Though family and community support helps, her hold on sanity remains tenuous.

    After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt’s extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.

    Thomas Rider knows almost nothing about his parents, only that his mother died the day he was born in Ashland. He travels there in search of his past, learning of the town's bizarre history. Gradually with the help of an offbeat, utterly unforgettable cast of characters, Thomas finds himself immersed in a series of events that turns everything he knows upside down. Comic, poignant, and wholly original, The Watermelon King is a magical novel steeped in the power of identity, myth, and good old-fashioned southern storytelling.

    She even seems to be coming to terms with her mother Jane’s premature death from cancer. But when Jane’s final wish is revealed, Olivia and her elder sister Georgia are mystified. Their mother rarely spoke of her rural Southern hometown, and never went back to visit—so why does she want them to return to Huntley, Georgia, to scatter her ashes?Jane’s request offers Olivia a temporary escape from the reality she’s long been denying: she hates her “dream” job, and she’s not really sure she wants to marry her groom-to-be. With her 14-year-old niece, Logan, riding shotgun, she heads South on a summer road trip looking for answers about her mother.As Olivia gets to know the town’s inhabitants, she begins to peel back the secrets of her mother’s early life—truths that force her to finally question her own future. But when Olivia is confronted with a tragedy and finds an opportunity to right a terrible wrong, will it give her the courage to accept her mother’s past—and say yes to her own desire to start over?

    Roger Wing is pledging his martial skills to the service of the Lord, but it isn't helping him win over the prettiest girl in the Youth for Christ Mission.

    David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.John Kennedy Toole, who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces, wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.

    For generations, the Burroughs clan has made its home on Bull Mountain in North Georgia, running shine, pot, and meth over six state lines, virtually untouched by the rule of law. To distance himself from his family’s criminal empire, Clayton took the job of sheriff in a neighboring community to keep what peace he can. But when a federal agent with the Bureau of Alcohol, Tobacco, and Firearms shows up at Clayton’s office with a plan to shut down the mountain, his hidden agenda will pit brother against brother, test loyalties, and could lead Clayton down a path to self-destruction.

    On a scorching day in August 1954, thirteen-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a Florida vacation. Crammed into the Packard along with Jubie are her three siblings, her mother, and the family's black maid, Mary Luther. For as long as Jubie can remember, Mary has been there cooking, cleaning, compensating for her father's rages and her mother's benign neglect, and loving Jubie unconditionally. Bright and curious, Jubie takes note of the anti-integration signs they pass and of the racial tension that builds as they journey further south. But she could never have predicted the shocking turn their trip will take. Now, in the wake of tragedy, Jubie must confront her parents failings and limitations, decide where her own convictions lie, and make the tumultuous leap to independence.Infused with the intensity of a changing time, here is a story of hope, heartbreak, and the love and courage that can transform us from child to adult, wounded to indomitable.

    She treasures her tight-knit family. There’s her loving mama, now widowed; her whip-smart younger brother, BJ, who has cystic fibrosis; and wise old Gran. But everything falls apart after Gran and BJ die and mama is jailed unjustly. Suddenly Lydia has lost all those dearest to her. Moving to a coal camp to live with her uncle William and aunt Ethel Mae only makes Lydia feel more alone. She is ridiculed at her new school for her outgrown homemade clothes and the way she talks, and for what the kids believe her mama did. And to make matters worse, she discovers that her uncle has been keeping a family secret—about her.If only Lydia, with her resilient spirit and determination, could find a way to clear her mother’s name...

    While his beloved Pirates battle for back-to-back World Series titles, Matt’s family moves from Pittsburgh to Dogwood, West Virginia, where his father steps into the pulpit of a church under the thumb of town leader Basil Blackwood. A fish out of water, Matt is relieved to forge a fast bond with two unlikely friends: Dickie Darrel Lee Hancock, a mixed-race boy, and Jesse Woods, a tough-as-nails girl with a sister on her hip and no dad in sight.As the trio traipses the hills and hollers, Matt begins to fall for Jesse, and their promises to each other draw him deeper into her terrifying reality. One night, the wrath of the Blackwoods and the secrets of Jesse’s family collide, and Matt joins Jesse in a rescue that saves one life and ends another . . . and severs the bond of their friendship.Years later, Matt is pulled back to Dogwood and to memories of that momentous summer by news of Jesse’s upcoming wedding. He could never shake the feeling that there was more to the story of that fateful night, and he’s determined to learn the truth behind the only promise Jesse Woods ever broke.

    L. Doctorow comprise one of the most substantive achievements of modern American fiction. Now, with Homer & Langley, this master novelist has once again created an unforgettable work.Homer and Langley Collyer are brothers – the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers – wars, political movements, technological advances – and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians... and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves. Brilliantly conceived, gorgeously written, this mesmerizing narrative, a free imaginative rendering of the lives of New York’s fabled Collyer brothers, is a family story with the resonance of myth, an astonishing masterwork unlike any that have come before from this great writer.

    This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.

    Emerging from the harsh realities of difficult lives, the stories are full of the violence of love and the love of violence. The author won the 1995 Steinbeck Award for "Dogs of God".

    Nestled in the Appalachian mountains, Owsley County is one of the poorest counties in both Kentucky and the country. Buildings are crumbling and fields sit vacant, as tobacco farming and coal mining decline. But strong women are finding creative ways to subsist in their hollers in the hills. Cassie Chambers grew up in these hollers and, through the women who raised her, she traces her own path out of and back into the Kentucky mountains. Chambers’s Granny was a child bride who rose before dawn every morning to raise seven children. Despite her poverty, she wouldn’t hesitate to give the last bite of pie or vegetables from her garden to a struggling neighbor. Her two daughters took very different paths: strong-willed Ruth—the hardest-working tobacco farmer in the county—stayed on the family farm, while spirited Wilma—the sixth child—became the first in the family to graduate from high school, then moved an hour away for college. Married at nineteen and pregnant with Cassie a few months later, Wilma beat the odds to finish school. She raised her daughter to think she could move mountains, like the ones that kept her safe but also isolated her from the larger world. Cassie would spend much of her childhood with Granny and Ruth in the hills of Owsley County, both while Wilma was in college and after. With her “hill women” values guiding her, Cassie went on to graduate from Harvard Law. But while the Ivy League gave her knowledge and opportunities, its privileged world felt far from her reality, and she moved back home to help her fellow rural Kentucky women by providing free legal services. Appalachian women face issues that are all too common: domestic violence, the opioid crisis, a world that seems more divided by the day. But they are also community leaders, keeping their towns together in the face of a system that continually fails them. With nuance and heart, Chambers uses these women’s stories paired with her own journey to break down the myth of the hillbilly and illuminate a region whose poor communities, especially women, can lead it into the future.

    Trenchmouth, nicknamed for his inexplicable, lifelong oral affliction, is orphaned and then raised by the Widow Dorsett, a strong mountain woman who teaches him to fend for himself. Trouble seems to follow Trenchmouth as he goes through his life with stints as a mine war sniper, musician, and prize-winning reporter. But Trenchmouth always finds a way to triumph, and when he enters his last stage of life, he is indeed a reporter worthy of a grand report, of telling his unthinkable tale. Yet it is in the telling itself that something truly remarkable is revealed, something even Trenchmouth could not have known.