With every turn of a page, adventure unfolds to create memories that will last a lifetime.

    Jeremy once admitted he's able to hear voices, and the townspeople of Never Better have treated him like an outsider since. After his mother left, his father became a recluse, and it's been up to Jeremy to support the family. But it hasn't been up to Jeremy alone. The truth is, Jeremy can hear voices. Or, specifically, one voice: the voice of the ghost of Jacob Grimm, one half of the infamous writing duo, The Brothers Grimm.Jacob watches over Jeremy, protecting him from an unknown dark evil whispered about in the space between this world and the next. But when the provocative local girl Ginger Boultinghouse takes an interest in Jeremy (and his unique abilities), a grim chain of events is put into motion. And as anyone familiar with the Grimm Brothers know, not all fairy tales have happy endings...

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Many have large casts and an equal mix of boy and girl parts. In this dramatization of Barry Hines's novel, 15-year-old Billy trains a kestrel for whom he learns to feel great affection.

    I’m done with that you Butthead. Lets not go down this path." Dad and I don’t always agree. And sometimes I call him names. But, is he the Best Dad in the World?

    Soft spoken and ever courteous, you've never met a creature quite so charming. But tread carefully, for this frog has quite a secret to share!Approximately 40 pages in all. Originally this picture book was intended for children 3 to 6, but as I wrote it, I realized that it's really meant for all children AND their parents. (Read it together. You'll get a big laugh at the end!)Descriptions of my other popular children's books are included after the main feature (an additional 5 pages).

    But Goldilocks isn't good. She's naughty! She likes to do something naughty EVERY day - until she goes a step too far

    He dreams of the past and how he got under that silly bush! Find out what happens to him. Will he make it home?This is a cute fully illustrated eBook for ages 2 and up.

    "All the world, in ink and blood, vellum and parchment, leather and hide. It is the world, and it is yours to save or lose." An unusual murder brings together three strangers, John, Jack, and Charles, on a rainy night in London during the first World War. An eccentric little man called Bert tells them that they are now the caretakers of the Imaginarium Geographica -- an atlas of all the lands that have ever existed in myth and legend, fable and fairy tale. These lands, Bert claims, can be traveled to in his ship the Indigo Dragon, one of only seven vessels that is able to cross the Frontier between worlds into the Archipelago of Dreams.Pursued by strange and terrifying creatures, the companions flee London aboard the Dragonship. Traveling to the very realm of the imagination itself, they must learn to overcome their fears and trust in one another if they are to defeat the dark forces that threaten the destiny of two worlds.An extraordinary journey of myth, magic, and mystery, Here, There Be Dragons introduces James A. Owen as a formidable new talent.

    A real friend. Not like her house with chicken legs. Sure, the house can play games like tag and hide-and-seek, but Marinka longs for a human companion. Someone she can talk to and share secrets with. But that's tough when your grandmother is a Yaga, a guardian who guides the dead into the afterlife. It's even harder when you live in a house that wanders all over the world . . . carrying you with it. Even worse, Marinka is being trained to be a Yaga. That means no school, no parties--and no playmates that stick around for more than a day. So when Marinka stumbles across the chance to make a real friend, she breaks all the rules . . . with devastating consequences. Her beloved grandmother mysteriously disappears, and it's up to Marinka to find her--even if it means making a dangerous journey to the afterlife. With a mix of whimsy, humor, and adventure, this debut novel will wrap itself around your heart and never let go.

    There is only one rule: the temple must be made of materials only from the earth, nothing else.That won’t be a problem. Not for him. Because Rok isn’t a normal little boy. No, not at all. He is a demigod: a quarter of the blood in his veins is the blood of the gods. His heritage grants him power over the earth and its many elements—over stone and soil and the deep, dark, hidden ores. Just like his three siblings, Rok has a unique magical power.However, it isn’t all meditation and peace in Zuuland. Unknown to Rok and his family, his father’s vengeful brother Labec lurks in the shadows with his two children, Coltin and Menga. Uncle Labec is consumed by the desire to steal the greatest treasure of Rok’s father, King Nyark: the ZUKOPAL, a mysterious and powerful opal ring that shimmers with all the colors of the rainbow.But it isn’t just power Uncle Labec seeks. His motivations run far deeper. Labec is the yin to King Nyark’s yang. He seeks a balancing of light and dark, and even more—revenge for past wrongs. Will Rok and his siblings be able to bring peace between their father and uncle? Or will the Zukopal drive them even further apart?

    Rainbow, the main character in the story, is able to help the hive realize that differences can be beautiful, and should be embraced."We're all a little different; some taller, some shorter, some wider, some slimmer, some yellow and black, and some rainbow. But inside we're all the same."

    This isn’t most fairy tales.Princess Violet is plain, reckless, and quite possibly too clever for her own good. Particularly when it comes to telling stories. One day she and her best friend, Demetrius, stumble upon a hidden room and find a peculiar book. A forbidden book. It tells a story of an evil being—called the Nybbas—imprisoned in their world. The story cannot be true—not really. But then the whispers start. Violet and Demetrius, along with an ancient, scarred dragon, may hold the key to the Nybbas’s triumph . . . or its demise. It all depends on how they tell the story. After all, stories make their own rules.Iron Hearted Violet is a story of a princess unlike any other. It is a story of the last dragon in existence, deathly afraid of its own reflection. Above all, it is a story about the power of stories, our belief in them, and how one enchanted tale changed the course of an entire kingdom.

    Illuminated by Star’s rays, Fox forages for food, runs with the rabbits, and dances in the rain—until Star suddenly goes out and life changes, leaving Fox huddling for warmth in the unfamiliar dark. To find his missing Star, Fox must embark on a wondrous journey beyond the world he knows—a journey lit by courage, newfound friends, and just maybe, a star-filled new sky. Inspired by the Arts and Crafts movement and the art of William Blake, The Fox and the Star is a heartwarming, hopeful tale which comes alive through Bickford-Smith’s beloved illustrations, guiding readers both young and grown to “look up beyond your ears.”

    "A fun, beautifully illustrated, and heartfelt animal tale." -- Kirkus ReviewFormer Disney illustrator captures the emotions of the characters perfectly. Preschoolers will love the colorful illustrations and adventure while the simple rhyme will build confidence for early readers. Could this new family love a clumsy pup, whose legs had trouble keeping up; who needed help after too many falls, failed at tug and couldn t catch balls? Underlying themes of perseverance, courage, and acceptance of self and others from this magical story. The book is well suited for those who love illustrations from Disney, the fun rhyming of Dr. Seuss and silly antics of Curious George. About the Illustrator Len Smith has spent his entire career in children s entertainment, from Hanna-Barbera studio to Disney Feature and TV animation to Mattel Toys. Len designed Toontown in the film Who Framed Roger Rabbit and designed the main characters for the Disney Afternoon series Talespin and Bonkers . He also worked on the four-time Emmy winning series The New Adventures of Winnie the Pooh and was very proud to do the illustration for The Little Labradoodle: Puppy Pickup Day . Ages: 2, 3, 4, 5, 6, 7, 8, 9; Grade: Preschool, 1, 2,3,4