From the author of My Song For Him Who Never Sang to Me and We Hardly See Each Other Any More, another intimate, illustrated collection of verse to share with those we love.

    From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    This new book takes place in Lockdown Three. This time Key can make Government-sanctioned expeditions out onto the streets of London (remember?). And it is there that the inaction takes place. Phone calls to his mother, promenades with his loyal friend, bubble-negotiations, sitting his fat arse down on benches, drinking mocha. Another three months of mind-freezing inertia. This time on the move. Conversations interspersed with poetry.

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    Hauge deserves a larger American readership, and this book may summon it." —Publishers Weekly "(Hauge's) poetry is miniaturist, pictorial, and ruminative; personal in that his experience, cognitive and sensual observations, and intentions are everywhere in it. Yet it isn't at all confessional or self-assertive....He is a man who knows where he is and helps us feel that we can know where we are, too."—Booklist “If you have a tiny farm, you need to love poetry more than the farm. If you sell apples, you need to love poetry more than the apples.”—Robert Bly, from the introduction Olav H. Hauge, one of Norway’s most beloved poets, is a major figure of twentieth-century European poetry. This generous bilingual edition—introduced by Robert Bly—includes the best poems from each of Hauge’s seven books, as well as a gathering of his last poems. Ever sage and plainspoken—and bearing resemblance to Chinese poetry—Hauge’s compact and classically restrained poems are rooted in his training as an orchardist, his deep reading in world literatures, and a lifetime of careful attention to the beauties and rigors of the western fjordland. His spare imagery and unpretentious tone ranges from bleak to unabashedly joyous, an intricate interplay between head and heart and hand. The rose has been sung about. I want to sing of the thorns, and the root—how it gripsthe rock hard, hardas a thin girl’s hand. During a writing career that spanned nearly fifty years, Olav H. Hauge produced seven books of poetry, numerous translations, and several volumes of correspondence. A largely self-educated man, he earned his living as a farmer, orchardist, and gardener on a small plot in the fjord region of western Norway.

    Plus bonus scenes from the Ian Dalton - Victoria Wilde versions along with the erotic series prequel, Desperate Thoughts. Plus a sneak peek bonus chapter of the upcoming fifth book in the series, Friends With Way Too Many Benefits, releasing on 12/17/2013. Book 1 - Friends With Partial Benefits Jillian Grayson is a disillusioned divorcée and best-selling romance novelist who suddenly can't write a chapter without her hunky male heartthrob suffering ED, an STD, or even worse. Brian Nash is a tennis-obsessed college senior who's unlucky in love and the roommate and best friend of Jillian's son, Rob. When Rob brings Brian home for Spring Break, and Brian meets the surprisingly young and tennis passionate Jillian, their shared interest quickly develops into an intense mutual attraction. After nearly giving in to their feelings, they hatch a plan, while under the influence (of something more than just the perfect Miami night), to be Friends With Partial Benefits, complete with rules to define the boundaries. Will the lonely pair continue with this distinctive relationship, actually explore their desires, or discover all of it is a really bad idea? Book 2 - Friends With Full Benefits For best-selling romance novelist Jillian Grayson, writer's block is a thing of the past now that her clandestine relationship with her son's best friend, Brian Nash, has lifted her out of a post-divorce funk. The prospect of breaking the news to her son seems daunting, but it's nothing compared to the nightmare of meeting Brian's superstrict, off-the-wall, disapproving parents. After Jillian, Brian and his younger brother Jim, learn an eye-opening secret about the Nash parents they all go scurrying back to Miami where Jillian's best friend Victoria finds Brian's sexy, but innocent college senior brother to be just what the doctor ordered. But when Jim comes on a little too seriously, will Victoria lose interest and return to her life of casual fun or will things get even more complicated? Book 3 - Friends With More Benefits As Jillian and Brian's destination wedding date nears, Jillian's just released novel's complicated success threatens to destroy their big day. While Rob's new job grows extraordinarily more mysterious Brian's becomes infinitely more unfulfilling and both struggle to find the answers. Victoria finds it more and more difficult to hide her secrets and when they are finally exposed there is no shortage of collateral damage. When thoughts are revealed will the wedding be ruined, will Jillian's career survive and will everyone forgive Victoria? Book 4 - Friends With Extra Benefits Victoria, Jillian, Brian, Jim, Caroline, and Rob are back in book four, the 400-page epic next chapter in the series. Who will prevail in the Brookhart v. Grayson trial? Will Victoria have a boy or a girl, and will she finally find happiness? Will Rob figure out what the hell is going on with his mysterious and unstable boss, and will Brian find a career? Will you be able to get through the steamy chapters without tossing your e-reader to the floor and chasing your partner around the room? Prequel - Desperate Thoughts While struggling to move on with her life, a young widow tumbles into a clandestine sexual encounter with a shy college freshman who reminds her all too much of her late husband. Afterward, she's re-awakened sexually and motivated to pursue her desperately unfulfilled desires.

    A secret past. A past that the K’tai didn’t reckon on. Humanity, previously dependent on the K'Tai for its Redlazore, discovers vast resources of the most valuable mineral in the galaxy on Agate and are now free to expand across the stars: Redlazore is also the key component to faster-than-light travel. The planet Agate is, however, the human colony-world which lies perilously close to the K'Tai Imperium and the K'Tai resolve to put the upstart humans back in their place. The K'Tai Imperium invades Agate. On the ground, in the midst of the whirlwind conflict is the Carter family: Dave a mid-level exec is working in downtown Gemini City, Sue his wife, a high school teacher and their teenage twins, Jodee and Chris are on a school trip to a Redlazore mine. In space, the League Border Patrol face overwhelming odds as the K'Tai fleet advance. The K'Tai soldiers of the infamous Black Legion descend on Agate, opposed by the meagre, poorly-armed militia and a sprinkling of regular marines. The planet and those upon it are engulfed in the flames of war. The K'Tai, however, did not count on the Carters. For the Carters have a secret. A secret which will cost the K'Tai Imperium dearly. The Carters are Agate's human population's only hope.

    Moved by the guilt of never having worked with his hands, Neruda opens with the despairing confession, “Why did I not make a broom? / Why was I given hands at all?” The themes of hands and work grow in significance as Neruda celebrates the carpenters, longshoremen, blacksmiths, and bakers—those laborers he admires most—and shares his exuberant adoration for the earth and the people upon it.Yes, I am guiltyof what I did not do,of what I did not sow, did not cut, did not measure,of never having rallied myself to populate lands,of having sustained myself in the desertsand of my voice speaking with the sand.Pablo Neruda (1904–1973) was a Chilean poet and diplomat who received the Nobel Prize in Literature in 1971. Recognized during his life as “a people’s poet,” he is considered one of the greatest artists of the twentieth century.William O’Daly is the best-selling translator of six of Pablo Neruda’s books, including The Book of Questions and The Sea and the Bells. His work as a translator has been featured on The Today Show.

    Topics: basic skills, essential skills, personal development, Affairs_Sex_and_Love, professional life, money, rejection, your and our future, unexpected stories, and “So, where do we go from here?”Readers will be able to apply the tricks Gisela reveals immediately. The ebook edition won BRONZE at the eLit Awards 2012 (category inspirational/motivational)5***** at Readers Favorite

    With compassionate wit and insight, Campbell McGrath transports us on a journey through contemporary society, transforming the commonplace into scenes of profound revelation. From late-night bars to early-morning diners, suburban malls to the Mojave Desert, McGrath's meticulously detailed vision defines singular moments of joy and melancholy.

    The words are redolent with his Cuban heritage: Marina making mole sauce; Tía Ida bitter over the revolution, missing the sisters who fled to Miami; his father, especially, “his hair once as black as the black of his oxfords…” Yet this is a volume for all who have longed for enveloping arms and words, and for that sanctuary called home. “So much of my life spent like this-suspended, moving toward unknown places and names or returning to those I know, corresponding with the paradox of crossing, being nowhere yet here.” Blanco embraces juxtaposition. There is the Cuban Blanco, the American Richard, the engineer by day, the poet by heart, the rhythms of Spanish, the percussion of English, the first-world professional, the immigrant, the gay man, the straight world. There is the ennui behind the question: why cannot I not just live where I live? Too, there is the precious, fleeting relief when he can write "…I am, for a moment, not afraid of being no more than what I hear and see, no more than this:..." It is what we all hope for, too.

    This is an important, no-holds-barred book complete with graphic scenes and language because "that’s the way it happened and that’s how it must be told. Victims’ own voices are the best weapons against child sexual abuse." This 291-page story comes with a "trigger warning advisory" as it details the mental, physical, and sexual abuse inflicted on the author by her biological father. Victims of similar abuse need to realize this story could cause flashbacks of their own as they identify with scenes and language that mirror their own experiences. Those who have never suffered sexual abuse may be shocked by what the author's father put her through and the utter control he had of all areas of her life until she finally got away. This book will frighten and enlighten readers as they learn what goes on behind the closed doors of too many homes and is rarely talked about or acknowledged, or, worse yet, is even denied by family members who know it is going on. WHO SHOULD READ THIS BOOK? 1) Those who truly care about children’s welfare and want to know the truth about what can and does go on in thousands of families worldwide. These readers want to understand how incest affects children as they grow into adulthood and what the long-lasting effects of incest can be like. 2) Those who are in denial and refuse to believe this kind of child sexual abuse actually occurs at the hands of fathers, mothers, sisters, brothers, aunts, uncles, and other close family relatives WHO SHOULDN’T READ THIS BOOK? 1) Those who think incest is an acceptable and enjoyable activity between family members 2) Those who think this is another Fifty Shades of Gray and are looking for sexual stimulation via books 3) Those who are still very raw in their own healing and recovery from incest and could be easily triggered by graphic scenes and language 4) Those victims looking for a book on healing or how to recover from childhood sexual abuse. This is a story only. Those seeking help in healing should consult a therapist, join a self-help group, or purchase one of the many excellent books available for healing purposes, such as The Courage to Heal. No Tears for My Father contains actual photos from the family archives and is enhanced with poems by the author set against beautiful colour graphics. Reviewers have called this book "honestly unforgettable," and more than one reader has said, "I couldn't put the book down!" Read No Tears for My Father and find out why one reviewer said, "Viga makes me believe survival is possible for any injustice that we experience in our life. What a great read!"

    He's set to wrestle and study creative writing at Columbia University in New York. These poems are a look into his early experiences with love and loss, an introspective coming of age tale told in verse.

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]