This new edition contains the updated book and lyrics from the smash Broadway production starring Neil Patrick Harris of John Cameron Mitchell and Stephen Trask’s landmark American musical.

    The stories recounts the life of times of the hero Domrudhar in colonial India. The protagonist Domrudhar is portrayed as a dishonest man who rises from a lowly shop-assistant to a land owner.

    Maybe you’ve known them since childhood, or met in college, or while waiting for a child’s practice to end. Maybe you found yourself living on the same street. There’s no single path to friendship. Relationships don’t follow a script and neither do the lives of smart, funny, complicated suburban women. Jill, Anne, Mary, and Rachel met years ago through a neighborhood group that regularly got together to play a dice game called bunco. Although players have come and gone, they continue to use bunco as an excuse to abandon their day-to-day responsibilities and enjoy food, drinks, and the company of their best friends. When new neighbors move in under the cover of night, the foursome sees an opportunity to expand their bunco circle. But within hours, suspicions run rampant as the odd behaviors of the newest residents are interpreted differently. Are they quirky, or kinky? Diabolical, or misunderstood? Time after time, as the truth sheds light on some secrets, more emerge. Each woman finds herself shocked by the friends she thought she knew.Through the friendly banter, intimate confessions, and tongue-twisting insults, you may see yourself or your friends in these characters. Wipe away tears of laughter and loss as you join the four metaphorical rounds of bunco, and feel part of the conversation. Whether engaging in playful exploits, providing unconditional support, making uncomfortable sacrifices, or winding up in handcuffs again, these ladies are those rarest of friends who become true family. Of course, families don’t follow a script either, unless it is a plot-twisting, slightly off-color comedy about the drama of friendship. And bunco, sort of.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.

    But are they? He is probably the only man who has ever requested the recipe for an airline’s lasagna or wanted to enjoy his flight with an inflatable rubber woman sat on his knee. Prepare to meet the man who must have his diet of stir-fried mulberry leaves accommodated and the man who left his false teeth on a flight and is sure he recognized them on a later flight—in a flight attendant's mouth. Ravenscroft's correspondence tackles travel annoyances like excess baggage charges alongside more surreal letters, such as the one starting out asking an Australian airline if they offer an authentic Australian experience (for instance, Australian cuisine or in-flight movies) which then moves on to the question of at what age a baby is safe from being swallowed by a dingo.