Information for Foreigners is a drama of disappearance, an experimental work dealing with the theme of random and meaningless punishment in which the audience is led through darkened passageways to a series of nightmarish tableaux. The collection also includes The Walls and Antigona Furiosa.

    It is the heyday of apartheid. Although not a word is exchanged, a strong erotic bond develops between the two of them, culminating in what is later seen as a rape and for which the narrator gets the death sentence. In an absolute tour de force the narrator, only ever referred to as Mr Sibiya, waiting to be executed, writes down his story - reconstructing bit by bit not only his own and a brief history of his family, but also his obsession with the white girl, the court proceedings, and his encounters with Dr Dufre, a Swiss criminologist who has been granted permission of compile a dossier of the case. One of the most remarkable things about the novel is the narrator's ability to be objective, to view himself and the series of events almost dispassionately.

    It is an incisive examination of the problems of independence and freedom in post-colonial Africa states, where few believe they have a stake in the future. In the words of one of the characters: "It was better while we waited. Now we have nothing to look forward to. We have killed our past and are busy killing our future." Francis Imbuga is a playwright and actor. He is the recipient of the Kenya National Academy of Sciences Distinguished Professional Award in Play Writing.

    Ben's most thought-provoking works. This critical examination of the history, beliefs and myths, remains instructive and fresh. By highlighting the African influences and roots of these religions, Dr. Ben reveals an untold history that is completely unknown, Dr. Ben says covered up by the White race, by the rest of the world.

    And it almost doesn’t exist, because its residents never got around to getting organized. So it’s just . . . Almost.One cold, clear Friday night in the middle of winter, while the northern lights hover in the sky above, Almost’s residents find themselves falling in and out of love in the strangest ways. Knees are bruised. Hearts are broken. Love is lost and found. And life for the people of Almost, Maine will never be the same.

    Princess Pocahontas and the Blue Spots is a satire of colonization that celebrates Native women as creators and healers. It has become a classic in Canadian theatre since it was first published in 1991 and is now widely studied at universities and colleges across North America and around the world.The remarkable radio play Birdwoman and the Suffragettes: A Story of Sacajawea, first produced or CBC Radio Drama's Vanishing Point: Adventure Stories for Big Girls, is also included.

    Cultural Writing. Essays. A series of essays, ACADEMONIA is also an epic narrative of survival against institutional deadening and the proscriptiveness that shoots the young writer like poison darts from all sides. Here Bellamy, "explores the prickly intersection among these [institutional] spaces as it moves through institutions such as the academy, the experimental writing communities of the Bay Area, feminist and sexual identities, and group therapy. Continuing the work that she began in The Letters of Mina Harker pushing memoir and confession out of its safety zones and into its difficulties, this book provokes as it critiques and it critiques and yet at the same time manages to delight with its hope"-Juliana Spahr.

    But behind a dazzling career, Polela’s troubled past haunts him. When he was a child, both his parents disappeared, leaving him and his sister Zinhle to suffer years of abuse. The story of Polela’s journey to uncover the truth, this candid autobiography shares the journalist’s turmoil as he confronts his father about his mother’s brutal death and faces the worst dilemma a son can ever confront: How can he possibly forgive when his father remains a remorseless, cruel, and heartless murderer?

    But unlike the original, Farber breaks the cycle of violence, reflecting South Africa’s own transformation in the 1990s.

    . . . . . well, actually, God knows what you are holding in your hand, you are after all adults, and what you hold in your own right hand is entirely up to you . . . . . . you may, after all, have this in your left hand and something else in your right hand and you will probably have held far worse things in both your hands than this . . . and hey! . . . No! . . . Stop that! Miss Johansson, I said, "Please hold my calls . . ." Honestly. Hollywood! Anyway, what you are about to read--or have read to you--is a new book that is the first active collaboration of the Monty Python chaps for many, many years. In fact, the first book written and produced by the Pythons, themselves, since 1979. No, they are not all dead. Okay, some of them have been a bit quiet recently, and one or two have DNR notes by their bedsides, but the point is five of them are still technically alive and that, if not exactly cause for rejoicing, may well be cause for a new book. And this is it! So hold whatever you like in your right hand while you read this book. Because laughter is jolly good for you. Even if it can make you blind. --The Pythons

    But, as A Heart for the Work makes clear, Malawian medical students learn to confront poverty creatively, experiencing fatigue and frustration but also joy and commitment on their way to becoming physicians. The first ethnography of medical training in the global South, Claire L. Wendland’s book is a moving and perceptive look at medicine in a world where the transnational movement of people and ideas creates both devastation and possibility.Wendland, a physician anthropologist, conducted extensive interviews and worked in wards, clinics, and operating theaters alongside the student doctors whose stories she relates. From the relative calm of Malawi’s College of Medicine to the turbulence of training at hospitals with gravely ill patients and dramatically inadequate supplies, staff, and technology, Wendland’s work reveals the way these young doctors engage the contradictions of their circumstances, shedding new light on debates about the effects of medical training, the impact of traditional healing, and the purposes of medicine.

    In this, the first of a two-volume collection of his hunting, fishing, and shooting tales, you'll find twenty-four examples of his keen eye and steady hand with rifle, shotgun, bow, and typewriter.The critically acclaimed successor to Hemingway and Robert Ruark repeatedly put himself in harm's way and writes about close scrapes with his trademark wit and dash. He tells what it's like to be in the path of an express train with Horns--the Cape buffalo; describes the heart-stopping sensation of sharing the immediate bush with several sickle-clawed lions that most certainly were prone to argue; and recounts his adventures bow-fishing for exotic species in the piranha-filled rivers of Brazil. Capstick's experiences, painfully gained (and almost lost) with the most dangerous of game, are the yardsticks against which most modern exotic and hunting adventures are gauged. The finely rendered drawings by Dino Paravano do justice to the text.

    The play was John Kani’s debut as sole playwright and was first performed in the Market Theatre in Johannesburg. It won the 2003 Fleur du Cap Award for best actor and best new South African play. In the same year Kani was also awarded a special Obie award for his extraordinary contribution to theatre in the USA.

    Tonderai Munyevu, a born-free, was part of the hopeful next generation from a new country with a new leader, Robert Gabriel Mugabe. While exploring Tonderai’s personal story and his relationship with his father, Mugabe, My Dad and Me charts the rise and fall of one of the most controversial politicians of the 20th century. Interweaving monologue and original music on the mbira with commentary inspired by some of Mugabe’s more notorious speeches, this captivating one-man show is a blistering dance of memory exploring connection, familial love and what it means to return ‘home’. The play was shortlisted for the Alfred Fagon Award 2019.The play was directed for Audible Originals by John R. Wilkinson, recipient of the Genesis Future Directors Award 2018.The stage production of Mugabe, My Dad & Me is a York Theatre Royal and English Touring Theatre co-production in association with Alison Holder.

    And what is more, she is so intensely interesting that the girls admire her above all else. But Miss Brodie is not honest. She prevaricates and then tells the girls to do as she tells them, not as she does herself. She is having an affair with the music teacher and has had one with the art teacher, and this is not the most exemplary conduct. A