Leave them alone long enough, and it gets real hard to tell them apart.”Elena Alvarez is living a cursed life. From the deadly fire she accidentally set as a child, to her mother’s abandonment, and now to an unwanted pregnancy, she knows better than most that small actions can have terrible consequences. Driven to the high mountains surrounding Leadville, Colorado by her latest bad decision, she’s intent on putting off the future. Perhaps there she can just hide in her grandmother’s isolated cabin and wait for something—anything—to make her next choice for her.Instead, she is confronted by reflections of her own troubles wherever she turns—the recent widower and his two children adrift in a changed world, Elena’s own mysterious family history, and the interwoven lives within the town itself. Bit by bit, Elena begins to question her understanding of cause and effect, reexamining the tragedies she’s held on to and the wounds she’s refused to let heal.But when the children go missing, Elena’s fragile new peace is shattered. It’s only at the prospect of fresh loss and blame that she will discover the truth of the terrible burdens we take upon ourselves, the way tragedy and redemption are inevitably intertwined—and how curses can sometimes lead to blessings, however disguised.

    He is assigned to K Company, on the western edge of the Kansas frontier. What he finds there is brutal discipline combined with bad food, monotonous drill, and make-work details. Even worse, he makes an enemy of Link Hayward, toughest soldier in the company, who’s been broken in rank more times than he can count. Link thinks Harry is a coward and urges him to desert. Taunted by Link, not accepted by K Company’s veterans, Harry begins to doubt himself.Then the company is ordered into the field, and in a battle with the Cheyenne, Harry learns what he’s really made of.

    Her father, a former territorial governor, must now make the hard decision to recruit a former friend and gunfighter, whom he tried to hang in the past, to join in pursuit of his strong-willed daughter and the violent men she seeks. The energetic and exciting story is told from both perspectives as they must fight their way through the still untamed towns and locations of New Mexico Territory and Texas of 1884. And blended into the backdrop of their journey are the final days of the spirited campaign to elect a new President—Grover Cleveland. Behind this story lies the dynamics of two former friends who grew up together and fought alongside one another as members of the Texas Brigade in the Civil War and later as Texas Rangers. But they would be driven apart later by the sides of the law they would hold to. They now come together once again in an epic tale and must reach beyond their strained relationship to the strong bonds of friendship of their youth.

    But a tragedy in her past has made her an outcast. Only by facing down her ghosts--and her hometown--will she learn to accept the liberating challenges of belonging, identity, and love.

    In a lawless town, they become the law, grieving for their slain loved ones while looking to start a new life free of further bloodshed. But destiny has other plans for the Shayes.Eight men ride into town with designs on the bank's money -- and when they ride out, a dozen innocent people are dead and Dan Shaye is down with a gunshot wound. Now it's up to his boys to settle one more score, riding hell for leather toward a final reckoning ... and a mystery.And if Death comes again for the sons of Daniel Shaye, so be it, because any man who won't lay down his life for what is right is no man at all.

    With Leland Edwards on piano, Neil Novotny on clarinet, Victor Dash on drums, and Connor on bass, the group comes together with the help of its muse, the lovely Peggy Benoit, who plays saxophone and sings. But soon isolated Rookery State will be touched by the great discontent sweeping the country: the first labor union in the college's history comes noisily to campus. As a teachers strike takes shape, the five musicians must struggle with their loyalties--to the school, the town, their families, and one another. . . .

    The neighborhood is a bubble within a bubble, and the residents are immediately intrigued by the eccentric newcomer and his family. Along with his improbable name, untraceable accent, and unmistakable whiff of danger, Nero Golden has brought along his three adult sons: agoraphobic, alcoholic Petya, a brilliant recluse with a tortured mind; Apu, the flamboyant artist, sexually and spiritually omnivorous, famous on twenty blocks; and D, at twenty-two the baby of the family, harboring an explosive secret even from himself. There is no mother, no wife; at least not until Vasilisa, a sleek Russian expat, snags the septuagenarian Nero, becoming the queen to his king—a queen in want of an heir.Our guide to the Goldens’ world is their neighbor René, an ambitious young filmmaker. Researching a movie about the Goldens, he ingratiates himself into their household. Seduced by their mystique, he is inevitably implicated in their quarrels, their infidelities, and, indeed, their crimes. Meanwhile, like a bad joke, a certain comic-book villain embarks upon a crass presidential run that turns New York upside-down.Set against the strange and exuberant backdrop of current American culture and politics, The Golden House also marks Salman Rushdie’s triumphant and exciting return to realism. The result is a modern epic of love and terrorism, loss and reinvention—a powerful, timely story told with the daring and panache that make Salman Rushdie a force of light in our dark new age.

    Setting out across the harsh desert in order to forge a new path to 1837 California, daring mountain man Hugh Falconer leads his band of roughnecks and outcasts through the dangerous land against menacing odds.

    With degrees in both Medicine and Law, at the age of seventeen, Clint still felt empty and dissatisfied. He struck up a bargain with his father, to be allowed four years to go West and see the lands, experience life, then return to follow in his father’s footsteps and become a doctor in the family practice. When he boarded the train west with fifty thousand dollars set up in a bank account, Clint had no way of knowing just how much his life would turn in a completely different way.

    Ephraim, New York, are a large and fortunate clan, blessed with good looks, abundant charisma, and boundless promise. But over the twenty-five year span of this ambitious novel, the Mulvaneys will slide, almost imperceptibly at first, from the pinnacle of happiness, transformed by the vagaries of fate into a scattered collection of lost and lonely souls.It is the youngest son, Judd, now an adult, who attempts to piece together the fragments of the Mulvaneys' former glory, seeking to uncover and understand the secret violation that occasioned the family's tragic downfall. Each of the Mulvaneys endures some form of exile- physical or spiritual - but in the end they find a way to bridge the chasms that have opened up among them, reuniting in the spirit of love and healing.

    Perhaps they married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is now about to crumble. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves.

    Among the books surrounding him, he began to dream...of a nameless boy, sitting on a dilapidated dock in the warm sun of a summer day, playing a game: He was trying to bring the soles of his bare feet as close as he could to the surface of the water, without touching it.That boy became Peter Leroy, and from Kraft's dream grew one of the most delightful, unusual projects in contemporary literature. Funny, touching, witty, mythic, and profound, Kraft's novels, featuring Peter, his friends and family, and the seaside town of Babbington create an alternate reality-a world in which we see ourselves, darkened and wavering, as reflected by deep water.Little Follies gathers nine Peter Leroy novellas into one volume: the perfect introduction to an irresistible cycle of books by an author sometimes compared to Cheever, Proust, Twain, Borges, Russel Baker, and Garrison Keillor, but who is uniquely Eric Kraft.

    His failed plan, a mere footnote in Jewish-American history, is the starting point for Ben Katchor's brilliantly imagined epic that unfolds on the streets of New York a few years later.A disgraced kosher slaughterer, an importer of religious articles and women's hosiery, a pilgrim peddling soil from the Holy Land, a latter-day Kabbalist, a man with plans to carbonate Lake Erie--these are just some of the characters who move through Katchor's universe, their lives interwoven in a common struggle to settle into the New World even as it erupts into a financial frenzy that could as easily leave them bankrupt as carry them into the future.

    Desperate to fend off starvation and predatory neighbors, she cuts off her hair, binds her chest, saddles her beloved mare, and sets off across the mountains to find her outlaw brother Noah and bring him home. A talented sharpshooter herself, Jess's quest lands her in the employ of the territory's violent, capricious Governor, whose militia is also hunting Noah—dead or alive.Wrestling with her brother's outlaw identity, and haunted by questions about her own, Jess must outmaneuver those who underestimate her, ultimately rising to become a hero in her own right.Told in Jess's wholly original and unforgettable voice, Whiskey When We're Dry is a stunning achievement, an epic as expansive as America itself—and a reckoning with the myths that are entwined with our history.

    But what she finds derails her: the Dunbar ranch is bankrupt, her sister is having a nervous breakdown, and the oil and gas industry has changed the landscape of this small western town both literally and figuratively, tempting her to sell a gas lease to save the family land. There is fencing to be repaired and calves to be born, and no one—except Jackie herself—to take control. But then a gas well explodes in the neighboring ranch, and the fallout sets off a chain of events that will strain trust, sever old relationships, and ignite new ones. Rebecca Clarren's Kickdown is a tautly written debut novel about two sisters and the Iraq war veteran who steps in to help. It is a timeless and timely meditation on the grief wrought by death, war, and environmental destruction. Kickdown, like Kent Haruf's Plainsong or Daniel Woodrell's Winter's Bone, weaves together the threads of land, family, failure, and perseverance to create a gritty tale about rural America.