. . . The illustrations are fraught with delicious humor and detail. Like its predecessor, perfect for several uses, from picture book hour to beginning reading."--Kirkus Reviews. Caldecott Honor Medal.

    He accepts, with one question: “May I bring a friend?” “Any friend of our friend is welcome here,” says the King. But their guest’s friend turns out to be someone they never expected! Beatrice Schenk de Regniers’s rhythmic text and the fantastical, jewellike artwork of Beni Montresor have made this book a favorite for more than twenty-five years.

    “Here is a perfect combination of rollicking story and pictures that have strength, life and humor in every line.”--The Horn Book

    Perfect entertainment for bath time or for bedtime, the joyful music and hilarious rhyming tale will provide hours of fun for young readers.

    Katy couldn't find anything until she went up to the attic. And there she discovered a very special set of eggs...Grandmom had painted them when she was a little girl. And now, she hung them from the branches of a tiny tree -an egg tree! So began a very special Easter tradition.

    But when a lion frightens him on his way home, Sylvester makes a wish that brings unexpected results.

    Feeling a little foolish perhaps, but determined to see for himself if the dream is true, Isaac sets out on his long journey. What he finds makes a surprising and heart-warming ending to this retelling of a well-known folk tale. In a few words, Cadelcott Medal winner Uri Shulevitz draws a man who is innocent enough to have faith in a dream, and wise enough to understand the greatest reward of all.Isaac's solitary journey, his arrival at hte vast city, and his discovery there are all enriched by Mr. Shulevitz's beautifully detailed illustrations, which masterfully capture the spirit of the original tale while keeping it simple enough for the very youngest reader.The Treasure is a 1980 Caldecott Honor Book and a 1979 New York Times Book Review Best Illustrated Book of the Year.

    The oxcart man packs his goods - the wool from his sheep, the shawl his wife made, the mittens his daughter knitted, and the linen they wove. He packs the birch brooms his son carved, and even a bag of goose feathers from the barnyard geese.He travels over hills, through valleys, by streams, past farms and villages. At Portsmouth Market he sells his goods, one by one - even his beloved ox. Then, with his pockets full of coins, he wanders through the market, buying provisions for his family, and returns to his home. And the cycle begins again."Like a pastoral symphony translated into picture book format, the stunning combination of text and illustrations recreates the mood of 19-century rural New England."--The Horn Book

    "Another virtuoso performance. . . . Such an astute blend of aesthetics and information is admirable, the child's eye will be rewarded many times over."--Booklist. ALA Notable Book; Caldecott Medal.

    Though it was written for one little girl, the prayer is for all boys and girls, and it carries a universal appeal for all ages and races.

    When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    in full color. "In this affectionate story, three children follow their grandfather up to the attic, where he pulls out his old bowler hat, gold-tipped cane, and his tap shoes. Grandpa once danced on the vaudeville stage, and as he glides across the floor, the children can see what it was like to be a song and dance man. Gammell captures all the story's inherent joie de vivre with color pencil renderings that leap off the pages. Bespectacled, enthusiastic Grandpa clearly exudes the message that you're only as old as you feel, but the children respond--as will readers--to the nostalgia of the moment. Utterly original."--(starred) Booklist.

    So the question arises: Do we really need another edition of Puss? Presented with Fred Marcellino's magnificent interpretation of this nimble new translation of the authentic text, book lovers young and old are apt to decide that this Puss in Boots belongs on their shelf of special favorites.Long regarded as the preeminent designer of book jackets in America, Fred Marcellino provides an unstinting visual feast in his first full-color picture book. The eadventures of that rascal, Puss, and his master, the miller's sonare portrayed in a lavish series of illustrations that range from sumptuous grandeur to comedy both boisterous and sly.

    Any child who has ever had a beloved toy break will relate to Daisy's anguish when her favorite ball is destroyed by a bigger dog. In the tradition of his nearly wordless picture book Yo! Yes?, Caldecott Medalist Chris Raschka explores in pictures the joy and sadness that having a special toy can bring. Raschka's signature swirling, impressionistic illustrations and his affectionate story will particularly appeal to young dog lovers and teachers and parents who have children dealing with the loss of something special.

    She goes on to explain that even one tree is nice, if it is the only one you happen to have.Some of the reasons why trees are so good to have around are funny. Some are indisputable facts. But in all of them there is a sense of poetic simplicity and beauty which will be sure to entrance any young child. Whether he knows one tree or many, he will relish the descriptions of the delights to be had in, with, or under a tree.Marc Simont's joyous pictures, half of them in full color, accentuate the child-like charm of the words. And each painting of a tree or trees shows just how very nice they can be.