Shares adventures in Bosnia & Croatia & explains how we could be on the brink of lasting world peace.

    From agaves to ice plants and sedums to sempervivums, hardy succulents can bring color, texture, and versatility to perennial flower beds in any climate. This comprehensive guide offers clear growing instructions accompanied by vivid photography of these durable and beautiful plants. With tips on choosing the right varieties for every North American hardiness zone, you can enjoy all the quirky vibrancy of succulents wherever you live.

    Every chicken just wants to be free. Every bear, dog, or mouse experiences sorrow and feels pain as intensely as any of us humans do. In a compelling appeal to reason and human kindness, Matthieu Ricard here takes the arguments from his best-sellers Altruism and Happiness to their logical conclusion: that compassion toward all beings, including our fellow animals, is a moral obligation and the direction toward which any enlightened society must aspire. He chronicles the appalling sufferings of the animals we eat, wear, and use for adornment or "entertainment," and submits every traditional justification for their exploitation to scientific evidence and moral scrutiny. What arises is an unambiguous and powerful ethical imperative for treating all of the animals with whom we share this planet with respect and compassion.

    All the lectures were delivered in 1900.

    The thirst for blood and cry for deadly vengeance lie deep in humankind, as criminologist Colin Wilson authoritatively illustrates in this millennial history of the most heinous of human crimes. Analyzing the tangle of motives behind murder and examining an astonishing variety of homicidal methods over the past twenty centuries, Wilson not only profiles infamous historical figures like Vlad the Impaler, Ivan the Terrible, Gilles de Rais, Countess Elizabeth Bathory, Marquis de Sade, and Jack the Ripper, but also studies particular categories of homicide and such phenomena as the Jacobean witch hunts and gangland killings of America's Jazz Age. Wilson's chronicle includes, too, the serial killings, random shooting sprees, and cult murders that have troubled more recent times. The comprehensive history and illuminating analysis of how humans kill, and why, make crime-expert Wilson's volume one that no true-crime fan or student of criminology will want to miss.

    Mariam felt pretty sure she didn’t know a single Muslim woman who would describe herself that way. Why was she hearing about Muslim women from people who were neither Muslim, nor female?Years later the state of the national discourse has deteriorated even further, and Muslim women’s voices are still pushed to the fringes – the figures leading the discussion are white and male.Taking one of the most politicized and misused words associated with Muslim women and Islamophobia, It’s Not About the Burqa is poised to change all that. Here are voices you won’t see represented in the national news headlines: seventeen Muslim women speaking frankly about the hijab and wavering faith, about love and divorce, about feminism, queer identity, sex, and the twin threats of a disapproving community and a racist country. Funny, warm, sometimes sad, and often angry, each of these essays is a passionate declaration, and each essay is calling time on the oppression, the lazy stereotyping, the misogyny and the Islamophobia.What does it mean, exactly, to be a Muslim woman in the West today? According to the media, it’s all about the burqa.Here’s what it’s really about.

    How do we guard against them? We learn not only by following moral exemplars—we also need to look at the warnings of lives gone wrong. In this fictionalized narrative, JR. Forasteros reintroduces us to some of the most villainous characters of Scripture. He shows us what we can learn from their negative examples, with figures such as Cain, Jezebel, King Herod, Sampson and Delilah, and even Satan serving as cautionary tales of sin and temptation. Forasteros vividly tells their stories to help us understand their motivations, and his astute biblical and cultural exposition points out what we often miss about their lives. We soon discover that we might have more in common with these characters than we would like to admit. Take a fresh look at the scoundrels of Scripture, and find sound pastoral guidance here to walk the path of righteousness.

    From fourth-century Li Ch'ung's "Parody of a Lover" to John Betmeman's "Late-Flowering Lust," they re-create, through the revelations of language, that experience of the erotic. Other poets include Theodore Roethke, Robert Graves, Octavio Paz, Joseph Brodsky, Sylvia Plath, Frederico Garcia Lorca, Percy Bysshe Shelley, and many others.

    Yeats for over fifty years, Roy Foster sheds new light on one of the most complex and fascinating lives of the late nineteenth and early twentieth century. Working from a great archive of personal and contemporary material, he dramatically alters traditional perceptions to illuminate the poet's family history, relationships, politics and art. From a childhood inheritance of déclassé Irish Protestantism with strong nationalist sympathies, and an exceptional and talented family background, the narrative charts Yeats's development into an original and outstanding poet. It ends in his fiftieth year with the controversies and disillusionment affecting his personal and public life at the time of the First World War. A bohemian life of uncertain finances, love-affairs, avant-garde friends and experiments with drugs and occultism prefaces his attempt to unite politics with high culture and his creation of an Irish national theatre. Constantly shifting between Dublin, Coole Park and London, with forays to America and Paris, ruthlessly constructing a public life as well as a creative reputation, Yeats's genius attracted admirers and enemies with equal passion. His story intersects with those of an engrossing cast of characters including Lady Gregory, J. M. Synge, George Moore, `AE', Ezra Pound and above all Maud Gonne - an influence eternally re-created `like the phoenix', affecting almost everything he did. The search for supernatural wisdom forms a constant thread, traced through Yeats's occult notebooks and closely related to the insecurities of his personal life. The Apprentice Mage charts the growth of a poet's mind and of an astonishing personality, both of which were instrumental in the formation of a new and radicalized Irish nationalist identity.

     Due to mature content, situations and language, this collection is recommended for audiences 18+. The Avalon Trilogy is suitable for young audiences, but can be equally enjoyed by all those young at heart. All works in this box set have been professionally proofed by Paper Gold Publishing and Pelican Proofing, unless this service was expressly refused by the author. Some stories are written in American, some in Canadian, Australian, and some in British English. The authors have chosen to stay true to their heritage. This box set is comprised of a mix of already released novels and novellas, including a complete trilogy. Those books which are part of a series can be enjoyed fully without the need to read the complete series (though there is a chance you might develop story-addiction issues—for that, we apologize). LEGACY is an impressive collection of fantasy stories — some darker, some intense, all suspenseful, and every one unique. 10 new worlds to explore, 10 wild adventures, 10 ways to make a new set of best friends. The perfect companion for late nights on the sofa, the perfect gift to those who enjoy a good read. Add it to your favorite kindle with one click now. THIS BOX SET INCLUDES THE FOLLOWING TITLES: WHITE HART — Sarah Dalton DESTINY'S WINGS — D.S. Schmeckpeper WANDERING TO BELONG — Jess Mountifield WHEN SHADOWS FALL — Bruce Blake PARADOX: THE ANGELS ARE HERE — Patti Roberts WERELORD THAL: A RENAISSANCE WEREWOLF TALE — Tracy Falbe THE DRAGIL: BROKEN MAGIC — Holly Barbo THE AVALON TRILOGY I: THE STAR REALM — Julie Elizabeth Powell THE AVALON TRILOGY II: INVASION — Julie Elizabeth Powell THE AVALON TRILOGY III: SECRETS OF THE ICE — Julie Elizabeth Powell

     In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it's like to report on conflicts that are (quite literally) close to home. From sexual harassment on the streets of Cairo to the impossibility of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women or gain entry to places that an outsider would never be able to access. Their daring, shocking, and heartfelt stories, told here for the first time, shatter stereotypes about Arab women and provide an urgently needed perspective on a part of the world that is often misunderstood. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

    In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes.What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

    Not a dry textbook, it's written in magazine style by critically acclaimed Christian journalist and Bible history author Stephen M. Miller. Color maps, photos, and paintings transport readers to sacred lands. There, they'll meet fascinating people: lovers and liars, healers and hoodlums, warriors and wimps. This captivating book will appeal to Bible newcomers as well as long-time Christians.

    She tells the story of a Tibetan town perched eleven thousand feet above sea level that is one of the most difficult places in all of China for foreigners to visit. Ngaba was one of the first places where the Tibetans and the Chinese Communists encountered one another. In the 1930s, Mao Zedong’s Red Army fled into the Tibetan plateau to escape their adversaries in the Chinese Civil War. By the time the soldiers reached Ngaba, they were so hungry that they looted monasteries and ate religious statues made of flour and butter—to Tibetans, it was as if they were eating the Buddha. Their experiences would make Ngaba one of the engines of Tibetan resistance for decades to come, culminating in shocking acts of self-immolation. Eat the Buddha spans decades of modern Tibetan and Chinese history, as told through the private lives of Demick’s subjects, among them a princess whose family is wiped out during the Cultural Revolution, a young Tibetan nomad who becomes radicalized in the storied monastery of Kirti, an upwardly mobile entrepreneur who falls in love with a Chinese woman, a poet and intellectual who risks everything to voice his resistance, and a Tibetan schoolgirl forced to choose at an early age between her family and the elusive lure of Chinese money. All of them face the same dilemma: Do they resist the Chinese, or do they join them? Do they adhere to Buddhist teachings of compassion and nonviolence, or do they fight? Illuminating a culture that has long been romanticized by Westerners as deeply spiritual and peaceful, Demick reveals what it is really like to be a Tibetan in the twenty-first century, trying to preserve one’s culture, faith, and language against the depredations of a seemingly unstoppable, technologically all-seeing superpower. Her depiction is nuanced, unvarnished, and at times shocking.

    MoreauThe Invisible ManThe War of the WorldsThe First Men in the MoonThe Food of the Gods