Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark.

    All she did was fall in love with a white Christian carnivore instead of a conventional Indian boy. Years later, with her parents not speaking to her and her controversial relationship in tatters, all Preeti has left is her career at a prestigious Los Angeles law firm.But when Preeti receives word of a terrible accident in the city where she was born, she returns to India, where she’ll have to face her estranged parents…and the complicated past they left behind. Surrounded by the sights and sounds of her heritage, Preeti catches a startling glimpse of her family’s battles with class, tradition, and sacrifice. Torn between two beautifully flawed cultures, Preeti must now untangle what home truly means to her.

     Trevor Benson never intended to move back to New Bern, NC. But when a mortar blast outside the hospital where he worked as an orthopedic surgeon sent him home from Afghanistan with devastating injuries, the dilapidated cabin he inherited from his grandfather seemed as good a place to regroup as any. Tending to his grandfather's beloved bee hives while gearing up for a second stint in medical school, Trevor isn't prepared to fall in love with a local . . . and yet, from their very first encounter, his connection with Natalie Masterson can't be ignored. But even as she seems to reciprocate his feelings, she remains frustratingly distant, making Trevor wonder what she's hiding. Further complicating his stay in New Bern is the presence of a sullen teenage girl, Callie, who lives in the trailer park down the road from his grandfather's cabin. Claiming to be 19, she works at the local sundries store and keeps to herself. When he discovers she was once befriended by his grandfather, Trevor hopes Callie can shed light on the mysterious circumstances of his grandfather's death, but she offers few clues -- until a crisis triggers a race that will uncover the true nature of Callie's past, one more intertwined with the elderly man's passing than Trevor could ever have anticipated. In his quest to unravel Natalie and Callie's secrets, Trevor will learn the true meaning of love and forgiveness . . . and that in life, to move forward, we must often return to the place where it all began.

    She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling."Indelicacy isn't merely a book, it's a world; a world I wanted to live in, forever . . . Arch, yet warm; aspiring and impervious; confiding and enigmatic; reposing and intrepid; Cain has conjured a protagonist who purged my mind and filled my heart." —Claire-Louise Bennett, author of Pond A ghostly feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams.

    Her mother, to whom she hasn't spoken for many years, comes to see her. Her unexpected visit forces Lucy to confront the tension and longing that have informed every aspect of her life: her impoverished childhood in Amgash, Illinois, her escape to New York and her desire to become a writer, her faltering marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable. In My Name Is Lucy Barton, one of America's finest writers shows how a simple hospital visit illuminates the most tender relationship of all-the one between mother and daughter.

    Four years later, she’s hit the jackpot when she gets The Call: the sitcom she wrote, The Next Best Thing, has gotten the green light, and Ruthie’s going to be the show-runner. But her dreams of Hollywood happiness are threatened by demanding actors, number-crunching executives, an unrequited crush on a boss, and her grandmother’s impending nuptials. Set against the fascinating backdrop of Los Angeles show business culture, with an insider’s ear and eye for writer’s rooms, bad behavior backstage and set politics, Jennifer Weiner’s new novel is a rollicking ride on the Hollywood rollercoaster and a heartfelt story about what it’s like for a young woman to love, and lose, in the land where dreams come true.

    The police are looking to charge me with murder.2. No one knows who I am. Or how I did it.3. If you think you've found me. I'm coming for you next.After you've read this book, you'll know: the truth is far more twisted...

    With her celebrity dog and gorgeous fiancé, she is planning the ultimate virtual wedding—expensive, elaborate, and entirely paid for by sponsors. But off-camera, her world is far from picture perfect. After being jilted by her fiancé and faking her nuptials to please her sponsors, Mia finally has had enough. She heaves her phone off a cliff, ready to live—and maybe find love—offline for a change.Mia’s sudden absence doesn’t go unnoticed, especially by techie loner Paige Miller, who hacks Mia’s account and begins impersonating the internet celebrity. Paige has her reasons. Her half sister, Jessica, idolizes Mia and desperately needs something to believe in. If taking over Mia’s online persona is Paige’s only means of connecting to her sister, so be it.Creating a like-worthy life is more fun than Paige expected. But when she grows too bold and is caught in the act, a fiasco ensues that could forever change Mia, Paige, and the people who love them. Because somewhere amid the chaos is an invaluable lesson—one that only real life can teach.

    That’s what Audrey says. She states it with a little bit of an edge, her words just bordering on cursive. That’s the thing I think first. Not: Audrey Hepburn is at my birthday dinner, but Audrey Hepburn is annoyed.At one point or another, we’ve all been asked to name five people, living or dead, with whom we’d like to have dinner. Why do we choose the people we do? And what if that dinner was to actually happen? These are the questions Rebecca Serle contends within her utterly captivating novel, The Dinner List, a story imbued with the same delightful magical realism as One Day, and the life-changing romance of Me Before You.When Sabrina arrives at her thirtieth birthday dinner she finds at the table not just her best friend, but also three significant people from her past, and well, Audrey Hepburn. As the appetizers are served, wine poured, and dinner table conversation begins, it becomes clear that there’s a reason these six people have been gathered together.Delicious but never indulgent, sweet with just the right amount of bitter, The Dinner List is a romance for our times. Bon appetit.

    She provides for her son by cleaning houses she could never afford. Taken into care as a child, Kerry cannot forget her past.Noah Martineau is a successful barrister with a beautiful wife, daughter and home in fashionable Primrose Hill. Adopted as a young child, Noah never looks back.When Kerry contacts Noah, the sibling she lost on the day they were torn apart as children, she sets in motion a chain of events that will change both of their lives forever.By turns funny and moving, Half a World Away is a story that will stay with you long after you read its final page.

    Henry Tuhoe is the quintessential twenty-first-century man. He has a vague, well-compensated job working for a multinational  conglomerate—but everyone around him is getting laid off as the company outsources everything it can to third-world countries. He has a beautiful wife—his college  sweetheart—and an idyllic new home in the leafy suburbs, complete with pool. But his wife won’t let him touch her, even though she demanded he get a vasectomy; he’s seriously overleveraged on the mortgage; and no matter what chemicals he tries the pool remains a corpselike shade of ghastly green. Then Henry’s boss offers him a choice: go to the tiny, magical, about-to-be-globalized Kingdom of Galado to oversee the launch of a new customer-service call center for a boutique bottled water company the conglomerate has just acquired, or lose the job with no severance. Henry takes the transfer, more out of fecklessness than a sense of adventure. In Galado, a land both spiritual and corrupt, Henry wrestles with first-world moral conundrums, the life he left behind, the attention of a steroid-abusing, megalomaniacal monarch, and a woman intent on redeeming both his soul and her country. The result is a riveting piece of fiction of and for our times, blackly satirical, moving, and profound.

    Best to steer clear of the freaks in Voodoo, kid.”Surrounded and outgunned, a group of private military contractors known as “Strange Company” find themselves on a remote planet at the edge of known space, and on the losing end of a bad contract. Orbital D-beam strikes, dropships bristling with auto-guns, missiles, and troops - even Monarch space marines in state-of-the-art advanced battle rattle - will try to prevent the company from reaching the exfil LZ and getting off-world.For Strange, that means it’s time to hang tough and get it on with as much hyper-kinetic violence as they can muster to get clear of the whole mess. And what the Strange can’t get done by violent assault and crazy firefights, they’ll get done by the freaks of Voodoo Platoon - operators who have been changed by the Dark Labs into powerful and unnervingly unnatural asymmetrical weapons.This is the Strange Company. Because in the Strange, it’s always really Strange. Join them - and get ready for full auto combat at the furthest limits of human exploration.

    Since she left Dublin, she’s been spending her days teaching English to rich children—she’s been assigned the grammar classes because she lacks warmth—and her nights avoiding petulant roommates in her cramped apartment.When Ava befriends Julian, a witty British banker, he offers a shortcut into a lavish life her meager salary could never allow. Ignoring her feminist leanings and her better instincts, Ava finds herself moving into Julian’s apartment, letting him buy her clothes, and, eventually, striking up a sexual relationship with him. When Julian’s job takes him back to London, she stays put, unsure where their relationship stands.Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her. Ava has been carefully pretending that Julian is nothing more than an absentee roommate, so when Julian announces that he’s returning to Hong Kong, she faces a fork in the road. Should she return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.

    Their erotic and ideological vicissitudes are driven by a reality they cannot control, like that of Homer’s characters. Invisible gods intervene in their lives to intertwine their physical attraction and intellectual admiration, courage and fear, secrets and unexpected complicity. They build their difficult and beautiful love in one of the most turbulent and romantic scenarios of Latin American history. They swim with the current; they enjoy it and enlarge it. But they are also dragged along by eddies that leave them breathless and turn their world upside down. Aguinis’ titles tend to be paradoxical. However, for this novel, he has preferred to place emphasis on the multiple meanings of the word passion. Passion refers to love, and also to the strength of ideals, to suffering, pleasure, salvation and the yearning for freedom. The emotional combat of the protagonists runs in parallel with the dizzying brilliance of concrete situations. This is what allows the suspense to grab the reader from the first page to the very end. A free-flowing, sweeping, and thrilling rhythm dominates the text, like that of musical passions. It should come as no surprise that this novel—where the voices of the female protagonist, her lover, and the omniscient writer alternate—has been written following Bach’s counterpoint model. From a distance, ineffable, we still hear the resounding epic of another war where the liberators sang to a different Carmela—also a torch, also a passion. Aguinis portrays his creations skillfully and renders them indelible. His skill in handling emotions does leaves no line void of poetry or consequences. And his extremely accurate style is a grounding that turns this work—situated in exceptional times—into one of the best love stories to mark out the course of literature.

    With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.Mayflies is a memorial to youth's euphorias and to everyday tragedy. A tender goodbye to an old union, it discovers the joy and the costs of love.