In his previous novels, he has explored this inner world and its manifestations in the lives of his characters with rare inventiveness and subtlety, shrewd humor and insight. In When We Were Orphans, his first novel in five years, he returns to this terrain in a brilliantly realized story that illuminates the power of one's past to determine the present.Christopher Banks, an English boy born in early-twentieth-century Shanghai, is orphaned at age nine when his mother and father both vanish under suspicious circumstances. Sent to live in England, he grows up to become a renowned detective and, more than twenty years later, returns to Shanghai, where the Sino-Japanese War is raging, to solve the mystery of the disappearances.The story is straightforward. Its telling is remarkable. Christopher's voice is controlled, detailed, and detached, its precision unsurprising in someone who has devoted his life to the examination of details and the rigors of objective thought. But within the layers of his narrative is slowly revealed what he can't, or won't, see: that his memory, despite what he wants to believe, is not unaffected by his childhood tragedies; that his powers of perception, the heralded clarity of his vision, can be blinding as well as enlightening; and that the simplest desires--a child's for his parents, a man's for understanding--may give rise to the most complicated truths.A masterful combination of narrative control and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his best.

    Secure in the love of her beautiful mother, she is unaware that her father, Jack, is caught up in a web of secrets. When a very local murder intersects with global forces, Jack must decide where his loyalties lie, and Madeleine will be forced to learn a lesson about the ambiguity of human morality -- one she will only begin to understand when she carries her quest for the truth, and the killer, into adulthood twenty years later.

    So she is elated to learn she is to become the second wife of a wealthy Sikh landowner in a union beneficial to both. For Sardaji’s first wife, Satya, has failed to bear him children. Roop believes that she and Satya, still very much in residence, will be friends. But the relationship between the older and younger woman is far more complex. And, as India lurches toward independence, Sardarji struggles to find his place amidst the drastic changes.Meticulously researched and beautifully written, What the Body Remembers is at once poetic, political, feminist, and sensual.

    Just as she meets and falls in love with the wildly inappropriate Joaquín Andieta, a lowly clerk who works for Jeremy, gold is discovered in the hills of northern California. By 1849, Chileans of every stripe have fallen prey to feverish dreams of wealth. Joaquín takes off for San Francisco to seek his fortune, and Eliza, pregnant with his child, decides to follow him.As we follow her spirited heroine on a perilous journey north in the hold of a ship to the rough-and-tumble world of San Francisco and northern California, we enter a world whose newly arrived inhabitants are driven mad by gold fever. A society of single men and prostitutes among whom Eliza moves--with the help of her good friend and savior, the Chinese doctor Tao Chien--California opens the door to a new life of freedom and independence for the young Chilean. Her search for the elusive Joaquín gradually turns into another kind of journey that transforms her over time, and what began as a search for love ends up as the conquest of personal freedom.

    He goes to Hell, where Lord Yama, king of the underworld, has Ximen Nao tortured endlessly, trying to make him admit his guilt, to no avail. Finally, in disgust, Lord Yama allows Ximen Nao to return to earth, to his own farm, where he is reborn not as a human but first as a donkey, then an ox, pig, dog, monkey, and finally the big-headed boy Lan Qiansui. Through the earthy and hugely entertaining perspectives of these animals, Ximen Nao narrates fifty years of modern Chinese history, ending on the eve of the new millennium. Here is an absolutely spellbinding tale that reveals the author's love of the land, beset by so many ills, traditional and modern.

    When interrogation experts arrive, however, he witnesses the Empire's cruel and unjust treatment of prisoners of war. Jolted into sympathy for their victims, he commits a quixotic act of rebellion that brands him an enemy of the state.J. M. Coetzee's prize-winning novel is a startling allegory of the war between oppressor and oppressed. The Magistrate is not simply a man living through a crisis of conscience in an obscure place in remote times; his situation is that of all men living in unbearable complicity with regimes that ignore justice and decency.

    In her village, as in so many others, sex before marriage was considered a grave dishonour to one's family and was punishable by death. This was her crime. Her brother-in-law was given the task of arranging her punishment. One morning while Souad was washing the family's clothes, he crept up on her, poured petrol over her and set her alight.In the eyes of their community he was a hero. An execution for a 'crime of honour' was a respectable duty unlikely to bring about condemnation from others. It certainly would not have provoked calls for his prosecution. More than five thousand cases of such honour killings are reported around the world each year and many more take place that we hear nothing about.Miraculously, Souad survived rescued by the women of her village, who put out the flames and took her to a local hospital. Horrifically burned, and abandoned by her family and community, it was only the intervention of a European aid worker that enabled Souad to receive the care and sanctuary she so desperately needed and to start her life again. She has now decided to tell her story and uncover the barbarity of honour killings, a practice which continues to this day.Burned Alive is a shocking testimony, a true story of almost unbelievable cruelty. It speaks of amazing courage and fortitude and of one woman's determination to survive. It is also a call to break the taboo of silence that surrounds this most brutal of practices and which ignores the plight of so many other women who are also victims of traditional violence.

    It's a city teeming with people, sights, sounds, and smells, and it's home to a group of foreign nationals who enjoy the good life among the local moneyed set, in a tight-knit social enclave distanced from the culture at large. Comfortable, clever, and even a bit dazzling, they revel in their fancy dinners and fun parties. But their sheltered lives take an abrupt turn after the Japanese occupation, and though their reactions are varied -- denial, resistance, submission -- the toll it takes on all is soon laid bare. Enter Claire Pendleton from London. Months after her husband is transferred to Hong Kong in 1951, she accepts a position as a piano teacher to the daughter of a wealthy couple, the Chens. Claire begins to see the appeal of the sweltering city and is soon taken in by the Chen's driver, the curiously underutilized Will Truesdale. A handsome charmer with a mysterious limp, Will appears to be the perfect companion for Claire, who's often left to her own devices. But a further examination leaves her with more questions than answers.An intricately woven tale of lives changed by historical events, Lee's debut brings this hothouse flower of a city alive with passion, and imagines characters both unforgettable and tragic.

    But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment.Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats--and adventures--of the night, to transport you, to make you feel like everything is going to be all right. For Máni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.

    Confronting the disheveled figure of a South Asian male carrying a backpack, the banker recognizes a long-lost college friend, a mathematics prodigy who disappeared many years earlier under mysterious circumstances. The friend has resurfaced with a confession of unsettling power.Zia Haider Rahman takes us on a journey of exhilarating scope, ranging over Kabul, London, New York, Islamabad, Oxford, and Princeton and dealing with love, belonging, finance, science, and war. Its framework is an age-old story: the friendship of two men and the betrayal of one by the other, both of them desperate in their different ways to climb clear of their wrong beginnings. Set against the breaking of nations and beneath the clouds of economic recession, the novel chronicles the lives of people carrying unshakable legacies of class, culture, and faith as they struggle to tame their futures. In the Light of What We Know is by turns tender, intimate, and panoramic, telescoping the great upheavals of our young century into a first novel of rare ambition and profundity.

    They have been charged by their commanders to track down and bring back for execution 'one of them' - a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere. Before long, the group's sympathies have splintered as they consider the moral implications of their murderous mission and confront their own consciences to ask themselves: should the Jew be offered food? And, having shared their meal, should he be taken back, or set free?

    As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov. In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature.

    Israeli soldiers capture and rape a young Palestinian woman, and kill and bury her in the sand. Many years later, a woman in Ramallah becomes fascinated to the point of obsession with this ‘minor detail’ of history. A haunting meditation on war, violence and memory, Minor Detail cuts to the heart of the Palestinian experience of dispossession, life under occupation, and the persistent difficulty of piecing together a narrative in the face of ongoing erasure and disempowerment.

    Ludo’s quiet existence changes the day he meets Lila, a girl from the aristocratic Polish family who own the estate next door. In a single glance, Ludo instantly falls in love forever; Lila, on the other hand, remains elusive. Thus begins Ludo’s adventure of longing, passion, and steadfast love for Lila, who begins to reciprocate his feelings just as Europe descends into war. After Germany invades Poland, Lila and her family disappear, and Ludo’s journey to save her from the Nazis becomes a journey to save his loved ones, his country, and ultimately himself.Filled with unforgettable characters—an indomitable chef who believes Michelin stars are more enduring than military conquests; a Jewish brothel Madam who reinvents everything about herself during the war; a piano virtuoso turned RAF pilot—The Kites is Romain Gary’s poetic call for resistance in whatever form it takes.

    This new translation of The Princesse de Clèves also includes two shorter works also attributed to Mme de Lafayette, The Princesse de Montpensier and The Comtesse de Tende.