Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world. Raised by a pair of capricious drifters who waste their lives on failed dreams, she longs for stability and rootedness. Different in nearly every way, Ruth and Dana share a need to make sense of who they are and to find their places in a world in which neither has ever truly felt she belonged. They also share a love for Dana's wild and beautiful older brother, Ray, who will leave an indelible mark on both their hearts. Told in the alternating voices of Ruth and Dana, The Good Daughters follows these "birthday sisters" as they make their way from the 1950s to the present. Master storyteller Joyce Maynard chronicles the unlikely ways the two women's lives parallel and intersect—from childhood and adolescence to first loves, first sex, marriage, and parenthood; from the deaths of parents to divorce, the loss of home, and the loss of a beloved partner—until past secrets and forgotten memories unexpectedly come to light, forcing them to reevaluate themselves and each other. Moving from rural New Hampshire to a remote island in British Columbia to the '70s Boston art-school scene, The Good Daughters is an unforgettable story about the ties of home and family, the devastating force of love, the healing power of forgiveness, and the desire to know who we are.

    Cloud's, Maine, Homer Wells has become the protege of Dr. Wilbur Larch, its physician and director. There Dr. Larch cares for the troubled mothers who seek his help, either by delivering and taking in their unwanted babies or by performing illegal abortions. Meticulously trained by Dr. Larch, Homer assists in the former, but draws the line at the latter. Then a young man brings his beautiful fiancee to Dr. Larch for an abortion, and everything about the couple beckons Homer to the wide world outside the orphanage ...

    After the violent death of her father, in which she is complicit, Margo takes to the Stark River in her boat, with only a few supplies and a biography of Annie Oakley, in search of her vanished mother. But the river, Margo's childhood paradise, is a dangerous place for a young woman traveling alone, and she must be strong to survive, using her knowledge of the natural world and her ability to look unsparingly into the hearts of those around her. Her river odyssey through rural Michigan becomes a defining journey, one that leads her beyond self-preservation and to the decision of what price she is willing to pay for her choices.

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    He leaves behind a young wife, Emily, who awaits his return for decades, her dreams and devotion gradually freezing into rigid widowhood. A hundred years later, on a sweltering mid-summer's day, Edward's great-grand-niece Julia moves through the old family house, attempting to impose some order on the clutter of inherited belongings and memories from that ill-fated expedition, and taking care to ignore the deepening cracks within her own marriage. But as afternoon turns into evening, Julia makes a discovery that splinters her long-held image of Edward and Emily's romance, and her husband Simon faces a precipitous choice that will decide the future of their relationship. Sharply observed and deeply engaging, The Still Point is a powerful literary debut, and a moving meditation on the distances - geographical and emotional - that can exist between two people.

    Deeply researched, brilliantly plotted, and peopled with a cast of unforgettable characters both historical and wholly invented, Cloudsplitter is dazzling in its re-creation of the political and social landscape of our history during the years before the Civil War, when slavery was tearing the country apart. But within this broader scope, Russell Banks has given us a riveting, suspenseful, heartbreaking narrative filled with intimate scenes of domestic life, of violence and action in battle, of romance and familial life and death that make the reader feel in astonishing ways what it is like to be alive in that time.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    Childless, they are drifting apart--he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone--but they glimpse a young, blonde-haired girl running through the trees. This little girl, who calls herself Faina, seems to be a child of the woods. She hunts with a red fox at her side, skims lightly across the snow, and somehow survives alone in the Alaskan wilderness. As Jack and Mabel struggle to understand this child who could have stepped from the pages of a fairy tale, they come to love her as their own daughter. But in this beautiful, violent place things are rarely as they appear, and what they eventually learn about Faina will transform all of them.

    Maycomb, Alabama. Twenty-six-year-old Jean Louise Finch—"Scout"—returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in a painful yet necessary transition out of the illusions of the past—a journey that can be guided only by one's conscience. Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird, but also serves as its essential companion, adding depth, context and new meaning to an American classic.

    The only takers are two eccentric Englishmen who want to embark for the other side of the globe. The Reverend Geoffrey Wilson believes the Garden of Eden was on the island of Tasmania. His traveling partner, Dr. Thomas Potter, unbeknownst to Wilson, is developing a sinister thesis about the races of men. Meanwhile, an aboriginal in Tasmania named Peevay recounts his people’s struggles against the invading British, a story that begins in 1824, moves into the present with approach of the English passengers in 1857, and extends into the future in 1870. These characters and many others come together in a storm of voices that vividly bring a past age to life.

    Jeo and Mikal are foster brothers from a small town in Pakistan. Though they were inseparable as children, their adult lives have diverged: Jeo is a dedicated medical student, married a year; Mikal has been a vagabond since he was fifteen, in love with a woman he can’t have. But when Jeo decides to sneak across the border into Afghanistan—not to fight with the Taliban against the Americans, rather to help care for wounded civilians—Mikal determines to go with him, to protect him. Yet Jeo’s and Mikal’s good intentions cannot keep them out of harm’s way. As the narrative takes us from the wilds of Afghanistan to the heart of the family left behind—their blind father, haunted by the death of his wife and by the mistakes he may have made in the name of Islam and nationhood; Mikal’s beloved brother and sister-in-law; Jeo’s wife, whose increasing resolve helps keep the household running, and her superstitious mother—we see all of these lives upended by the turmoil of war. In language as lyrical as it is piercing, in scenes at once beautiful and harrowing, The Blind Man’s Garden unflinchingly describes a crucially contemporary yet timeless world in which the line between enemy and ally is indistinct, and where the desire to return home burns brightest of all.

    In an attempt to escape this legacy that binds her, Mukta is transported to a foster family in Bombay. There she discovers a friend in the high spirited eight-year-old Tara, the tomboyish daughter of the family, who helps her recover from the wounds of her past. Tara introduces Mukta to a different world—ice cream and sweets, poems and stories, and a friendship the likes of which she has never experienced before. As time goes by, their bond grows to be as strong as that between sisters. In 1993, Mukta is kidnapped from Tara’s room. Eleven years later, Tara who blames herself for what happened, embarks on an emotional journey to search for the kidnapped Mukta only to uncover long buried secrets in her own family.Moving from a remote village in India to the bustling metropolis of Bombay, to Los Angeles and back again, amidst the brutal world of human trafficking, this is a heartbreaking and beautiful portrait of an unlikely friendship—a story of love, betrayal, and redemption—which ultimately withstands the true test of time.

    As violence flares, the characters face a battle between public persona and inner desires. Through a chorus of unique voices, each struggling to tell their own kind of truth, a single authentic tale unfolds. The Spinning Heart speaks for contemporary Ireland like no other novel. Wry, vulnerable, all-too human, it captures the language and spirit of rural Ireland and with uncanny perception articulates the words and thoughts of a generation. Technically daring and evocative of Patrick McCabe and J.M. Synge, this novel of small-town life is witty, dark and sweetly poignant.

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    The Gault family leads a life of privilege in early 1920s Ireland, but the threat of violence leads the parents of nine-year-old Lucy to decide to leave for England, her mother's home. Lucy cannot bear the thought of leaving Lahardane, their country house with its beautiful land and nearby beach, and a dog she has befriended. On the day before they are to leave, Lucy runs away, hoping to convince her parents to stay. Instead, she sets off a series of tragic misunderstandings that affect all of Lahardane's inhabitants for the rest of their lives.