But when she returns, Viola is gone. A breaking point in an already fractured marriage, Viola’s abduction causes Ellis to disappear as well—into grief, guilt, and addiction. Convinced she can only do more harm to her family, Ellis leaves her husband and young sons, burying her desperate ache for her children deeper with every step into the mountain wildernesses she treks alone.In a remote area of Washington, a young girl named Raven keeps secrets inside, too. She must never speak to outsiders about how her mother makes miracles spring from the earth, or about her father, whose mysterious presence sometimes frightens her. Raven spends her days learning how to use her rare gifts—and more important, how to hide them. With each lesson comes a warning of what dangers lie in the world beyond her isolated haven. But despite her mother’s cautions, Raven finds herself longing for something more.As Ellis and Raven each confront their powerful longings, their journeys will converge in unexpected and hopeful ways, pulled together by the forces of nature, love, and family.

    The first avocado pears are appearing at the greengrocer's, people are thinking about carpeting their lavatories and boxing in their banisters, and Ronnie Glover, housepainter, husband and father, is feeling the first vague stirrings of discontent with his life. Then, out of the blue, the fabulous, sophisticated (and married) Jacqueline bursts into his life and teaches him to tango. She seems to offer everything he ever dreamt of. But is it all too good to he true?

    The Kaiser-i-Hind is en route to Bombay. In Cabin D38, Viva Hollowat, an inexperienced chaperone, is worried she's made a terrible mistake. Her advert in The Lady has resulted in three unsettling charges to be escorted to India.Rose, a beautiful, dangerously naive English girl, is about to be married to the cavalry officer she has met only a handful of times.Victoria, the bridesmaid, is determined to lose her virginity on the journey before finding a husband of her own in India. And overshadowing all three of them, the malevolent presence of Guy Glover, a strange and disturbed schoolboy.Three potential Memsahibs with a myriad of reasons for leaving England, but the cargo of hopes and secrets they carry has done little to prepare them for what lies ahead.From the parties of the wealthy Bombay socialites to the poverty of the orphans on Tamarind Street, East of the Sun is everything a historical novel should be: alive with glorious detail, fascinating characters and masterful storytelling.

    She's known her best friend Amelia since they were teenagers. Amelia never minces words, and Susannah doesn't like hearing what Amelia has to say about her noncommittal relationship.At her brother's wedding, Susannah runs into Rob—her first love, the love of her life. There's no band on his ring finger, and Susannah begins to fantasize. Her fantasies turn to reality when Rob gives her a call. Susannah's world is rocked by her rekindled feelings for Rob, then totally turned upside down by a revelation from Amelia. Just when Susannah and Amelia need each other the most, they are facing a crisis that threatens to tear their friendship apart. Without her familiar guiding star, Susannah must finally make some hard choices in order to grow up for good, no matter who or what she has to leave behind.Heartwarming, wise, and sophisticated, When You Were Mine is a story about first loves, best friends, and choices that will resonate with readers everywhere.

    It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    They ask him if he's okay. But he doesn't know. He doesn't know the answer to any of their questions - not even his name. Isabel takes him to the hospital she works at, but when the tests show there's nothing physically wrong, she realises she can't walk away. She promised River that they would help this man, but with no way to identify him, Isabel worries about what secrets his memory loss might be hiding. Can they trust him? ? Virginia Macgregor, 2018 (p) Oakhill, 2019

    So when the guilt-ridden husband who abandoned her shows up and offers to take care of their kids for the summer, she accepts his offer and escapes rural Pennsylvania for New York City.Usually grounded and mild mannered, Amy finally lets her hair down in the city that never sleeps. She discovers a life filled with culture, sophistication, and—with a little encouragement from her friends—a few blind dates. When one man in particular makes quick work of Amy’s heart, she risks losing herself completely in the unexpected escape, and as the summer comes to an end, Amy realizes too late that she must make an impossible decision: stay in this exciting new chapter of her life, or return to the life she left behind.But before she can choose, a crisis forces the two worlds together, and Amy must stare down a future where she could lose both sides of herself, and every dream she’s ever nurtured, in the beat of a heart.

    Struggling to raise her little brother, eight-year-old Wavy is the only responsible "adult" around. She finds peace in the starry Midwestern night sky above the fields behind her house. One night everything changes when she witnesses one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold, wreck his motorcycle. What follows is a powerful and shocking love story between two unlikely people that asks tough questions, reminding us of all the ugly and wonderful things that life has to offer.

    One Day meets Sliding Doors in this outstanding debut that is causing a buzz across the publishing worldSome moments can change your life for ever. Have you ever wondered, what if...?A man is walking down a country lane. A woman, cycling towards him, swerves to avoid a dog. On that moment, their future hinges. There are three possible outcomes, three small decisions that could determine the rest of their life.Eva and Jim are nineteen and students at Cambridge when their paths first cross in 1958. And then there is David, Eva's then-lover, an ambitious actor who loves Eva deeply. The Versions of Us follows the three different courses their lives could take following this first meeting. Lives filled with love, betrayal, ambition but through it all is a deep connection that endures whatever fate might throw at them.The Versions of Us explores the idea that there are moments when our lives might have turned out differently, the tiny factors or decisions that could determine our fate, and the precarious nature of the foundations upon which we build our lives. It is also a story about the nature of love and how it grows, changes and evolves as we go through the vagaries of life.

    Here is the incredible story of an imprisoned pedophile who is drawn into an erotically charged correspondence with a nineteen-year-old suburban coed. As the two reveal—and revel in—their obsessive desires, Homes creates in The End of Alice a novel that is part romance, part horror story, at once unnerving and seductive.

    His story blends harmoniously with the magnificent background. It is always coloured in beautiful shades of blue, giving everything a dreamy touch.

    Nelson and Angela Armstrong are wealthy, successful, determined, and stubborn. The freshness of their love has gradually turned to the staleness of noncommunicating separateness. And Angela wants the separateness to be permanent. Nelson acquiesces, for he knows no way to recapture the glow which Angela seems so determined to snuff out entirely. But there is someone else who is concerned - one who died in 1848, yet his presence is uncannily real. And because of his own mistakes, he is determined to teach the Armstrongs what he learned about life, love, and survival.

    Married to his high school sweetheart and one of the winningest quarterbacks in the history of college football, he was the number one NFL draft pick. But on the night of the draft, he plummeted from the pinnacle of esteem. Falsely accused of a heinous crime with irrefutable evidence, it seemed in an instant all was lost -- his reputation, his career, his freedom, and most devastatingly, the love of his life. Having served his sentence and never played a down of professional football, Matthew leaves prison with one goal -- to find his wife, Audrey, whom no one has seen since the trial. He returns to an unwelcoming reception from his Gardi, Georgia, hometown to learn that Audrey has taken shelter from the media with the nuns at a Catholic school. There she has discovered a young man with the talent to achieve the football career Matthew should have had. All he needs is the right coach. Although helping the boy means Matthew violates the conditions of his release and -- if discovered -- reincarceration for life, he'll take the chance with hope of winning back Audrey's love.

    [Penguin Readers Level 6]

    . . . Here, said I, in wild proclamation, is one for history and a half."— Gordon LishFirework is the story of a man who, though ill-equipped to help himself, attempts to help someone else, and the beautifully rendered, perhaps necessary catastrophe that results. Unequaled in intensity and often blackly humorous, it is also an exhilarating expression of the all-too-human impulse to become more than what we seem to be.Eugene Marten is the author of In the Blind and Waste.