age. In the 1920s, the burgeoning movie industry was starting to come into its own, and while older silent film stars like Charlie Chaplin and Buster Keaton reached the peak of Hollywood, some actors born near the beginning of the 20th century were ready to capitalize. While actors like Humphrey Bogart and Cary Grant remain household names, and actresses like Greta Garbo are still widely remembered, few had careers that enjoyed the success of William Powell. In a career spanning several decades, Powell would receive three Oscar nominations for Best Actor for critically acclaimed movies, so it is somewhat ironic that he is mostly remembered today for his association with the more famous Myrna Loy. Together, they starred in 14 films, including the 1934 box office hit, The Thin Man. One thing that helped Powell’s career along in the old days when Hollywood would only cast white actors in major roles, no matter what the nationality of the character was supposed to be, were his dark good looks. In pointing this out, a contemporary profile of Powell explained, “Many people imagine that William Powell has a foreign look. His first big stage success, his first big picture roles, were all in foreign parts — Spanish, Italian, Cuban. As a matter of fact, he is American to the core. Perhaps that look is his heritage from a paternal grandfather named Brady. The black Irish fit into any nationality. There is, too, a good strong strain of Holland Dutch, and a bit of French and English.” William Powell: The Life and Legacy of One of Early Hollywood’s Most Acclaimed Actors chronicles the long life and diverse career of Powell on and off the screen. Along with pictures depicting important people, places, and events, you will learn about Powell like never before.

    Hundreds of film stills, many in color, plus dialogue, quotations, and other sources add to and illustrate each chapter's overriding theme.

    The more powerful the NDE, the more profound the after effects. The ambitious reset their priorities. Atheists change their values. Doctors rethink their beliefs. But what if the after effects of an NDE were undeniable? What if someone suddenly developed the ability to produce high quality paintings of their NDE, a new-found skill that went far beyond the artistic ability they had before? And what if that same person then suddenly acquired the ability to compose classical symphonies after their NDE? And their symphonies were then premiered at sell out orchestral concerts, even though, to this day, they are unable to read or write a single note of musical notation. Wouldn't this be proof that even a cynic would have a hard time explaining? After his NDE, this is exactly what happened to David. And this is his story.

    Burt Lancaster is known to audiences around the world as the electrifying performer of Gunfight at the O.K. Corral, From Here to Eternity, and Birdman of Alcatraz, among many others. Kate Buford brings to life his vivid, memorable on-screen presence as well as the off-screen life he kept intensely private. The first writer to win cooperation from Lancaster's widow and close friends, Buford has written the intimate story of one of the last great unexamined Hollywood lives, capturing both the golden boy and the husband, philanderer, and sometime bisexual. Buford's portrait is compelling, comprehensive, intelligent—and definitive.