She’s left school responsibility behind and adult responsibility is looming, but this is her one, one last summer to be free. Heather doesn’t expect to even meet Jack, let alone fall in love with him. Jack is an enigmatic Vermonter a few years older than she is, who is following his grandfather’s journal to various cities around Europe. But in the same way that forces are bringing Jack and Heather together, life and duty are pushing them apart. And Jack has a secret that is going to change absolutely everything.

    You can't keep the secret.You can't tell the truth.You can't escape the past...Marianne was seventeen when she fled her home in Nusstead – leaving behind her family, her boyfriend, Jesse, and the body they buried. Now, thirty years later, forced to return to in order to help care for her sick mother, she can feel the past closing around her. And Jesse, who never forgave her for leaving in the first place, is finally threatening to expose the truth.Marianne will do anything to protect the life she's built, the husband and daughter who must never know what happened all those years ago. Even if it means turning to her worst enemy for help... But Marianne may not know the whole story – and she isn't the only one with secrets they'd kill to keep.

    The news triggers a self-destructive tailspin, centred around Irina’s relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention…Boy Parts is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.

    She’s charming and accommodating and prides herself on being loved by everyone at Bexley & Gamin. Everyone except for coldly efficient, impeccably attired, physically intimidating Joshua Templeman. And the feeling is mutual.Trapped in a shared office together 40 (OK, 50 or 60) hours a week, they’ve become entrenched in an addictive, ridiculous never-ending game of one-upmanship. There’s the Staring Game. The Mirror Game. The HR Game. Lucy can’t let Joshua beat her at anything—especially when a huge new promotion goes up for the taking.If Lucy wins this game, she’ll be Joshua’s boss. If she loses, she’ll resign. So why is she suddenly having steamy dreams about Joshua, and dressing for work like she’s got a hot date? After a perfectly innocent elevator ride ends with an earth shattering kiss, Lucy starts to wonder whether she’s got Joshua Templeman all wrong.Maybe Lucy Hutton doesn’t hate Joshua Templeman. And maybe, he doesn’t hate her either. Or maybe this is just another game. ​​

    The result transforms the harsh realities of quarantine into rom-com enchantment." -- Publishers Weekly For the inhabitants of London Lane, a simple slip of paper underneath each of their doors is about to change their lives in a hundred different ways.URGENT!!! Due to the current situation, building management has decided to impose a seven-day quarantine on all apartment buildings on London Lane.With nowhere else to go . . .Ethan and Charlotte wonder whether absence really does make the heart grow fonder when they end up on either side of a locked door.A fierce debate over pineapple on pizza ignites a series of revelations about Zach and Serena’s four-year relationship.Liv realizes rolling with the punches is sometimes much harder than it looks after her bridesmaids’ party goes off the rails, leaving the group at each other’s throats.Isla and Danny’s new romance is put to the test as they jump ten steps ahead on the relationship timeline.And Imogen and Nate’s one-night stand is about to get six do-overs they never really asked for—not awkward at all.Through make ups, breakups, love-ins, and blowouts, friendships are tested as everyone scrambles to make it through the week unscathed. Amidst all the drama, one thing remains constant: life is full of surprises.

    Because Audrey told a lie and now her classmate, Ana, is dead. Just as her world begins to spin out of control, Audrey meets the enigmatic Rad—the boy who could turn it all around. But will their ill-timed romance drive her closer to the edge?

    I loved it!"--Chantel Guertin, author of InstamomKhalil Sarda went through a rough patch last year, but now he's nearly back to his old self. All he has to do is keep his "stuff" in the past. Real men don't have depression and go to therapy--or, at least they don't admit it. He's ready to focus on his growing chain of barbershops, take care of his beloved Detroit community, and get back to being the ladies' man his family and friends tease him for being. It'll be easy . . . until Vanessa throws him completely off his game.Vanessa Noble is too busy building a multimillion-dollar tech career as a Black woman before age thirty to be distracted by a relationship. Not to mention, she's been burned before, still dealing with the lingering hurt of a past breakup. Besides, as her friends often remind her, she'll never find a man who checks all the boxes on her famous List. Yet when she desperately needs a shape-up and happens upon one of Khalil's barbershops, the Fade, he makes her reconsider everything. Khalil is charming, intelligent, sexy, and definitely seems like he'd treat a woman right . . . but he's not Black.Vanessa may be willing to take a chance on Khalil, but a part of him is frustratingly closed off, just out of her reach. Will old patterns emerge to keep them apart? Or have they both finally found a connection worth throwing away the playbook for?

    Something happens, they say, and you know …That’s what happened when I met Kit Godden.I looked into his eyes and I knew.Only everyone else knew too. Everyone else felt exactly the same way.This is the story of one family, one dreamy summer – the summer when everything changes. In a holiday house by the sea, our watchful narrator sees everything, including many things they shouldn’t, as their brother and sisters, parents and older cousins fill hot days with wine and games and planning a wedding. Enter two brothers – irresistible, charming, languidly sexy Kit and surly, silent Hugo. Suddenly there’s a serpent in this paradise – and the consequences will be devastating. From Meg Rosoff, bestselling author of the iconic novel How I Live Now, comes a lyrical and quintessential coming-of-age tale – a summer book that’s as heady, timeless and irresistible as Bonjour Tristesse and The Greengage Summer.

    But now the TV and film agency she's been running behind the scenes is in trouble, and Evie will lose her job unless she can convince the agency's biggest and most arrogant client, Ezra Chester, to finish writing the script for a Hollywood romantic comedy. The catch? Ezra is suffering from writer's block--and he'll only put pen to paper if singleton Evie can prove to him that you can fall in love like they do in the movies. With the future of the agency in jeopardy, Evie embarks on a mission to meet a man the way Sally met Harry or Hugh Grant met Julia Roberts. But in the course of testing out the meet-cute scenes from classic romantic comedies IRL, not only will Evie encounter one humiliating situation after another, but she'll have to confront the romantic past that soured her on love. In a novel as hilarious as it is heartwarming, debut author Rachel Winters proves that sometimes real life is better than the movies--and that the best kind of meet-cutes happen when you least expect them.

     Georgia Brown’s profession as a urologist requires her to interact with plenty of naked men, but her romantic prospects have fizzled. The most important person in her life is her friend Jonah Tsukada, a funny, empathetic family medicine doctor who works at the same hospital in Charleston, South Carolina and who has become as close as family to her.Just after Georgia leaves the country for a medical conference, Jonah shares startling news. The hospital is instructing doctors to stop providing medical care for transgender patients. Jonah, a gay man, is the first to be fired when he refuses to abandon his patients. Stunned by the predicament of her closest friend, Georgia’s natural instinct is to fight alongside him. But when her attempts to address the situation result in incalculable harm, both Georgia and Jonah find themselves facing the loss of much more than their careers.

     Stuck in a dreary Boston winter, Annabelle Martin would like nothing more than to run away from her current life. She's not even thirty years old, twice-divorced, and has just dodged a marriage proposal... from her ex-husband. When she's offered her dream job as creative director at a cutting-edge graphic design studio in Phoenix, she jumps at the opportunity to start over.When she arrives in the Valley of the Sun, Annabelle is instantly intrigued by her anonymous landlord. Based on the cranky, handwritten notes Nick Daire leaves her, she assumes he is an old, rich curmudgeon. Annabelle is shocked when she finally meets Nick and discovers that he's her age and uses a wheelchair. Nick suffered from a stroke a year ago, and while there's no physical reason for him not to recover, he is struggling to overcome the paralyzing fear that has kept him a prisoner in his own home.Despite her promise to herself not to get involved, Annabelle finds herself irresistibly drawn to Nick. And soon she wonders if she and Nick might help each other find the courage to embrace life, happiness, and true love.

    ‘We’re going to be fine.’ He looks around, but there’s nothing out here: nothing but the bottomless black universe on their left, the Earth suspended in glorious technicolour to their right.Carys and Max have ninety minutes of air left.None of this was supposed to happen.But, perhaps this doesn’t need to be the end…Adrift in space with nothing to hold on to but each other, Carys and Max can’t help but look back at the well-ordered world they have left behind – at the rules they couldn’t reconcile themselves to, and a life to which they might now never return.For in a world where love is banned, what happens when you find it?Hold Back the Stars is a love story like no other.

    Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    Twenty-year-old Maren Bergensdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Northern town of Vardø must fend for themselves. Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband's authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God and flooded with a mighty evil. As Maren and Ursa are pushed together and are drawn to one another in ways that surprise them both, the island begins to close in on them with Absalom's iron rule threatening Vardø's very existence. Inspired by the real events of the Vardø storm and the 1620 witch trials, The Mercies is a feminist story of love, evil, and obsession, set at the edge of civilization.