In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    He returns to school three days after the funeral to a changed world; his best friends welcome him back with open arms, but it isn’t the same. But when a charismatic new student, Eddie Sankawulo, tries to welcome Luke to his own school, something life-changing happens: In a moment of frustration, Luke runs into an empty classroom, hurls his backpack against the wall—and the backpack never lands. Luke Aday has just discovered that he can stop time.

    Dorothy Strachey’s classic Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. “Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Olivia was dedicated to the memory of Strachey’s friend Virginia Woolf and published to acclaim in 1949. Colette wrote the screenplay for the 1951 film adaptation of the novel. In 1999, Olivia was included on the Publishing Triangle’s widely publicized list of the 100 Best Gay and Lesbian Novels of the 20th Century. “Dorothy Strachey (1865-1960) was the sister of the novelist Lytton Strachey and a prominent member of the Bloomsbury Group…….Olivia, originally published under a pseudonym, is her only novel.” -- Amazon.com

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.

    Her daughter, Carly, enthusiastically witnesses the change in her mother. But then a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, is overwhelmed by the depth of her passion, and finds herself unable to leave Dana. By deciding to stay, she finds she must confront questions most people never even consider. Not only will her own life and Carly’s be irrevocably changed, she will have to contend with the outrage of a small Vermont community and come to terms with her lover’s new body–hoping against hope that her love will transcend the physical.

    The renegade airmen who fly the corps’s mechanical, magic-fueled dragons are Volstov’s greatest weapon. But now one of its members is at the center of a scandal that may turn the tide of victory. To counter the threat, four ill-assorted heroes must converge to save their kingdom: an exiled magician, a naive country boy, a young student—and the unpredictable ace who flies the city’s fiercest dragon, Havemercy. But on the eve of battle, these courageous men will face something that could make the most formidable of warriors hesitate, the most powerful of magicians weak, and the most unlikely of men allies in their quest to rise against it.

    This story includes graphic depictions of rape and torture. Definitely not for the faint-hearted. Reincarnate is the sequel to The Surrogate.Words: 124743 (approximate)

    Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of DjinnCairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city - or face the possibility he could be exactly who he seems....

    . . Molly Tanzer is at the top of her form in this beautifully constructed novel.”—Jeff VanderMeer, best-selling author of the Southern Reach trilogy Victorian London is a place of fluid social roles, vibrant arts culture, fin-de-siècle wonders . . . and dangerous underground diabolic cults. Fencer Evadne Gray cares for none of the former and knows nothing of the latter when she’s sent to London to chaperone her younger sister, aspiring art critic Dorina.At loose ends after Dorina becomes enamored with their uncle’s friend, Lady Henrietta “Henry” Wotton, a local aristocrat and aesthete, Evadne enrolls in a fencing school. There, she meets George Cantrell, an experienced fencing master like she’s always dreamed of studying under. But soon, George shows her something more than fancy footwork—he reveals to Evadne a secret, hidden world of devilish demons and their obedient servants. George has dedicated himself to eradicating demons and diabolists alike, and now he needs Evadne’s help. But as she learns more, Evadne begins to believe that Lady Henry might actually be a diabolist . . . and even worse, she suspects Dorina might have become one too.Combining swordplay, the supernatural, and Victorian high society, Creatures of Will and Temper reveals a familiar but strange London in a riff on Oscar Wilde’s The Picture of Dorian Gray that readers won't soon forget.   “An artful, witty, Oscar Wilde pastiche with the heart of a paranormal thriller.”—Diana Gabaldon, best-selling author of Outlander

    Yet as he gets to know Matthew—an irrepressibly cheerful ad man whose missing arm hasn’t dimmed his smile—George begins to lose sight of his mission. As Matthew’s advances become ever harder to resist, George tries to convince himself his brother’s death was just the luck of the draw, and to forget he’s hiding a secret of his own. His true identity—and an act of conscience that shamed his family. But as their mutual attraction grows, so does George’s desperation to know the truth about what happened that day in Ypres. If only to prove Matthew innocent—even if it means losing the man he’s come to love. Warning: Contains larks in the snow, stiff upper lips, shadows of the Great War, and one man working undercover while another tries to lure him under the covers.

    One night, Manny's sudden announcement that he wants a divorce forces mother and daughter to move to upstate New York to live with Lizzy's grandmother and grandfather—a mixed blessing. At school, Lizzy befriends, then falls in love with, Eva Singer, who is dyslexic, looks like Natalie Wood and lives right down the street. Like all girls her age, Lizzy has to deal with her first period, her first bra and her first boyfriend. But what scares her most is her love for Eva. She is also concerned with getting a new husband for Mama—especially after reading Mama's letters that she has found in the attic. Then Eva gets a boyfriend and Mama's life enters what seems to be a new crisis. . . . How Lizzy comes to grips with life's strange twists and turns makes fascinating reading for adults and young readers alike.

    'Takes all of your dystopian nightmares and connects them to a mother lode of pure emotional intensity. There's so much keen detail here about the cruel logic of oppressive institutions, you'll feel Mirii's yearning for freedom in your bones - and you'll rejoice at every tiny moment of escape that she achieves. Welcome to Orphancorp is harrowing, scarily real, and ultimately super moving.' - Charlie Jane Anders (i09) 'Punchy, crunchy, sexy and smart, Welcome to Orphancorp is a short, sharp shock of a story with bruised-but-not broken characters and a bonsai dystopia you can actually believe in. Marlee Jane Ward is a writer of heart and passion, muscle and slow-burning anger.' - Ian McDonald 'Welcome to Orphancorp is an intimate, heartfelt story set in the darkest of places. I can't stop thinking about these characters.' - Kij Johnson 'An object lesson in how to dehumanise young people by locking them up and depriving them of all warmth and care - has never been more timely. This gritty, greasy story is peppered with violence and lit with the slenderest shafts of affection and hope. It will make your jaw clench with fear for the indomitable Mirii Mahoney, and your fist punch the air at her every tiny victory.' - Margo Lanagan

    Find your place alongside ace necromancers, glamorous jazz musicians, fey outsiders, friendly monsters, and a superhero still finding his way out of the phone booth.Spotlighting the work of diverse voices, this collection includes Kieron Gillen (The Wicked + The Divine), Kelly & Nichole Matthews (Lumberjanes/Gotham Academy), Vivian Ng​​ (Legend of Korra: Turf Wars), and many others.Our stories have heroes who are gay, lesbian, bisexual, transgender, non-binary, gender non-conforming, two-spirit, and asexual, from creators who share those identities.

    I am a tabula rasa, a blank sheet of paper, an unhatched egg. I have not yet become a woman, although I possess a woman's shape. Not a woman, no: both more and less than a real woman. Now I am a being as mythic and monstrous as Mother herself . . . 'New York has become the City of Dreadful Night where dissolute Leilah performs a dance of chaos for Evelyn. But this young Englishman's fate lies in the arid desert, where a many-breasted fertility goddess will wield her scalpel to transform him into the new Eve.

    Told in the beguiling voice of a narrator who is fish, snake, girl, and woman - all of whom must struggle against adversity for survival - the novel is set alternately in nineteenth-century China and in a futuristic Pacific Northwest.At turns whimsical and wry, "Salt Fish Girl" intertwines the story of Nu Wa, the shape-shifter, and that of Miranda, a troubled young girl living in the walled city of Serendipity circa 2044. Miranda is haunted by traces of her mother's glamourous cabaret career, the strange smell of durian fruit that lingers about her, and odd tokens reminiscient of Nu Wa. Could Miranda be infected by the Dreaming Disease that makes the past leak into the present?Framed by a playful sense of magical realism, "Salt Fish Girl" reveals a futuristic Pacific Northwest where corporations govern cities, factory workers are cybernetically engineered, middle-class labour is a video game, and those who haven't sold out to commerce and other ills must fight the evil powers intent on controlling everything. Rich with ancient Chinese mythology and cultural lore, this remarkable novel is about gender, love, honour, intrigue, and fighting against oppression.