And now join us, in a world where reality is dead…and anything is possible...

    An unmissable must for Tank Girl fans of all hairstyles Dark and nasty, We Hate Tank Girl is a bonanza of stories, posters, prose, and extras, featuring tales from Tank Girl's past, present, and future, including the long-awaited Cut 'n' Dress Booga, and the never-before-seen bonus story, "Small Unit." Collects Tank Girl One-Shots: Dark Nuggets, Dirty Helmets, and Hairy Heroes.

    Now, the Master of Horror takes us into his Bestiary for an anthology series—free of continuity, but full of shocking consequences. WHY YOU’LL LOVE IT: HELLRAISER: BESTIARY will pick up where classic horror comics anthologies like Tales From The Crypt, Vault of Horror, and the more recent Flinch left off. And not only will some of comics’ rising stars, such as Ed Brisson (Sheltered), and Michael Moreci (CURSE), get a chance to open the puzzle box in this series, but the first issue features the comics debut of award-winning novelist Victor LaValle (The Devil in Silver, Big Machine). WHAT IT’S ABOUT: Step into the Bestiary for all-new tales of the LeMarchand Device and its guardians! This first issue contains the start of a six-part serial written by Mark Miller (CLIVE BARKER’S NEXT TESTAMENT) and Ben Meares (HELLRAISER ANNUAL 2013), and drawn by Carlos Magno (DEATHMATCH), where a group of mercenaries are hired to steal Pinhead’s pins. Also, superstar author Victor LaValle teams with artist Colin Lorimer (CURSE) to tell a story set on the outskirts of New York City, as a close-knit community is torn apart by the presence of the puzzle box.

    Carré’s elegant short stories read like the gothic, family narratives of Flannery O’Connor or Carson McCullers, but told visually. Poetic rhythms — a coin flip, a circling ferris wheel — are punctuated by elements of melancholy fantasy pushed forward by character-driven, naturalistic dialogue. The stories in Heads Or Tails display a virtuosic breadth of visual styles and color palettes, each in perfect service of the story, and range from experimental one-pagers to short masterpieces like The Thing About Madeline (featured in The Best American Comics 2008), to graphic novellas like The Carnival (featured in David Sedaris and Dave Eggers’ 2010 Best American Nonrequired Reading, originally published in MOME).

    The gorgeous evolution continues in the second color volume, which includes the Sunday strips from all of 1937 and 1938. The color format opens the floodgates for a massive amount of spectacular rare color art from series editor Bill Blackbeard and designer Chris Ware's files. Krazy Kat is a love story, focusing on the relationships of its three main characters. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy Co.'s unique dialogue.Most of these strips in this volume have not seen print since originally running in Hearst newspapers over 70 years ago. With a full 104 Sunday pages this time around, this particular book is jam packed with little room for extras, but we did squeeze in a half-dozen or so pages' worth of never-before-seen Herriman memorabilia (all in color), including a spectacular full-color New Year's card illustration done for a friend.

    His mission: to climb the the towers of Thauili Van and restart the Earth empire. News of the Empire's return brings old foes and allies out of the recesses of the vast cosmos. Collects PROPHET #21-26

    - A new quarterly anthology of the best new talent in the sequential arts- In color, part-color, and black-and-white- The regular roster of artists gives the series a concrete identity- Quarterly schedule allows readers to look forward to favorite artists on a regular basis- Created for a general audience of literature fans, with a focus on contemporary fiction and narrative

    While trying to understand his dissatisfaction with the present, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colours characterize Seth's style in this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's "hoax".

    He's 23 years old, he's in a rockband, he's "between jobs" and he's dating a cute high school girl. Nothing could possibly go wrong, unless a seriously mind-blowing, dangerously fashionable, rollerblading delivery girl named Ramona Flowers starts cruising through his dreams and sailing by him at parties. Will Scott's awesome life get turned upside-down? Will he have to face Ramona's seven evil ex-boyfriends in battle? The short answer is yes. The long answer is Scott Pilgrim, Volume 1: Scott Pilgrim's Precious Little Life

    Working as an investigative reporter for the newspaper The Word, Spider attacks the injustices of his surreal 23rd Century surroundings. Combining black humor, life-threatening situations, and moral ambiguity, this book is the first look into the mind of an outlaw journalist and the world he seeks to destroy.

    Just ask the young cynic Shogo, who sinned against love. Electroshock therapy was only meant to bring him face to face with his own violent misdeeds, but instead landed him in the court of a stern goddess. If the encounter was a hallucination, then it's a hallucination that starts to encroach on reality in this unforgettable tale penned by manga-god Osamu Tezuka and inspired by Greek myths of divine unforgiving. Sharing with his longer work Phoenix the themes of recurrence and retribution as well as the spirit of high invention, Apollo's Song explores the meaning of love and the consequences of its absence. Shogo's mother is a bar hostess, his father could be any one of a dozen of her regular patrons. Growing up, he learns nothing of genuine love and tenderness, and when he witnesses his mother in the nearest approximation of which she's capable--lustful embrace--he receives a merciless beating soon afterwards. Shogo comes to hate the very notion of love. But goddesses, who are neither the Buddha nor Christ, do not excuse misfortunes of upbringing. Apollo's Song reaches Olympian heights of tragedy as the story proceeds from a boxcar bound for a Nazi concentration camp to a dystopian future where human beings are persecuted by an ascendant race of their own clones. Will Shogo ever attain redemption, or, like the human race itself, will he have to relearn the lessons of love forever? Is it better to have loved and lost if the heartbreak must recur eternally?Love, propagation, nature, war, death--Tezuka holds his trademark cornucopia of concerns together with striking characterizations, an unfailing sense of pacing, and of course, stunning imagery. Though marked by a salty pessimism, this unique masterpiece from Tezuka's transitional period is also unabashedly romantic--and, at times, profoundly erotic. Combining a classic tale of thwarted love with cognitive ambiguities reminiscent of the work of Philip K. Dick, Apollo's Song is guaranteed to plumb new depths of the human heart with each rereading.

    This graphic fantasy novel is the second of its kind, following on from "Raw" volume 1.

    His brash, confident, undulating artwork sent a shock wave through the comics world for its unique, fully formed aesthetic.From its opening pages, Ant Colony immerses the reader in a world that is darkly existential, with false prophets, unjust wars, and corrupt police officers, as it follows the denizens of a black ant colony under attack from the nearby red ants. On the surface, it’s the story of this war, the destruction of a civilization, and the ants’ all too familiar desire to rebuild. Underneath, though, Ant Colony plumbs the deepest human concerns—loneliness, faith, love, apathy, and more. All of this is done with humor and sensitivity, exposing a world where spiders can wreak unimaginable amounts of havoc with a single gnash of their jaws.DeForge’s striking visual sensibility—stark lines, dramatic color choices, and brilliant use of page and panel space—stands out in this volume.

    This newest volume is a departure from his last work, Maggots, and from his first book, Ninja, which elicited the following assessment of the artist's style by Salon.com's Douglas Wolk: "Chippendale's howling hyperspeed attack on every page with his pen is the kind of manifestation of pure style that has more to do with the contemporary visual art scene than with traditional comics and their ideals of clarity and representation." If and Oof are a Laurel and Hardy-esque duo who suffer a series of misadventures amidst Chippendale's frenetic landscapes on their simple quest to just survive, eat, pay rent and avoid confrontation. Comedy and horror ensue in this fast-paced trip through Chippendale's unconscious. The artist's most accessible work to date, If 'n Oof is replete with the frenzied line work and concise, witty dialogue for which he has become known. This first release of all new material since 2005 is a must for Lightning Bolt fans and graphic-novel aficionados, and proves more than approachable to those new to Chippendale's oeuvre.

    Romero-esque zombie comedy that he intends to be the middle installment of his "horror trilogy" begun with the Frankenstein monster love triangle of You Can't Get There From Here. Jason's elegant deadpan style somehow manages to make the gruesome gore and splatter effects almost... charming — and yes, it is a sweet love story at heart. If you read only one book in which a zombie devours a baby this year (even Romero never quite summoned up the nerve for that), read this one!