Using comics, jokes, and frank communication, they're here to demystify the world of sex and answer your questions—including ones you might not even know you had!In this first book of the Drawn to Sex series, they explore the practical side of sex, from the basics of what defines sex, to barriers and testing, masturbation, and the ins-and-outs of having sex with other people.Pick up this fun book if you’re looking to learn something new, understand sexuality better, or know someone (maybe you!) who might benefit from some judgment-free education. Erika and Matthew are here to help you out

    Since that time, books such as Richard Plant's The Pink Triangle (and Martin Sherman's play Bent) have illuminated this nearly lost history. Heinz Heger's first-person account, The Men with the Pink Triangle, was one of the first books on the topic and remains one of the most important. In 1939, Heger, a Viennese university student, was arrested and sentenced to prison for being a "degenerate." Within weeks he was transported to Sachsenhausen, a concentration camp in East Germany, and forced to wear a pink triangle to show that his crime was homosexuality. He remained there, under horrific conditions, until the end of the war in 1945. The power of The Men with the Pink Triangle comes from Heger's sparse prose and his ability to recall--and communicate--the smallest resonant details. The pain and squalor of everyday camp life--the constant filth, the continuous presence of death, and the unimaginable cruelty of those in command--are all here. But Heger's story would be unbearable were it not for the simple courage he and others used to survive and, having survived, that he bore witness. This book is harrowing but necessary reading for everyone concerned about gay history, human rights, or social justice. --Michael Bronski

    With We Are Never Meeting in Real Life., "bitches gotta eat" blogger and comedian Samantha Irby turns the serio-comic essay into an art form. Whether talking about how her difficult childhood has led to a problem in making "adult" budgets, explaining why she should be the new Bachelorette--she's "35-ish, but could easily pass for 60-something"--detailing a disastrous pilgrimage-slash-romantic-vacation to Nashville to scatter her estranged father's ashes, sharing awkward sexual encounters, or dispensing advice on how to navigate friendships with former drinking buddies who are now suburban moms--hang in there for the Costco loot--she's as deft at poking fun at the ghosts of her past self as she is at capturing powerful emotional truths.Chapter titles:My Bachelorette application --A blues for Fred --The miracle porker --Do you guys pay your fucking bills or what? --You don't have to be grateful for sex --A Christmas carol --Happy birthday --A case for remaining indoors --A total attack of the heart --A civil union --Mavis --Fuck it, bitch. Stay fat --Nashville hot chicken --I'm in love and it's boring --A bomb, probably --The real housewife of Kalamazoo --Thirteen questions to ask before getting married --Yo, I need a job --Feelings are a mistake --We are never meeting in real life

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    It's a diagnosis that scares them, but could never break their bond. Because women pushing fifty won't be pushed around.In these twelve gloriously comic and moving essays, Helen Ellis dishes on married middle-age sex, sobs with a theater full of women as a psychic exorcises their sorrows, gets twenty shots of stomach bile to the neck to get rid of her double chin, and gathers up the courage to ask, Are you there, Menopause? It's Me, Helen.A book that reads like the best cocktail party of your life, Bring Your Baggage and Don't Pack Light is chockablock with fabulous characters: cat-lady plastic surgeons and waterpark Adonises, bridge ladies and poker players; platinum medallion fliers and Garage Sale Swindlers; forty-year-old divorc�es, fifty-year-old new moms and still-young octogenarians. Alive with the sensational humor and ferocious love for her friends that won Helen Ellis legions of fans, this book has a raw vulnerability and an emotional generosity that takes this acclaimed author to a whole new level of accomplishment.

    From gender-based discrimination in work places, to unsolicited groping from strangers in public, to the attempted assaults on herself and the assaults of close friends, Woods uses personal stories to prove that sexual violence and discrimination never just happen once, but that it is a consistent battle women and woman aligned people face every day. "All my life, when I've tried to talk to men about sexism, my main obstacle has just been trying to convince them it exists, and that it is something that actually has a deep and near constant impact on my life. When I talk to most women, though, [. . .] there is immediate understanding that the incidents we are discussing are part of an endless stream of sexist experiences."100 Things is powerful in its straightforwardness, demonstrating how often women are forced to silently endure sexism and harassment and how men are encouraged to feel entitled to another person's space and body. Woods reveals that no age, orientation, time, or place helps prevent sexual violence and that a more in depth conversation is needed to bring it to an end.

    The so-called scandal couldn't come at a worse time--threatening Emma's promotion and Jo's new movie.As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a "source" is feeding information to the media. But their only comment is "no comment".With the launch of Jo's film project fast approaching, the two women begin to spend even more time together, getting along famously. Emma seems to have a sixth sense for knowing what Jo needs. And Jo, known for being aloof and outwardly cold, opens up to Emma in a way neither of them expects. They begin to realize the rumor might not be so off base after all...but is acting on the spark between them worth fanning the gossip flames?

    To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams. In Too Much Is Not Enough, Rannells takes us on the journey of a twentysomething hungry to experience everything: new friends, wild nights, great art, standing ovations. And at the heart of his hunger lies a powerful drive to reconcile the boy he was and the man he might have been with the man he wants to be. As Rannells reveals how he merged these Andrews into the one who made his Broadway debut at 26, he also shares stories from his path to the Great White Way, from horrible auditions and behind-the-curtain romances to the exhilaration of landing his first gig in Hairspray and the heartbreaking death of his father at the height of his ascent. Along the way, Rannells learns that you never really leave your past--or your family--behind; that the most painful, and perversely motivating, jobs are the ones you almost get; and that sometimes the most unforgettable nights are marked not by the hot clubs you danced at, but by the recap over diner food after. Filled with candor and humor, Too Much Is Not Enough is an entertaining look at love, loss, and the powerful forces that determine who we become.

    At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making.Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.

    But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.With unflinching honesty and lyrical prose, spanning from 1960s Hawai'i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It's a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.

    This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems—selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay.Among the essays included here are:• "The Transformation of Silence into Language and Action"• "The Master’s Tools Will Never Dismantle the Master’s House"• "I Am Your Sister"• Excerpts from the American Book Award–winning A Burst of LightThe poems are drawn from Lorde’s nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are:• "Martha"• "A Litany for Survival"• "Sister Outsider"• "Making Love to Concrete"

    In What We Don't Talk About When We Talk About Fat, Aubrey Gordon unearths the cultural attitudes and social systems that have led to people being denied basic needs because they are fat and calls for social justice movements to be inclusive of plus-sized people's experiences. Unlike the recent wave of memoirs and quasi self-help books that encourage readers to love and accept themselves, Gordon pushes the discussion further towards authentic fat activism, which includes ending legal weight discrimination, giving equal access to health care for large people, increased access to public spaces, and ending anti-fat violence. As she argues, I did not come to body positivity for self-esteem. I came to it for social justice.By sharing her experiences as well as those of others--from smaller fat to very fat people--she concludes that to be fat in our society is to be seen as an undeniable failure, unlovable, unforgivable, and morally condemnable. Fatness is an open invitation for others to express disgust, fear, and insidious concern. To be fat is to be denied humanity and empathy. Studies show that fat survivors of sexual assault are less likely to be believed and less likely than their thin counterparts to report various crimes; 27% of very fat women and 13% of very fat men attempt suicide; over 50% of doctors describe their fat patients as awkward, unattractive, ugly and noncompliant; and in 48 states, it's legal--even routine--to deny employment because of an applicant's size.Advancing fat justice and changing prejudicial structures and attitudes will require work from all people. What We Don't Talk About When We Talk About Fat is a crucial tool to create a tectonic shift in the way we see, talk about, and treat our bodies, fat and thin alike.

    For starters, she’s never even kissed anyone, and she hates breaking the rules. Up until now, she's been a straight-A music geek that no one even notices. All she cares about is jamming out with her best friends, Theo and Evita.But then everything changes.When Lacey sees first-hand how much damage the abstinence-only sex-ed curriculum of her school can do, she decides to take a stand and starts doling out wisdom and contraception to anyone who seeks her out in the girls' restroom. But things with Theo become complicated quickly, and Lacey is soon not just keeping everyone else’s secrets, but hers as well.

    Her best (and only) friend is pulling away. Her mother’s drinking problem is a constant concern. She’s even running out of outlandish diseases to fake so she can skip PE.But when Aideen stumbles on her nemesis, overachiever Meabh Kowalski, in the midst of a full-blown meltdown, she sees a problem that—unlike her own disaster of a life—seems refreshingly easy to solve. Meabh is desperate to escape her crushing pile of extracurriculars. Aideen volunteers to help. By pushing Meabh down the stairs.Problem? Solved. Meabh’s sprained ankle is the perfect excuse to ditch her overwhelming schedule. But when another student learns about their little scheme and brings Aideen another “client” who needs her “help,” it kicks off a semester of traded favors, ill-advised hijinks, and an unexpected chance at love. Fixing other people’s problems won’t fix her own, but it might be the push she needs to start.

    She just came out to her family and isn’t sure if her mom will ever speak to her again. But Juliet has a plan, sort of, one that’s going to help her figure out this whole “Puerto Rican lesbian” thing. She’s interning with the author of her favorite book: Harlowe Brisbane, the ultimate authority on feminism, women’s bodies, and other gay-sounding stuff. Will Juliet be able to figure out her life over the course of one magical summer? Is that even possible? Or is she running away from all the problems that seem too big to handle? With more questions than answers, Juliet takes on Portland, Harlowe, and most importantly, herself.