Louis Auchincloss has been called "our most astute observer of moral paradox among the affluent" (Arthur Schlesinger, Jr.), his fiction described as that which "has always examined what makes life worth living" (Washington Post Book World). Now he brings us the rollicking tale of an unforgettable woman of mid-twentieth century America: the devilish, forever plotting, yet wholly beguiling Clara Hoyt. A romantic early in life, Clara gets engaged -- much to her mother's horror -- to the lackluster Bobbie Lester. Soon after her Vassar graduation, however, Clara sees the error of her ways, spurns Bobbie, and slyly enthralls the well-bred and fabulously wealthy Trevor Hoyt, the first of her husbands. Soon she lands a job at a tony magazine, and so begins her wildly entertaining course to the inner sanctum of New York's aristocracy and into the boardrooms of the publishing world.In a world where women still had to wield the weapons of allure and charm, above all else, to secure positions of power, Clara, one of the last of her kind, succeeds marvelously. Auchincloss gives us, in Clara, an irresistible Cleopatra, lovely, wily, and mercurial. As Shakespeare wrote of that feminine creation, "Age cannot wither her, nor custom stale / Her infinite variety."

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    It’s firmly rooted in familial embarrassment (the Kellys’ house is “decorated like the inside of somebody’s hut in Guatemala”), reinforced by an abiding love of Dee Dee Ramone and other (lesser) gods of the rock pantheon, and cemented by the secret of a remarkable religious epiphany Francis experiences at the age of twelve.Clare and Francis become happy adults with rewarding careers and loving spouses. But when tragedy strikes, Francis finds his faith shattered and his life horribly transformed, and Clare doesn’t know how to help the brother she loves but has never fully understood.Nearly flattened by sadness, Francis turns to the angry, propulsive music that sustained him through adolescence and finds that you’re never too old to be punk rock. With the help of a bass guitar and the support of Clare and some unlikely new friends, Francis gradually finds his way back from the depths of despair to a life that feels worth living.Told in Clare’s wry, compassionate voice, Long Way Back is an original, moving novel about grief, guitars, and grace. It shows that the Velvet Underground didn’t lie: Your life really can be saved by rock and roll.From the Hardcover edition.

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    Isolated by a disfiguring injury since the age of 17, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in Southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. As the creator of Trace Italian - a text-based, roleplaying game played through the mail - Sean guides players from around the world through his intricately imagined terrain, which they navigate and explore, turn by turn, seeking sanctuary in a ravaged, savage future America. Lance and Carrie are high school students from Florida, explorers of the Trace. But when they take their play into the real world, disaster strikes, and Sean is called to account for it. In the process, he is pulled back through time, tunneling toward the moment of his own self-inflicted departure from the world in which most people live.Brilliantly constructed, Wolf in White Van unfolds in reverse until we arrive at both the beginning and the climax: the event that has shaped so much of Sean’s life. Beautifully written and unexpectedly moving, John Darnielle’s audacious and gripping debut novel is a marvel of storytelling brio and genuine literary delicacy.

    A little ghost who always wanted to see the town by daylight creates chaos when he does, and finds himself unable to be a night ghost again.

    His arrival changes everything, and sets in motion a rapid-fire plot with all the twists and turns we expect of Coupland. By turns funny and heartbreaking, Eleanor Rigby is a fast-paced read and a haunting exploration of the ways in which loneliness affects us all.

    . . One batch of doughnuts . . . One ripple of resentment.Profit-hungry developers are swarming over Middleton, determined to see the local football ground turned into luxury flats. But they haven't counted on the spirited resistance of local baker, Bill Baxter, who vents his frustration at the developers' plans by neglecting to put jam into a batch of doughnuts. Unbeknown to Bill, a rogue jamless doughnut sets in train a ripple of irrational anger that grows, wave upon wave, until finally it threatens to swamp the entire nation, leaving careers ruined, fortunes won and Parliament in turmoil. But where will it end? And what will become of Bill and his beloved Middleton?Stand up comedian Dominic Holland delivers another slick slice of comedy that will have you roaring with laughter, rooting for the good guys and relegating the villains to the bottom of the table.

    In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

    Complete with the screenplay and photos from the new film starring Peter O'Toole and Sam Neill.

    In a few months' time the British flag will be lowered all over India, and with Independence thousands of those who made their lives there - as planters, civil servants, or in the Indian army - will be returning to England.Among those coming home, as everyone speaks of it, are Will and Flo Sutherland, who fell in love at the end of the war. India has been the defining experience of their lives: how will they make a new life now?Sue Gee's new novel is filled with pathos and humour, beautifully evoking an all-but vanished world.

    Shortly before Dee dies, she tells her son, Thomas, that she thinks her death is a punishment. Thomas, whose own emotional life is complicated, tries to piece together his parents' lives in order to make sense of his mother's words.

    He writes lists, obsesses over the nature of time, and finds joy in bouncing balls--all in an effort to find out how best to live life. An utterly enchanting meditation on experience, Naive. Super was a #1 best-seller in Erlend Loe's native Norway.

    Recently returned from the experience of a lifetime in fin de siècle Vienna, where she met and tragically lost the first great love of her life, Eleanor Burden has no choice but to settle into her expected place in society, marry the man she is supposed to marry, and wait for life to come to her. As the twentieth century approaches, hers is a story not unlike that of the other young women she grew up with in 1890s Boston—a privileged upbringing punctuated by a period of youthful adventure and followed by the inevitable acknowledgment of real life—except for one small difference: Eleanor possesses an unshakable belief that she has advance knowledge of every major historical event to come during her lifetime. But soon the script of events she has written in her mind—a script described by no less than Sigmund Freud as the invented delusions of a hysteric—begins to unravel. Eleanor Burden, at once fragile and powerful, must find the courage of her deepest convictions, discover the difference between predetermination and free will, secure her belief in her own sanity, and decide whether she will allow history to unfold come what may—or use her extraordinary gifts to bend history to her will and deliver for her the life she knows she is meant to have.

    It is a novel that engages the mind while satisfying those that crave the thrill of a chase. There are riots and sex. There is love and murder. There is Darwinism and Fascism, nightclubs, invented languages and the dangerous bravado of youth. And there are lots of beetles. It is clever. It is distinctive. It is entertaining. We hope you are too.