She has just lost her mother Tess and brother Mikey, her marriage to Joe is coming apart at the seams and her thirty-year friendship with Karen is on the rocks.While clearing out her childhood home, Carmel discovers that her mother gave birth to a baby in an Irish Mother and Baby home when she was sixteen, a place notorious for its mass burial of babies and illegal adoptions.Carmel goes on a quest for the truth about her troubled mother’s past. Her roller-coaster journey takes her from her comfortable Manchester home to the west of Ireland and to London's theatre land. It’s a journey that leads her to ask: Can we ever escape our own family history or is our destiny in our DNA?

    Young Ned Elder, a Yorkshire knight, finds himself caught up in the wars when his family is brutally attacked by a local rival, Lord Radcliffe. For the Elders, nothing will ever be the same again. Ned's sisters, Emma and Eleanor, are abducted and he must find a way to rescue them. With only a few loyal companions, Ned is hounded across the land by the Radcliffes. Ned and his sisters fight back, but they are young and they make mistakes. They will need help if they are to survive, for once the Feud begins, no-one is safe... Ned, his sisters and the girl he loves struggle for survival whilst the brutal civil war rages across the snow-covered battlefield of Towton, where all will be decided. "From the eye-catching cover to the last page, Feud is an exciting story of survival through personal upheaval during a vicious war, where the outcome is not always certain." Historical Novel Society.

    Young Sally leads a ragged and lonely existence in the shadow of Paradise Mill, whose corrupt, evil and greedy owner destroys his own family and then turns his venom on Sally and her friends.

    Four physicians have failed to bring the young lad back to health, and his nurses seem unable to bring him comfort. Sir Robert decides that he and Elizabeth Lady Carey should have the keeping of the child – despite the disgrace that will come to them if he dies in their care. It’s not long before Sir Robert begins to suspect that foul play lies behind the young Duke’s condition. Is there a poisoner at Court? If so, will Sir Robert find the miscreant in time to save the Duke? Patricia Finney is the author of six novels featuring Sir Robert Carey, all of them written under the pseudonym P F Chisholm and all available on Kindle. Patricia Finney’s latest Elizabethan crime novel, Do We Not Bleed?, features the ambiguous James Enys, his elusive sister, and a young playwright, Will Shakespeare. Do We Not Bleed? is also available on Kindle.

    Her peaceful childhood in Kent is devastated when her parents and younger brothers are taken by smallpox. When her cousin Richard offers to take her in, it seems an offer too tempting to refuse. But Richard’s bedridden sister is in need of constant attention, and when Rebecca moves into Richard’s house in London’s East End, Richard moves out. Luck, it seems, has been anything but a lady. And when Rebecca is attacked while out shopping, it seems that fate is far from finished with her. Then Rebecca is rescued by Jimmy Jackson, an East End bookie with deep brown eyes and rugged good looks. And as she gets to know him, she realises she has found that rarest of men: one who is as kind as he is attractive… For readers of Katie Flynn, Annie Groves, and Rosie Goodwin, Luck Be A Lady is a heartwarming East End saga.

    This is a companion series and can be read independently of the Chronicles. The year is 1731 and in a small village in Cheshire, England, the Reverend Browne has determined the future of his young daughter Sarah. Her life will be dedicated to caring for him and his household affairs while he, acting as one of God’s chosen few, saves souls from the devil. Sarah dreams of a different future, one in which she will be happy and independent. As she grows older she starts to see glimpses of a tantalising world beyond her reach and longs one day to escape the drudgery of her life, to become part of it all and maybe even have her own business. However, a chance meeting leads first to joy and blossoming and then to the destruction of her whole world. It changes her life forever, forcing her down a path which is the very opposite of the glittering one she had hoped for, one for which she has to pay a terrible price to survive.

    The King's Knight skilfully blends action with real historical events and personages... Medieval England is a time of both blood and humanity." Richard Foreman, author Band of Brothers. 1381. England seethes with discontent over unfair and arbitrary taxation. The country is on the cusp of an uprising - a peasant's revolt. All it will take is a spark. Gregory Maudesley, second son of a minor noble and disillusioned knight for hire, returns home after nearly a decade abroad. Maudesley intends to claim his deceased father's lands but the knight is plagued by misfortune. Gregory journeys to London to secure an audience with the boy king, Richard II. But the England he travels through is very different from that of his youth. The road is treacherous and the greatest dangers of all await him in the capital. London is ablaze. Even the Tower of London has fallen to Wat Tyler's forces. But Richard, enlisting the help of Gregory, will ride out to meet the rebellion head on. A king and kingdom must stand, or fall. Revolt is the first book is The King's Knight series of novellas, chronicling the life of Gregory Maudesley and the dramatic reign of Richard II. Recommended for fans of Bernard Cornwell, Robyn Young and Michael Jecks. Praise for J. A. Ironside “Entertaining, well-researched and compelling.” Michael Jecks on An Argument of Blood. “Ælfgifa…steals every scene and is a character who would fit in any George R. R. Martin novel.” Tony Riches author of The Tudor Trilogy (An Argument of Blood). “Intense drama, creative working of the sparse historical record, and a detailed look into what made William and Harold tick… A rousing, page turning tale awaits you…” Paul Bennett, author of Clash of Empires (on 'A Black Matter for the King'). J. A. Ironside grew up in rural Dorset in a house full of books. She was exposed to history at an early age and happily never recovered – the presence of so many Roman ruins in the area inspired a lifelong interest in historical warfare. She has taught and studied martial arts and weaponry for 25 years. Her published works include An Argument of Blood and A Black Matter for the King, both co-written with Matthew Willis.

    I can never get used to this, Alexi. Having you, that is. How did I deserve you? Deserve me? You don't have to do anything to deserve me. I love you. It's as simple as that. I love you for what you are. All you need to do is love me back. You don't earn love, as a payment in return.Peter Kingsmill's life had run into the sands since the death of his wife. What was a glittering London career had lost its shine. Until, that is, his life is turned upside down by an unexpected collision of events. He inherits the family estate, meets a girl seventeen years his junior and receives an anonymous letter which casts doubt on all the certainties on which he has built his past life.What follows is a journey of discovery which takes him back in time to war-torn Europe. To a story of betrayal in the secret world of spies and double agents, and ultimately to redemption and a bright new life.The narrative moves at speed from the dusty plains of pre-war Poland to the frozen winter landscapes of German-occupied Norway and finally to the gentle pastoral of the north Yorkshire hills. It is a story of a search for the pieces that make up a human life; and of the love that binds those pieces together....Do you remember the Snow Queen story? I can complete the pattern now. I have everything I need.

    . . A sprawling tome that combines fact with fiction and covers 900 years in the history of New Forest, a 100,000-acre woodland in southern England . . . Rutherfurd sketches the histories of six fictional families, ranging from aristocrats to peasants, who have lived in the forest for generations. . . . But the real success is in how Rutherfurd paints his picture of the wooded enclave with images of treachery and violence, as well as magic and beauty.”–The New York Post

    Her life seems perfect, until her father suddenly announces bankruptcy. To save Isabella from destitution he sends her to stay with family she has never met, far away on a violet farm deep in Devon.Isabella is horrified to find her uncle expects her to work for her keep, packing up the flowers and selling them in the nearby market. However she soon discovers that life on a violet farm may not be so bad, especially when she meets handsome local farmer Felix Furneaux… Perfect for fans of Dilly Court and Katie Flynn.

    She's not intending to stay long, but after tracking down her distant family, Jo becomes more involved in village life than she could ever have imagined - and suddenly in danger too.Jo also finds herself drawn to Nick, a handsome newcomer to the village. Nick had planned to settle in Birch End and start a business, but as he grows closer to Jo, he realises he may have to choose between his dreams and a chance at love.Meanwhile, the new local council are faced with some tough decisions of their own. It's time to take a stand against the poor conditions in Backshaw Moss, the nearby slum, but some councillors want things to stay as they are - and will go to any lengths to make sure they get their way . . .Will the decent people of the valley win a brighter future for themselves? And can Jo find a way to stay with Nick in a place she's grown to love?

    After all you don’t become one of London’s number one gangsters without ruffling a few feathers along the way. Still, she adores her dad and she knows that he would lay down his life for her – she is his number one girl and he has taught her everything she knows.But when something terrible happens to Patrick, Franny realises that he has some very dangerous enemies. Delving into Patrick’s past, Franny becomes involved in a high-stakes game. She’s not afraid. Patrick has taught her to be a fighter and she’s determined to make him proud, even if it means paying the ultimate price – her own life.

    

    If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."

    But war is on its way . . . London, 1938. Hanna and Jack Foster had been sent to an orphanage when their parents were killed in a train crash, but were separated when a couple adopted Jack. Bullied and treated like a slave, it soon became clear it was a dreadful mistake. In desperation, Jack takes his future into his own hands and runs away to join the merchant navy, while Hanna takes a job looking after two children. For a time, life seems good, but war is looming and threatens to take away everything Hanna holds dear . . .