Her infant son, already dead, lies on her chest still clinging to his mother.On the morning that is Patty found, she is not expected to survive but is taken to hospital where she eventually recovers. But, severely emotionally disturbed, Patty soon finds herself a patient at Hillside Asylum. There, Patty’s condition deteriorates, and the staff and doctors perform unnecessary experimental procedures on their patient.But when someone from Patty’s past learns about her incarceration, they vow to get her out. And those responsible for the abuse will be made to suffer . . .

    A Start in Life is Sillitoe's ninth novel and follows the fortunes of Michael Cullen, who describes himself as ''a bastard'' at the start of the novel and soon confirms another meaning of the term when he leaves Nottingham and his pregnant girlfriend behind to flee to London, where he becomes involved in a smuggling ring. Sillitoe has adopted the picaresque form for this novel, yet it is full of his trademark humour.

    Nicholas and Lally were the children of the great house, set in the bleak and magical Fen country; Thomasine was the unconventional niece of two genteel maiden aunts in the village; Daniel was the son of the local blacksmith, a fiercely independent, ambitious boy who longed to break away from the stifling confines of his East Anglian upbringing. As the drums of war sounded in the distance, the Firedrake, a mysterious and ancient Blythe family heirloom disappeared, setting off an uncontrollable chain of events.The Great War changed everything, and both Nicholas and Daniel returned from the front damaged by their experiences. Thomasine, freed from the narrow disciplines of her childhood, and enjoying the new hedonism which the twenties brought, thought that she could escape from the ties that bound her to both Nicholas and Daniel. But the passions and enmities of their youth had intensified in the passing years, and the four friends had to experience tragedy and betrayal before the Firedrake made its reappearance and, with it, a new hope for the future.

    Souza continues to be a master of character development."Yasmine 'Yaz' Weeks would prefer to forget her troubled past and the vile crimes committed against her, but when she discovers a hidden memoir in a kidnapped girl's cell phone, Yaz finds herself on the run with an opportunity for retribution. She soon learns that the memoir has the potential to ruin both the reputation of its late great author, Robert Cornish, as well as the reputations of many influential people.Whip Billings, an ex-cop, unwittingly becomes entangled in the mystery of the missing phone. Realizing that this newfound memoir could significantly hurt the sales of Cornish's classic novel, Force of Will, he begins to search for Yaz. But why are the cops, and a mysterious drug kingpin known only as The Viking, also looking for her?In his quest to find Yaz, Whip uncovers a vast network of political corruption, long hidden family secrets, and a series of reprehensible crimes. As the bodies in town begin to pile up, Whip knows that he must track down Yaz before she also turns up dead.

    It’s 1976, and while the country prepares to celebrate the bicentennial, Daniel Truitt’s family is falling apart. His father, Pete, has been fired from yet another teaching job, and his mother, Valerie, is one step away from leaving for good. But when Pete lucks into a crumbling mansion in the nation’s capital, he makes a bold plan to start a school under his own roof where students and teachers will be equals. Replete with the wry humor, human insight, and cultural resonance that characterizes Shreve’s critically acclaimed fiction, When the White House Was Ours will be a joy to anyone whose family has lived through an idealistic time and ended up in an era of compromise.

    Stella’s childhood is full of strange, life-threatening incidents—moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted.In her rugged Italian village, Stella is considered an oddity—beautiful and smart, insolent and cold. Stella uses her peculiar toughness to protect her slower, plainer baby sister Tina from life’s harshest realities. But she also provokes the ire of her father Antonio: a man who demands subservience from women and whose greatest gift to his family is his absence.When the Fortunas emigrate to America on the cusp of World War II, Stella and Tina must come of age side-by-side in a hostile new world with strict expectations for each of them. Soon Stella learns that her survival is worthless without the one thing her family will deny her at any cost: her independence.In present-day Connecticut, one family member tells this heartrending story, determined to understand the persisting rift between the now-elderly Stella and Tina. A richly told debut, The Seven or Eight Deaths of Stella Fortuna is a tale of family transgressions as ancient and twisted as the olive branch that could heal them.

    While confidential memos, article ideas, and cover designs keep finding their way into the wrong hands, someone tries to pull Alice into this scheme to sabotage her boss. But Alice remains loyal and becomes all the more determined to help Helen succeed. As pressure mounts at the magazine and Alice struggles to make her way in New York, she quickly learns that in Helen Gurley Brown's world, a woman can demand to have it all.

      The Van Ripper women have been the talk of Tarrytown, New York, for centuries. Some say they’re angels; some say they’re crooks. In their tumbledown “Stitchery,” not far from the stomping grounds of the legendary Headless Horseman, the Van Ripper sisters—Aubrey, Bitty, and Meggie—are said to knit people’s most ardent wishes into beautiful scarves and mittens, granting them health, success, or even a blossoming romance. But for the magic to work, sacrifices must be made—and no one knows that better than the Van Rippers.   When the Stitchery matriarch, Mariah, dies, she leaves the yarn shop to her three nieces. Aubrey, shy and reliable, has dedicated her life to weaving spells for the community, though her sisters have long stayed away. Bitty, pragmatic and persistent, has always been skeptical of magic and wants her children to have a normal, nonmagical life. Meggie, restless and free-spirited, follows her own set of rules. Now, after Mariah’s death forces a reunion, the sisters must reassess the state of their lives even as they decide the fate of the Stitchery. But their relationships with one another—and their beliefs in magic—are put to the test. Will the threads hold?  Includes an exclusive conversation between Sarah Addison Allen and Lisa Van Allen  Look for special features inside. Join the Random House Reader’s Circle for author chats and more.From the Trade Paperback edition.

    As a cadet nurse at Walter Reed Medical Center, she’s swept off her feet by Dr. Oliver Demarest, a handsome Boston Brahmin whose family spends summers in an insular community on the rocky coast of Maine.1970: As the nation grapples with the ongoing conflict in Vietnam, Oliver and Maren are grappling with their fiercely independent seventeen-year-old daughter, Annie, who has fallen for a young man they don’t approve of. Before the summer is over a terrible tragedy will strike the Demarests––and in the aftermath, Annie vows never to return to Haven Point.2008: Annie’s daughter, Skye, has arrived in Maine to help scatter her mother’s ashes. Maren knows that her granddaughter inherited Annie’s view of Haven Point: despite the wild beauty and quaint customs, the regattas and clambakes and sing-alongs, she finds the place––and the people––snobbish and petty. But Maren also knows that Annie never told Skye the whole truth about what happened during that fateful summer.Over seven decades of a changing America, through wars and storms, betrayals and reconciliations, Virginia Hume's Haven Point explores what it means to belong to a place, and to a family, which holds as tightly to its traditions as it does its secrets.

    It is 1904. When Frederick and Jette must flee her disapproving mother, where better to go than America, the land of the new? Originally set to board a boat to New York, at the last minute, they take one destined for New Orleans instead ("What's the difference? They're both new"), and later find themselves, more by chance than by design, in the small town of Beatrice, Missouri. Not speaking a word of English, they embark on their new life together. Beatrice is populated with unforgettable characters: a jazz trumpeter from the Big Easy who cooks a mean gumbo, a teenage boy trapped in the body of a giant, a pretty schoolteacher who helps the young men in town learn about a lot more than just music, a minister who believes he has witnessed the Second Coming of Christ, and a malevolent, bicycle-riding dwarf. A Good American is narrated by Frederick and Jette's grandson, James, who, in telling his ancestors' story, comes to realize he doesn't know his own story at all. From bare-knuckle prizefighting and Prohibition to sweet barbershop harmonies, the Kennedy assassination, and beyond, James's family is caught up in the sweep of history. Each new generation discovers afresh what it means to be an American. And, in the process, Frederick and Jette's progeny sometimes discover more about themselves than they had bargained for. Poignant, funny, and heartbreaking, A Good American is a novel about being an outsider - in your country, in your hometown, and sometimes even in your own family. It is a universal story about our search for home.

    It is a literary triumph.The Guest Book follows three generations of a powerful American family, a family that “used to run the world”.And when the novel begins in 1935, they still do. Kitty and Ogden Milton appear to have everything—perfect children, good looks, a love everyone envies. But after a tragedy befalls them, Ogden tries to bring Kitty back to life by purchasing an island in Maine. That island, and its house, come to define and burnish the Milton family, year after year after year. And it is there that Kitty issues a refusal that will haunt her till the day she dies.In 1959 a young Jewish man, Len Levy, will get a job in Ogden’s bank and earn the admiration of Ogden and one of his daughters, but the scorn of everyone else. Len’s best friend Reg Pauling has always been the only black man in the room—at Harvard, at work, and finally at the Miltons’ island in Maine.An island that, at the dawn of the 21st century, this last generation doesn’t have the money to keep. When Kitty’s granddaughter hears that she and her cousins might be forced to sell it, and when her husband brings back disturbing evidence about her grandfather’s past, she realizes she is on the verge of finally understanding the silences that seemed to hover just below the surface of her family all her life.An ambitious novel that weaves the American past with its present, The Guest Book looks at the racism and power that has been systemically embedded in the US for generations. Brimming with gorgeous writing and bitterly accurate social criticism, it is a literary tour de force.

    But when she returns to the Hall for Christmas, at the invitation of her old friend David Marchmont, she has no recollection of her past association with it - the result of a tragic accident that has blanked out more than two decades of her life. Then, during a walk through the wintry landscape, she stumbles across a grave in the woods, and the weathered inscription on the headstone tells her that a little boy is buried here . . .The poignant discovery strikes a chord in Greta's mind and soon ignites a quest to rediscover her lost memories. With David's help, she begins to piece together the fragments of not only her own story, but that of her daughter, Cheska, who was the tragic victim of circumstances beyond her control. And, most definitely, not the angel she appeared to be . . .

    When she learns that her old friend and grandmother’s caretaker has gone missing, Zoe and her fifteen-year-old daughter return to England to help.Zoe dreads seeing her estranged mother, who left when Zoe was seven to travel the world. As the four generations of women reunite, the emotional pain of the past is awakened. And to complicate matters further, Zoe must also confront the ex-boyfriend she betrayed many years before.Anxieties spike when tragedy befalls another woman in the village. As the mystery turns more sinister, new grief melds with old betrayal. Now the four Fairchild women will be tested in ways they couldn’t imagine as they contend with dangers within and without, desperate to heal themselves and their relationships with each other.

    Six months after Rupert Falkes dies, leaving a grieving widow and five adult sons, an unknown woman sues his estate, claiming she had two sons by him. The Falkes brothers are pitched into turmoil, at once missing their father and feeling betrayed by him. In disconcerting contrast, their mother, Eleanor, is cool and calm, showing preternatural composure. Eleanor and Rupert had made an admirable life together -- Eleanor with her sly wit and generosity, Rupert with his ambition and English charm -- and they were proud of their handsome, talented sons: Harry, a brash law professor; Will, a savvy Hollywood agent; Sam, an astute doctor and scientific researcher; Jack, a jazz trumpet prodigy; Tom, a public-spirited federal prosecutor. The brothers see their identity and success as inextricably tied to family loyalty - a loyalty they always believed their father shared. Struggling to reclaim their identity, the brothers find Eleanor's sympathy toward the woman and her sons confounding. Widowhood has let her cast off the rigid propriety of her stifling upbringing, and the brothers begin to question whether they knew either of their parents at all. A riveting portrait of a family, told with compassion, insight, and wit, The Heirs wrestles with the tangled nature of inheritance and legacy for one unforgettable, patrician New York family. Moving seamlessly through a constellation of rich, arresting voices, The Heirs is a tale out Edith Wharton for the 21st century.

    Sixteen-year-old Poppy Percival turns up at the gates of Trout's clothing factory in Bethnal Green with no idea what her new life might have in store. There to start work as a seamstress and struggling to get to grips with the noise, dirt and devastation of East London, Poppy can't help but miss the quiet countryside of home. But Poppy harbours a dark secret - one that wrenched her away from all she knew and from which she is still suffering . . .And Poppy's not the only one with a secret. Each of her new friends at the factory is hiding something painful. Vera Shadwell, the forelady, has had a hard life with scars both visible and concealed; her sister Daisy has romantic notions that could get her in trouble; and Sal Fowler, a hardworking mother who worries about her two evacuated boys for good reason. Bound by ties of friendship, loyalty and family, the devastating events of the war will throw each of their lives into turmoil but also bring these women closer to each other than they could ever have imagined.