Lizzie is a part-time midwife with four kids and a secret past. Sam is an ex-chef and stay-at-home dad with an absent, high-flying corporate wife. Megan is an ex-model single mum with a thriving online business and no time for loneliness. None of them have much interest in their school community, but when tragedy deals Bayside Primary's reputation a potentially crippling blow, this unlikely trio have to step up. Forced out of their respective comfort zones, Lizzie, Megan and Sam learn more about each other, the school and themselves than they thought possible.And it all begins at The Drop-Off.

    Clementine is twenty-five and still living in the place where she grew up, rooted there by memories and her own inability to make changes until she has understood her past.That past is dominated by memories of her mother, and her mother's attempts to dramatise and enrich small-town life and the perceptions of her three, clever, receptive daughters.But only Clementine has stayed. Is this out of loyalty to her mother's memory? Or to comfort her father? Perhaps she wants to find peace with Hugh, the earnest husband in whose house she most uncomfortably lives? Or is Thomas the lure, who alone can appreciate Clementine's own sensuality, and her humour, but who must remain another of her secrets.Already widely known and praised for her short stories, Gillian Mears has written a wonderful debut novel which will be read with pleasure and remembered with joy.

    But it isn't. In fact there's barely an investigation at all, and Superintendent Swann thinks he knows why. Heroin is the new drug in town and the money is finding its way into some very respectable hands.It's the brave or the foolish who accuse their fellow cops of corruption, and sometimes not even Swann is sure which he is. Especially when those he's pointing the finger at have mates in every stronghold of power in the state – big business, organised crime, the government. He might have won the first round by forcing a royal commission, but the judge is an ailing patsy and the outcome seems predetermined. If that's not enough to contend with, Swann's teenage daughter has disappeared, he doesn't know whether she's alive or not, and the word on the street is he's a dead man walking.Line of Sight is classic crime noir, a tale of dark corruption set in a city of sun and heat.

    . . and a young woman in love, defying them all. Sophie Dixon is determined to leave her tragic past behind and forge a bright future on her beloved farm. While looking to buy a new horse, she is drawn into her neighbour Aaron's Laidlaw's orbit, despite the bad blood between their families.As the racing season unfolds, Sophie and Aaron's feelings for each other deepen. But Aaron is torn, haunted by a dark secret he fears can never be forgiven - especially by Sophie.Sophie believes herself strong, but the truth behind her mother's death will test her strength, and her love, to the limit. She's been broken once. No one wants to see her broken again. Least of all the man who has grown to love her.An emotional small-town romance about love, loyalty and forgiveness.Originally published in Australia and New Zealand as PROMISES.

    He died in the United States in 1943, but what was he doing in Australia in 1925? A Newcastle electrician and his girlfriend try to find out, but it seems more than one person wants to stop them, including the CIA.

    Every morning he put on a navy blue police flight suit, grabbed his flight helmet, and prepared to work on the police helicopter. He could be called to anything during a shift, to search for a missing child, to pull an injured driver from a wrecked car, or a dangerous sea rescue. He saw his fair share of trauma and dealt with it like most coppers would: he quickly put each dangerous job out of his mind as soon as it was over. But one particular rescue job in Bass Strait brought about a reckoning - and Cameron was never the same again.This is the brilliantly told, white-knuckle story of one cop learning every lesson the hard way - and coming to find out that being not quite bulletproof doesn't mean that you're not a good cop.

    Isabella O'Shea is transported to New South Wales for wounding a member of the British aristocracy who raped her, so it is understandable that she loathes members of the upper class and the system that punished her; sentenced her to seven years transportation.Tiger Carstairs is rich, ambitious and English-so is it any wonder she is determined to hate her new master. Tiger dreams of making a new life beyond the aptly named Blue Mountains, so called because of the perpetual haze of blue surrounding them.Mystic Mountains is a story of courage and persistence-traits that were essential for the settlers who carved out a new life in a raw land where suffering and heartbreak were commonplace.Isabella and Tiger face tragedy and many hardships in their quest for a new life in this untamed land.Reviews:“Tricia McGill has written a sweeping love story of two people fighting for their places in an unfair world among the wild, untamed vistas of Australia. The strong plot reveals much about the early settlement days of the continent of Australia and is a history lesson in itself besides a sizzling romance. A job well done by Ms. McGill.” Lani Roberts 5 stars ***** Affaire de Coeur“Sometimes we in America forget that Australia is an equally young country, complete with tales of adventure about the settlement of the land. In this story of love adventure and hardship, we see a man and a woman work together to survive and overcome the harsh land that is Australia. A thoroughly enjoyable book, well-written and exciting.”Deborah Brent for Romantic Times book club **** four stars

    Then she meets Stephen, a public servant in the complex process of reinventing himself, training as a shiatsu masseur. As their relationship grows, so does the drama of parenting Camille, in this elegantly crafted warmly appealing novel of contemporary Australian life.

    But news of her beloved father's heart attack brings Bella rushing back to Australia along with her aunt Liz, an acclaimed musician who's been living in London for the past thirty years. While her father recuperates, Bella seizes the chance to prove to him that she is capable of running Mullinjim, the family property in Far North Queensland. But coming home is fraught with emotional danger for both Bella and Liz. While Bella is confident she can deal with drought, bushfires and bogged cattle, she dreads facing her neighbour. Gabe Mitchell is the man she once hoped to marry, but he's also the man who broke her heart. And for Liz, Mullinjim holds a painful secret that must never be revealed...In the rugged beauty of the outback, new futures beckon, but Bella and Liz must first confront the heartaches of the past.

    There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton

    What more could you need?? But Millie isn?t sure that Tom, her mum?s boyfriend, is right about that. A new town, a school project due, an enemy called Tayla, a boy with the initials RH and Tom himself?. It?s all too much even for an interesting girl like Millie. But as her father says, change is needed, and sometimes it?s the biggest changes that make us who we are. Millie and the Night Heron is a gentle, lyrical and moving tale from award-winning author Catherine Bateson which reminds us all to stop and remember the important things in life.

    Sara’s grandmother, Nina Barsova, a Russian post-war immigrant, lovingly raised Sara in the cottage at the foot of Mt Wellington but without ever explaining why Sara’s own mother, Helena, abandoned her as a baby. Sara, a geneticist, also longs to know the identity of her father, and Helena won’t tell her. Now, estranged not only from her mother but also from her husband, Sara raises her daughter, Ellie, with a central wish to spare her the same feeling of abandonment that she experienced as a child. When Sara meets an Afghani refugee separated from his beloved wife and family, she decides to try to repair relations with Helena – but when a lie told by her grandmother years before begins to unravel, a darker truth than she could ever imagine is revealed.Matryoshka is a haunting and beautifully written story about the power of maternal love, and the danger of secrets passed down through generations.

    At once the story of a region, a town and people, it is also the story of Anna Tolley - "leggy, wilful and auburn-haired, always answering back" - who lives through momentous changes and earns the envy, love and hatred of those around her.

    A wise and warm-hearted story about aging, family and community for readers of Tricia Stringer and Liz Byrski.At 70, Ella's world is upended, leaving her at odds with her three adult children, whose attention is fixed more firmly on her money than her ongoing welfare. After an argument with her son Anthony, she flees his Adelaide home for Cutlers Bay, a seaside town on the Yorke Peninsula. There she befriends Angie, a 40-year-old drifter, and becomes an irritant to local cop Zach. He's keen to shift Ella off his turf, because Anthony phones daily, demanding his mother be sent home. And besides, Zach just doesn't trust Angie.Ella warms to Cutlers Bay, and it warms to her. In a defiant act of self-determination, she buys an entirely unsuitable house on the outskirts of town, and Angie agrees to help make it habitable. Zach is drawn to the house on the clifftop, and finds himself revising his earlier opinions of Ella, and Angie.A keenly observed story about aging and its inherent vulnerability, about community and chosen family, about how family stressors shape us all, about trust and loyalty, and about standing up for yourself.

    It’s a place populated by those who are beholden to it, those who were born to it and those who took a wrong turn while trying to go somewhere else.City-born Carra married into Nowhere River, Lucie was brought to it by tragedy, Josie is root-bound and Florence knows nowhere else. All of them, though familiar with every inch of their tiny hometown, are as lost as the place itself.The town’s social cornerstone — St Margery’s Ladies’ Club — launches a rescue plan that turns everything around and upside down, then shakes it until all sorts of things come floating to the surface. And none of its inhabitants will ever be the same again.This is the highly original and heartfelt story of a place where everybody knows everything, but no one really knows anyone at all. Brimming with heart and humour, this is a delightful novel that celebrates the country people and towns of Australia.