Vincent Millay to Edward Lear's whimsical "The Owl and the Pussycat" and James Whitcomb Riley’s homespun "When the Frost Is on the Punkin." Famous poets such as Wordsworth, Tennyson, Whitman, and Frost are well-represented, as are less well-known poets such as John McCrae ("In Flanders Fields") and Ernest Thayer ("Casey at the Bat"). Includes 10 selections from the Common Core State Standards Initiative: "The Owl and the Pussycat," "Casey at the Bat," "Jabberwocky," "O Captain! My Captain!," "Paul Revere's Ride," "Ozymandias," "The Raven," "Because I Could Not Stop for Death," "Mending Wall," and "Ode on a Grecian Urn."

    Church, school then a little more church was her life. She wasn’t the girl to get asked on dates or even have a lot of friends. She mainly kept to herself until she was noticed by the one guy she had been dreaming about since she hit puberty. Deon was a force that Jess had no choice but to allow to come in and sweep her away. He was too charming, too handsome, and too tempting. He didn’t have rules and he didn’t let Jess’ young age stop him from getting what he wanted, which was her. Jess fought him off for as long as she could but finally gave in. Her life seemed to change overnight. She became confident. She was able to get the clothes that she wanted and be the girl that other guys liked and females wanted to befriend. Deon was her king and she just wanted to make him happy. She went against her parents’ wishes and everything she believed in to be with him and she would have taken on the world for him if she had to. He gave her everything she ever wanted and she found herself so wrapped up in him that she could see nothing else. Her fairytale soon turned into a nightmare once she learned she wasn’t the only girl he was loving. Next were the fights and the drama. Trying to leave Deon became a war that she wasn’t prepared to fight. What do you do when someone you love so much hurts you? How can you leave them when you can’t even go a day without them? Love is many things but it should never hurt. For Jessenia her life was nice until it wasn’t. She fell in love with a man that really didn’t love her at all and the battle to get back to herself wasn’t going to be an easy one. He said he loved her and she believed him. His type of love was pain most of the time and she started to bleed his love right out of her until one day she noticed the love was gone. To leave Deon, Jess has to find herself and find her strength. Will she succeed or will she forever be wrapped up in a man that really loves no one but himself? Heart of Stone by Mz. Lady P Heart of Stone is a short story that digs into the mind frame of Stone Williams. A heartless, ruthless, and abusive womanizer.K'Yonnah Kyles is his much younger girlfriend who thought she had met her Knight in Shining Armor, but in reality she was dancing with the devil and sleeping with the enemy.Not being able to take it anymore, K'Yonnah decides to do what's best for her. In the process, she'll find out secrets that Stone has been keeping from her. She will have to come to grips and face the fact that Stone never had any good intentions for her or her heart. Will she be able to get out of his clutches or is it too late for her to save her life from the heartless nigga known as Stone.Love Don't Have to Hurt by Lucinda John Aimee's dreams of a professional dancer had to be placed on hold when her father died of cancer. Living paycheck to paycheck, Aimee works to help her mother pay off her debts, take care of her brother, and attend a few classes at a community college. When Aimee's best friend, Shanice presents her with the idea of dancing at a strip club for extra money, she meets Lucas. A punch, slap, and a few kicks is how Aimee can explain her abusive relationship with Lucas. The guy that is suppose to be her safe haven, is the one that is causing her the most pain; physically and emotionally. Aimee feels obligated to stay with Lucas because of how he changed her and her family's lives, but when things turn fatal, will Aimee learns that love is not suppose to hurt? Or will it be too late?Fatal Attraction: The Love I Once RememberedHave you ever been deeply in love? Enduring so much because you thought things would get better? Or because you felt your good days, outweighed your bad? Well here's a story about a young lady dealing

    Five macabre masterpieces, lovingly crafted from the darkest depths of your nightmares.This collection includes:Walking - A camping trip in the wilderness leads to bloodshed when an inexperienced outdoorsman trespasses on forbidden ground…The Bridge - A cancer patient’s recovery takes an unexpected turn when she discovers that cheating death comes with a hidden cost…Squatting - A homeless man seeking shelter from the cold discovers that some abandoned houses hold deadly ties to the past…Maker’s Hill - A curious ghost hunter unearths a town’s dark history of violence, and learns that some secrets are meant to stay buried…The First Bad Thing - The murder of a child’s furry friend sends him on a hunt for a vicious supernatural predator that only he can stop…There’s no end to the terror found within these tales of dread. But whatever you do, try not to scream too loud.You never know who might be listening in the dark…

    What you see isn't always the only thing you receive. Come for the popcorn, the show, and the animals. Stay for the Horror. We insist. Panis Et Poenam by Alex Winck Make My Escape by C.L. Williams SOLD by Katie Jaarsveld Diamonique by Samie Sands Heaven Must Be Missing An Angel by Andrew Darlington Stuff of Dreams by Rick Eddy WONDERLAND by Samie Sands The Freak by Kevin Hall Clown in the Mirror by Katie Jaarsveld Carnival Carnage by Samie Sands

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell.‘Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully.’—The New York Times‘Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.’— The Village VoiceLisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.

    Edited by Lee Ann Brown. SONNETS, first published in 1989 as Tender Buttons Number 1 is widely considered to be one of the most generative and innovative works of contemporary American poetry, radically rethinking the traditional sonnet form. This expanded 25th Anniversary edition includes a new preface by Bernadette Mayer, an editor's note by Tender Buttons Press publisher Lee Ann Brown, and a selection of previously unpublished archival material including the Skinny Sonnets, described as Hypnogogic Word Playing in Reporters' Notebooks which further expand our map of Bernadette Mayer's ground- breaking works of writing consciousness.

    Poetics. "ORDERING THE STORM empowers readers to see the poetry collection as an artistic medium in itself, and offers diverse perspectives on the subject. Experienced writers and beginners alike will find inspiration and encouragement in the words of exceptional poets such as Maggie Anderson, Wanda Coleman, and Beckian Fritz Goldberg. This book should be required reading for all graduate student poets, even those who are still in the process of writing their first collection, because it includes essential information on poetic sequencing and useful strategies for examining a manuscript's possibilities. One of the most exciting aspects of the book is the sense of community that readers feel upon exploring each essay. ORDERING THE STORM transforms the task of arranging poems from a solitary undertaking to a collaborative adventure"--Mary Biddinger, Associate Editor of RHINO.

    Featuring a beautifully diverse and inspirational set of voices from around the world, that includes some of today’s most influential modern poets, with additional contest winners chosen from 4,500 submissions, Crown Anthology is curated to be a light in the wild dark, illuminating the crown that exists in everyone.

    

    The Birth-mark traces the collusive relationships among tradition, the constitution of critical editions, literary history and criticism, the institutionalized roles of poetry and prose, and the status of gender. Through an examination of the texts and editorial histories of Thomas Shepard's conversion narratives, the captivity narrative of Mary Rowlandson, and the poetry of Emily Dickinson, Howe reads our intellectual inheritance as a series of civil wars, where each text is a wilderness in which a strange and lawless author confronts interpreters and editors eager for settlement. In a concluding interview, Howe comments on her approach and recounts some the crucial biographical events that sparked her interest in early American literature.

    He died in 1965 virtually unrecognized, yet in the following years his work and thought have attracted and intrigued an international audience. Now this comprehensive biography gives a pivotal poet his due. Based on interviews with scores of Spicer's contemporaries, Poet Be Like God details the most intimate aspects of Spicer's life-his family, his friends, his lovers-illuminating not only the man but also many of his poems. Such illumination extends also to the works of others whom Spicer came to know, including the writers Frank O'Hara, Robert Duncan, Denise Levertov, Helen Adam, Robin Blaser, Charles Olson, Philip K. Dick, Richard Brautigan, and Marianne Moore and the painters Jess, Fran Herndon, and Jay DeFeo. The resulting narrative, an engaging chronicle of the San Francisco Renaissance and the emergence of the North Beach gay scene during the 50s and 60s, will be indispensable reading for students of American literature and gay studies.

    Here are stories culled from hundreds of writing programs such as the Iowa Writers’ Workshop and Johns Hopkins and from summer conferences such as Sewanee and Bread Loaf—as well as a complete list of contact information for these programs. This collection showcases tomorrow’s literary stars: Julie Orringer, Adam Johnson, William Gay, David Benioff, Rattawut Lapcharoensap, Maile Meloy, Amanda Davis, Jennifer Vanderbes, and John Murray are just some of the acclaimed authors whose early work has appeared in this series since its launch in 2000. The best new American voices are heard here first.

     Written with incredible honesty and self-knowledge, Between the Lines is a stunning collection of poems from Céline Zabad. Ranging in length from a single line to full pages, her poems mimic at once the brevity and vastness of feeling. Her verse is at times as free as a cloud, other times as solid as stone. Her words are philosophies and feelings in their own rights, on love, loss, loyalty, betrayal, hope, and disappointment—on life. Zabad encapsulates the thrill of love’s first blush and the freezing burn of heartbreak. Her feelings flow freely throughout the collection, lending her poetry uncommon authenticity and power. Nature thrives between the lines of her verse, reminding the reader that tears are as natural as raindrops. Whether you’re looking for new ways to think about your own feelings or are simply passionate about poetry, you’ll find plenty to love in this collection. To better understand the complexities of emotion in yourself and others, you must read Between the Lines.