Her older brother, Toby: definitely the Star. As popular with the stoners as he is with the cheerleaders, Toby is someone you’d pay ten bucks to watch sweep Battle of the Bands and build a “beach party” in the bathroom. As for Amelia? She’s Toby Anderson’s Younger Sister. She’s perfectly happy to watch Toby’s hijinks from the sidelines, when she’s not engrossed in one of her elaborately themed Netflix movie marathons. But recently Toby’s been acting in a very non-movie-version way. He’s stopped hanging out with his horde of friends and started obsessively journaling and disappearing for days at a time. Amelia doesn’t know what’s happened to her awesome older brother, or who this strange actor is that’s taken his place. And there’s someone else pulling at her attention: a smart, cute new boyfriend who wants to know the real Amelia—not Toby’s Sidekick. Amelia feels adrift without her star, but to best help Toby—and herself—it might be time to cast a new role: Amelia Anderson, leading lady.

    Ella has spent her high school years living in popular Maddy's shadows, but she has never been envious of Maddy. In fact, she's chosen the quiet, safe confines of her sketchbook over the constant battle for attention that has defined Maddy's world.When—after a heated argument—Maddy and Ella get into a tragic accident that leaves her sister dead, Ella wakes up in the hospital surrounded by loved ones who believe she is Maddy. Feeling responsible for Maddy's death and everyone's grief, Ella makes a split-second decision to pretend to be Maddy. Soon, Ella realizes that Maddy's life was full of secrets. Caught in a web of lies, Ella is faced with two options—confess her deception or live her sister's life.

    it was like a message from future me to present me, telling me that in some way we weren’t just bound to happen, that we had, in some sense, already happened. It felt... inevitable.'So far, the inevitable hasn’t worked out so well for Aaron Stein.While his friends have gone to college and moved on with their lives, Aaron’s been left behind in the Cascade Mountains of Washington State, running a failing bookshop with his dad, Ira. What he needs is a lucky break, the good kind of inevitable.And then he meets Hannah. Incredible Hannah – magical, musical, brave and clever. Could she be the answer? And could they – their relationship, their meeting – possibly be the inevitable Aaron’s been waiting for?

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.

    He also specializes in getting things people want---term papers, a date with the prom queen, fake IDs. He has few close friends and he never EVER lets emotions get in the way. For Jesse, life is simply a series of business transactions.But when Ken Foster, captain of the football team, leading candidate for homecoming king, and all-around jerk, hires Jesse to help him win the heart of the angelic Bridget Smalley, Jesse finds himself feeling all sorts of things. While following Bridget and learning the intimate details of her life, he falls helplessly in love for the very first time. He also finds himself in an accidental friendship with Bridget’s belligerent and self-pitying younger brother who has cerebral palsy. Suddenly, Jesse is visiting old folks at a nursing home in order to run into Bridget, and offering his time to help the less fortunate, all the while developing a bond with this young man who idolizes him. Could the tin man really have a heart after all?A Cyrano de Bergerac story with a modern twist, Sway is told from Jesse’s point of view with unapologetic truth and biting humor, his observations about the world around him untempered by empathy or compassion---until Bridget’s presence in his life forces him to confront his quiet devastation over a life-changing event a year earlier and maybe, just maybe, feel something again.

    In turn-of-the-20th century Texas, the Berachah Home for the Redemption and Protection of Erring Girls is an unprecedented beacon of hope for young women consigned to the dangerous poverty of the streets by birth, circumstance, or personal tragedy. Built in 1903 on the dusty outskirts of Arlington, a remote dot between Dallas and Fort Worth's red-light districts, the progressive home bucks public opinion by offering faith, training, and rehabilitation to prostitutes, addicts, unwed mothers, and "ruined" girls without forcibly separating mothers from children. When Lizzie Bates and Mattie McBride meet there--one sick and abused, but desperately clinging to her young daughter, the other jilted by the beau who fathered her ailing son--they form a friendship that will see them through unbearable loss, heartbreak, difficult choices, and ultimately, diverging paths.A century later, Cate Sutton, a reclusive university librarian, uncovers the hidden histories of the two troubled women as she stumbles upon the cemetery on the home's former grounds and begins to comb through its archives in her library. Pulled by an indescribable connection, what Cate discovers about their stories leads her to confront her own heartbreaking past, and to reclaim the life she thought she'd let go forever. With great pathos and powerful emotional resonance, Home for Erring and Outcast Girls explores the dark roads that lead us to ruin, and the paths we take to return to ourselves.

    Now, fourteen years later, her loving parents’ marriage has fallen apart and her mom has moved them to Joyful, Texas. Starting twelfth grade as the new kid at school, everything Chloe loved about her life is gone. And feelings of déjà vu from her early childhood start haunting her.When Chloe meets Cash Colton she feels drawn to him, as though they're kindred spirits. Until Cash tells her the real reason he sought her out: Chloe looks exactly like the daughter his foster parents lost years ago, and he’s determined to figure out the truth.As Chloe and Cash delve deeper into her adoption, the more things don’t add up, and the more strange things start happening. Why is Chloe’s adoption a secret that people would kill for?

    So when a girl at her new high school nearly succumbs to the wiles of a notorious cad, Mary starts compiling the Scoundrel Survival Guide, a rundown of literary types to be avoided at all costs.Unfortunately, Mary is better at dishing out advice than taking it—and the number one bad boy on her list is terribly debonair. As her best intentions go up in flames, Mary discovers life doesn’t follow the same rules as fiction. If she wants a happy ending IRL, she’ll have to write it herself.

    One of them says FLORA BE BRAVE.Flora has anterograde amnesia. She can't remember anything day-to-day: the joke her friend made, the instructions her parents gave her, how old she is.Then she kisses someone she shouldn't, and the next day she remembers it. It's the first time she's remembered anything since she was ten. But the boy is gone. She thinks he's moved to the Arctic. Will following him be the key to unlocking her memory? Who can she trust?

    Their mother is ill with leukemia and the girls spend a lot of time with her at a Mexican clinic across the border from their San Diego home so she can receive alternative treatments.Vanessa is the middle child, a talented pianist who is trying to hold her family together despite the painful loss that they all know is inevitable. As she and her sisters navigate first loves and college dreams, they are completely unaware that an illness far more insidious than cancer poisons their home. Their world is about to shatter under the weight of an incomprehensible betrayal…

    Amy and Craig never should've gotten together. Craig is an awkward, Dungeons & Dragons-playing geek, and Amy is the beautiful, fiercely intelligent student-body president of their high school.Yet somehow they did. Until Amy dumped him. Then got back together with him. Then dumped him again. Then got back together with him again. Over and over and over.Unfolding during their senior year, Amy and Craig's exhilarating, tumultuous relationship is a kaleidoscope of joy, pain, and laughter as an uncertain future-and adult responsibility-loom on the horizon.Craig fights for his dream of escaping Janesville and finding his place at a quirky college, while Amy's quest to uncover her true self sometimes involves being Craig's girlfriend?and sometimes doesn't.Seven heartbreaks. Seven joys.Told nonsequentially, acclaimed playwright Don Zolidis's debut novel is a brutally funny, bittersweet taste of the utterly unique and utterly universal experience of first love.

    She won't admit it to anyone, but something about Elijah Huck has pulled her under. When he tells her about the hippie Quaker school he attended in the Hudson Valley called Quare Academy, where he'll be teaching next year, Flora gives up her tony upper east side prep school for a life on a farm, hoping to woo him. A fish out of water, Flora stands out like a sore thumb in her vintage suits among the tattered tunics and ripped jeans of the rest of the student body. When Elijah doesn't show up, Flora must make the most of the situation and will ultimately learn more about herself than she ever thought possible.Told in a series of letters, emails, journal entries and various ephemera, Flora's dramatic first year is laid out for all to see, embarrassing moments and all.

    Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow students and the spirit of Emily Dickinson offer helping hands. But it is up to Emily Beam to heal her own damaged self, to find the good behind the bad, hope inside the despair, and springtime under the snow.

    She was the talented one, the one who had been training to be a star her whole life. Her best friend, Dana, was the level-headed one, always on the sidelines, cheering her best friend along. But everything changes when Dana tags along with Olivia to Orlando for the weekend, where superproducer Guy Monroe is holding auditions for a new singing group, and Dana is discovered too. Dana, who’s never sung more than Olivia’s backup. Dana, who wasn’t even looking for fame. Next thing she knows, she and Olivia are training to be pop stars, and Dana is falling for Alex, the earnest, endlessly talented boy who’s destined to be the next big thing. It should be a dream come true, but as the days of grueling practice and constant competition take their toll, things between Olivia and Dana start to shift . . . and there’s only room at the top for one girl. For Olivia, it’s her chance at her dream. For Dana, it’s a chance to escape a future that seems to be closing in on her. And for these lifelong best friends, it’s the adventure of a lifetime—if they can make it through. Set in evocative 1990s Orlando, New York Times bestselling author Katie Cotugno’s Fireworks brings to life the complexity of friendship, the excitement of first love, and the feeling of being on the verge of greatness.

    She lost her mom in a car accident, and her father went AWOL when Johanna was just a baby. At sixteen, life is steady, boring . . . maybe even stifling, since she's being raised by her grandparents who never talk about their daughter, her mother Mandy.Then he comes back: Robert Newsome, Johanna's father, bringing memories and pictures of Mandy. But that's not all he shares. A tragic car accident didn't kill Mandy--it was Johanna, who at two years old, accidentally shot her own mother with an unsecured gun.Now Johanna has to sort through it all--the return of her absentee father, her grandparents' lies, her part in her mother's death. But no one, neither her loyal best friends nor her sweet new boyfriend, can help her forgive them. Most of all, can she ever find a way to forgive herself?In a searing, ultimately uplifting story, debut author Alex Richards tackles a different side of the important issue that has galvanized teens across our country.