The year is 1954, long before anyone will call this area Silicon Valley. Struck by a vision of the family he has yet to create, Bill buys the property on a whim. In Penny Greenway he finds a suitable wife, a woman whose yearning attitude toward life seems compelling and answerable, and they marry and have four children. Yet Penny is a mercurial housewife, at a time when women chafed at the conventions imposed on them. She finds salvation in art, but the cost is high.Thirty years later, the three oldest Blair children, adults now and still living near the family home, are disrupted by the return of the youngest, whose sudden presence and all-too-familiar troubles force a reckoning with who they are, separately and together, and set off a struggle over the family's future. One by one, the siblings take turns telling the story--Robert, a doctor like their father; Rebecca, a psychiatrist; Ryan, a schoolteacher; and James, the malcontent, the problem child, the only one who hasn't settled down-their narratives interwoven with portraits of the family at crucial points in their history.

    Twenty years later, they gather around a campfire on the lawn of a New England mansion. What happens in between-the web of wild adventures, unspoken jealousies, and sudden tragedies that alter the course of their lives-is charted with sharp wit and aching sadness in this meticulously constructed novel.Anna, the de facto leader, is fearless and restless-moving fast to stay one step ahead of her demons. Quirky, contemplative Kate is a natural sidekick but a terrible wingman ("If you go home with him, might I suggest breathing through your mouth"). And then there's George: the most desired woman in any room, and the one most likely to leave with the worst man.Shot through with the crackling dialogue, irresistible characters, and propulsive narrative drive that make Lutz's books so beloved, How to Start a Fire pulls us deep into Anna, Kate, and George's complicated bond and pays homage to the abiding, irrational love we share with the family we choose.

    His exams have not gone well. At home he is looking after his father, when surely it should be the other way round, and if he thinks about the future at all, it is with a kind of dread.Then Fran Fisher bursts into his life and despite himself, Charlie begins to hope.But if Charlie wants to be with Fran, he must take on a challenge that could lose him the respect of his friends and require him to become a different person. He must join the Company. And if the Company sounds like a cult, the truth is even more appalling.The price of hope, it seems, is Shakespeare.Poignant, funny, enchanting, devastating, Sweet Sorrow is a tragicomedy about the rocky path to adulthood and the confusion of family life, a celebration of the reviving power of friendship and that brief, searing explosion of first love that can only be looked at directly after it has burned out.

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister's troubled twins, Frazier has created his most memorable heroine.Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways.Charles Frazier is known for his historical literary odysseys, and for making figures in the past come vividly to life. Set in the twentieth century, Nightwoods resonates with the timelessness of a great work of art.

    They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    Jackie--or Mrs. Onassis, as she's known in the office--has fallen in love with James's candidly autobiographical novel, one that exposes his own dysfunctional family. But when the book's forthcoming publication threatens to unravel already fragile relationships, both within his family and with his partner, James finds that he can't bring himself to finish the manuscript. Jackie and James develop an unexpected friendship, and she pushes him to write an authentic ending, encouraging him to head home to confront the truth about his relationship with his mother. Then a long-held family secret is revealed, and he realizes his editor may have had a larger plan that goes beyond the page... From the bestselling author of Lily and the Octopus comes a funny, poignant, and highly original novel about an author whose relationship with his very famous book editor will change him forever--both as a writer and a son.

    Isolated at home and an outlander at school, Madeline is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of his arrest deeply affect Madeline as she wrestles with her own fledgling desires and craving to belong. And then the young Gardner family moves in across the lake and Madeline finds herself welcomed into their home as a babysitter for their little boy, Paul. It seems that her life finally has purpose but with this new sense of belonging she is also drawn into secrets she doesn’t understand. Over the course of a few days, Madeline makes a set of choices that reverberate throughout her life. As she struggles to find a way out of the sequestered world into which she was born, Madeline confronts the life-and-death consequences of the things people do—and fail to do—for the people they love

    Unforgiving. Untamed.For a family in crisis, the ultimate test of survival.Ernt Allbright, a former POW, comes home from the Vietnam war a changed and volatile man. When he loses yet another job, he makes an impulsive decision: he will move his family north, to Alaska, where they will live off the grid in America’s last true frontier.Thirteen-year-old Leni, a girl coming of age in a tumultuous time, caught in the riptide of her parents’ passionate, stormy relationship, dares to hope that a new land will lead to a better future for her family. She is desperate for a place to belong. Her mother, Cora, will do anything and go anywhere for the man she loves, even if it means following him into the unknown.At first, Alaska seems to be the answer to their prayers. In a wild, remote corner of the state, they find a fiercely independent community of strong men and even stronger women. The long, sunlit days and the generosity of the locals make up for the Allbrights’ lack of preparation and dwindling resources.But as winter approaches and darkness descends on Alaska, Ernt’s fragile mental state deteriorates and the family begins to fracture. Soon the perils outside pale in comparison to threats from within. In their small cabin, covered in snow, blanketed in eighteen hours of night, Leni and her mother learn the terrible truth: they are on their own. In the wild, there is no one to save them but themselves.In this unforgettable portrait of human frailty and resilience, Kristin Hannah reveals the indomitable character of the modern American pioneer and the spirit of a vanishing Alaska―a place of incomparable beauty and danger. The Great Alone is a daring, beautiful, stay-up-all-night story about love and loss, the fight for survival, and the wildness that lives in both man and nature.

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    But by the time Madeline inherits the shop nearly twenty years later, family troubles and her own bitter losses have hardened Madeline’s heart toward her once-treasured aunt—and the now struggling bookshop left in her care.While Madeline intends to sell the shop as quickly as possible, the Printed Letter’s two employees have other ideas. Reeling from a recent divorce, Janet finds sanctuary within the books and within the decadent window displays she creates. Claire, though quieter than the acerbic Janet, feels equally drawn to the daily rhythms of the shop and its loyal clientele, finding a renewed purpose within its walls. When Madeline’s professional life takes an unexpected turn, and when a handsome gardener upends all her preconceived notions, she questions her plans and her heart. She begins to envision a new path for herself and for her aunt’s beloved shop—provided the women’s best combined efforts are not too little, too late.The Printed Letter Bookshop is a captivating story of good books, a testament to the beauty of new beginnings, and a sweet reminder of the power of friendship.

    Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it. Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden. Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.

    In Ashwell, Massachusetts, at the farm of Samuel Hood and his daughter Caroline, a mysterious flock of red birds descends. Samuel, whose fame as a philosopher has waned in recent years, takes the birds' appearance as an omen that the time is ripe for his newest venture. He will start a school for young women, guiding their intellectual development as he has so carefully guided his daughter's. Despite Caroline's misgivings, Samuel's vision--revolutionary, as always; noble, as always; full of holes, as always--takes shape.It's not long before the students begin to manifest bizarre symptoms. Rashes, fits, headaches, verbal tics, night wanderings. In desperation, the school turns to the ministering of a sinister physician--based on a real historic treatment--just as Caroline's body, too, begins its betrayal. As the girls' conditions worsens, long-buried secrets emerge, and Caroline must confront the all-male, all-knowing authorities around her, the ones who insist the voices of the sufferers are unreliable. In order to save herself, Caroline may have to destroy everything she's ever known.Written in intensely vivid prose and brimming with psychological insight, The Illness Lesson is a powerful exploration of women's bodies, women's minds, and the time-honored tradition of doubting both.