The journey is the thing as Pinsker weaves music, memory, technology, history, mystery, love, loss, and even multiple selves on generation ships and cruise ships, on highways and high seas, in murder houses and treehouses. They feature runaways, fiddle-playing astronauts, and retired time travelers; they are weird, wired, hopeful, haunting, and deeply human. They are often described as beautiful but Pinsker also knows that the heart wants what the heart wants and that is not always right, or easy.

    In these nine pieces, she captures both the small, luminous moments of daily existence and those instants when life and death hang in the balance, ranging from the death of a beloved dog to a relentlessly readable account of a New York artist trapped inside a burning building, as well as two triumphant, celebrated pieces of short fiction. Here is an unforgettable collection destined to be embraced and debated by readers and writers, teachers and students. Anchored by the title piece––a searing journey through India that brings into focus questions of mortality and love—Festival Days presents Beard at the height of her powers, using her flawless prose to reveal all that is tender and timeless beneath the way we live now.

    Jessica is an honor-student, track star, and all-around good kid. So how could that same teenager be responsible for the death of the high school’s beloved football coach? This is Texas, where high school football ranks right up there with God, so while the legal battle wages, the public deals its own verdict.Desperate for help, Liz turns to a lawyer whose affection she once rejected and attempts to play nice with her ex-husband. Jessica faces her angry peers and her own demons as she awaits a possible prison sentence for an accident she doesn’t remember."One of the few books in recent memory I was completely unable to put down, yet still wished I could read more slowly so it would never end. Achterberg writes with a seamless combination of aching sensitivity and a page-turning urgency. Easily one of the best books of any genre I’ve read this entire year." -C.H. Armstrong, Author

    In this brilliant translation by Matvei Yankelevich, English-language readers now have a comprehensive collection of the prose and poetry that secured Kharms s literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it.A master of formally inventive poetry and what today would be called micro-fiction, Kharms built off the legacy of Russian Futurist writers to create a uniquely deadpan style written out of and in spite of the absurdities of life in Stalinist Russia. Featuring the acclaimed novella The Old Woman and darkly humorous short prose sequence Events (Sluchai), Today I Wrote Nothing also includes dozens of short prose pieces, plays, and poems long admired in Russia, but never before available in English. A major contribution for American readers and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing is an invaluable collection for readers of innovative writing everywhere.About the EditorMATVEI YANKELEVICH is also a co-translator of Oberiu: An Anthology of Russian Absurdism (2006). His translation of the Vladimir Mayakovsky's poem "Cloud in Pants" appears in Night Wraps the Sky: Writings by and About Mayakovsky. He is the author of a long poem, The Present Work, and his writing has appeared in Fence, Open City, and many other literary journals. He teaches Russian Literature at Hunter College in New York City and edits the Eastern European Poets Series at Ugly Duckling Press in Brooklyn.

    I want her out of my head...I don't know how his eyes manage to look so hot and so cold at the same time. Eyes like that want to either murder me or screw me...LiamI made my name fixing hearts.Most people know me as a world-class cardiac surgeon.Even more know the device I invented that made billions while saving lives.I’ve achieved success beyond my wildest dreams—and I’ve always dreamed big.Funny how the one heart I can’t put back together is my own.That’s why I’ve returned to New York.More accurately—she’s why.In the fashion world, Mia has arrived. But to me, she’ll always be the one who got away.Back in college, she claimed she loved me.Then she ripped my heart to shreds.Now I can have anything I want. Any toy. Any woman.And what I want is her—out of my system. This time, I plan to be the one leaving.They say revenge is best served cold, but once Mia is back in my bed?It may be too hot to walk away from…

    Kit’s angst is compounded by a unique psychological burden he is forced to carry: his intelligent but unstable Uncle Nat has committed an unspeakable act on what, according to the Uncle’s deranged account, were direct orders from God.​The tragedy haunting his family follows Kit like a dark and foreboding cloud, exacerbating his already compulsive struggle with existential questions about the meaning of his life. When the brilliant, perhaps phantasmic, Anna dismisses him, Kit quickly spirals into despair and self-destruction. But when his irrational decision to steal a maintenance truck and speed aimlessly down the highway ends in a horrific accident and months of both physical and emotional convalescence, Kit is forced to examine his perceptions of his life and his version of reality.In this exquisite bildungsroman, calamity leads to fresh perspectives and new perceptions: it focuses Kit’s mind and forces him to confront the issues that plague him. Readers will empathize—and celebrate—as the darkness lifts and Kit comes to terms with the necessity of engagement with life’s pain, pleasure . . . and absurdity.An intelligent, clever, and captivating tale, The Essence of Nathan Biddle soars in the spaces that exist between despair and hope, darkness and light, love and loss. Beautifully written, profoundly moving, and resplendent with characters destined to remain with you long after the last page is turned, The Essence of Nathan Biddle is unforgettable.

    Some are familiar mer-people; some as strange as as a golden eye in a pool at the edge of the Great Desert Kalarsham, where the mad god Geljdreth rules; or the unknowable, immense Kraken, dark beyond the darkness of the deepest ocean, who will one day rise and rule the world. 1 Prologue: The water sprite / Robin mcKinley and Peter Dickinson 2 Mermaid song / Peter Dickinson --3 The sea-king's son / Robin McKinley --4 Sea serpent / Peter Dickinson --5 Water horse / Robin McKinley --6 Kraken / Peter Dickinson --7 A pool in the desert / Robin McKinley.

    Murder, death and the dead. Family, friends, love and relationships. Food and eating. Fear, dread, and the unknown. Crime and punishment. The human body. Lock the doors, turn up the lights, and take a deep breath. A series of brief, horrible moments await.

    In one, a 19th-century minister follows ghostly instructions to build a mechanical messiah. In another, a tyrannical army commander watches his apocalyptic command slip away as the memories of his men begin to fade and fail. Elsewhere, murders are indexed, new worlds are mapped, fairy tales are fractured and retold and then fractured again.Throughout these thirteen stories, Bell's careful prose burrows at the foundations of his characters' lives until they topple over, then painstakingly pores over the wreckage for what rubbled humanity might yet remain to be found.

    These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator's experience as an involuntary one. Tinged with pathos and humour, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed.Shut Up You're Pretty is the first book to be published under the imprint VS. Books, a series of books curated and edited by writer-musician Vivek Shraya featuring work by new and emerging Indigenous or Black writers, or writers of colour.

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    Fifty years after the war, she discovers what he never did—that her mother and Hitler’s mistress were friends. The secret surfaces with a mysterious monogrammed handkerchief, and a man, Hannes Ritter, whose Third Reich family history is entwined with Anna’s. Plunged into the world of the “ordinary” Munich girl who was her mother’s confidante—and a tyrant’s lover—Anna finds her every belief about right and wrong challenged. With Hannes’s help, she retraces the path of two women who met as teenagers, shared a friendship that spanned the years that Eva Braun was Hitler’s mistress, yet never knew that the men they loved had opposing ambitions. Eva’s story reveals that she never joined the Nazi party, had Jewish friends, and was credited at the Nuremberg Trials with saving 35,000 Allied lives. As Anna's journey leads back through the treacherous years in wartime Germany, it uncovers long-buried secrets and unknown reaches of her heart to reveal the enduring power of love in the legacies that always outlast war.

    Ruskin Bond's stories are predominantly set in the beautiful hill country of Garhwal where he has made his home for the last twenty-five years. Some of these stories present people who, consciously or otherwise, need each other: people in love or in need of love, the awkward adolescent and the timid lover. Some are gently satirical studies about village and small-town braggarts and petty officials. Several others mourn the gradual erosion of the beauty of the hills (and the gentle people who live in them) with the coming of the steel and dust and worries of modern civilization. All the stories are rewarding for their compassionate portrayal of love, loss, accomplishment, pain and struggle.

    Homicide Detective Marko Zorn Washington, D.C. homicide detective Marko Zorn is investigating the murder of an actress—an old love—when he is assigned to protect the visiting prime minister of Montenegro, the beautiful Nina Voychek. Political enemies are planning her assassination—this, he knows—but now it’s apparent that he, too, is a target. As he foils the initial attempts on his life, he pulls out all stops—deploying his sometimes nefarious resources—to hunt whoever is targeting him and prevent an international tragedy on American soil. Decoded messages, Supermax prisoner interviews, mafia lawyers, and an ancient Black Mountain curse swirl among the icons of D.C. Marko and his young partner, Lucy, face down what may be multiple assassins with diverging agendas. Or are they facing one assassin—the deadliest and most elusive on the international stage?Perfect for fans of David Baldacci and Daniel Silva While the novels in the Marko Zorn Thriller Series stand on their own and can be read in any order, the publication sequence is:The Reflecting PoolHead Shot

    In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire. But alongside the black magic and disturbing disappearances, these stories are fueled by compassion for the frightened and the lost, ultimately bringing these characters—mothers and daughters, husbands and wives—into a surprisingly familiar reality. Written in hypnotic prose that gives grace to the grotesque, Things We Lost in the Fire is a powerful exploration of what happens when our darkest desires are left to roam unchecked, and signals the arrival of an astonishing and necessary voice in contemporary fiction.