Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, " The Original Folk and Fairy Tales of the Brothers Grimm" makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso.From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, "The Original Folk and Fairy Tales of the Brothers Grimm" presents these peerless stories to a whole new generation of readers."

    Instead, it sets off a chain reaction that results in the smashing of the press and the murder of his master. Caught on the wrong side of the law, Theo must flee the city. Soon, he has teamed up with the traveling showman Count Las Bombas (who is actually a con artist) and his servant. The trio is soon joined by Mickle, a clever, strong-willed girl with a mysterious past. Performing feats that astound and amaze, the motley crew falls into a trap set by Chief Minister Cabbarus, who is determined to wrest power from the grief-stricken king. Now they must not only save themselves-they must save the kingdom...

    She longed to follow the path her own mother, Mary Wollstonecraft, had started down, but young Mary Shelley had yet to be inspired.As the night wore on, Mary grew more anxious. The next day was the deadline that her friend, the poet Lord Byron, had set for writing the best ghost story. After much talk of science and the secrets of life, Mary had gone to bed exhausted and frustrated that nothing she could think of was scary enough. But as she drifted off to sleep, she dreamed of a man that was not a man. He was a monster.This fascinating story gives readers insight into the tale behind one of the world's most celebrated novels and the creation of an indelible figure that is recognizable to readers of all ages.

    My Family and Other Animals was intended to embrace the natural history of the island but ended up as a delightful account of Durrell’s family’s experiences, from the many eccentric hangers-on to the ceaseless procession of puppies, toads, scorpions, geckoes, ladybugs, glowworms, octopuses, bats, and butterflies into their home.

    This volume features photographs from the 1960s and from today, as well as jacket art from The Problem We All Live With, the 1964 painting by Norman Rockwell depicting Ruby’s walk to school.

    In the charming town of Carlisle, children and grown-ups alike flock from miles around to hear her spellbinding tales. And when Bev King and his younger brother Felix arrive for the summer, they, too, are captivated by the Story Girl. Whether she's leading them on exciting misadventure or narrating timeless stories--from the scary "Tale of the Family Ghost" to the fanciful "How Kissing Was Discovered" to the bittersweet "The Blue Chest of Rachel Ward"--the Story Girl has her audience hanging on every word.

    First you find a friend...Filmaker STEVEN SPIELBERG and novelist WILLIAM KOTZWINKLE together create a magical story about two unforgettable friends: a gentle being from another world who is stranded on Earth, hunted, afraid and alone....and a ten-year-old boy who finds him and takes him home.--from back cover of paperback version

    It is the story of Dave Pelzer, who was brutally beaten and starved by his emotionally unstable, alcoholic mother: a mother who played tortuous, unpredictable games—games that left him nearly dead. He had to learn how to play his mother's games in order to survive because she no longer considered him a son, but a slave; and no longer a boy, but an "it." Dave's bed was an old army cot in the basement, and his clothes were torn and raunchy. When his mother allowed him the luxury of food, it was nothing more than spoiled scraps that even the dogs refused to eat. The outside world knew nothing of his living nightmare. He had nothing or no one to turn to, but his dreams kept him alive—dreams of someone taking care of him, loving him and calling him their son.

    It's still true that their mother has abandoned the four Tillerman children somewhere in the middle of Connecticut. It's still true they have to find their way, somehow, to Great-aunt Cilla's house in Bridgeport, which may be their only hope of staying together as a family.But when they get to Bridgeport, they learn that Great-aunt Cilla has died, and the home they find with her daughter, Eunice, isn't the permanent haven they've been searching for. So their journey continues to its unexpected conclusion -- and some surprising discoveries about their history, and their future.

    At first, Lola secretly lives in the home of a Ukrainian woman. But when someone threatens to expose her to the Nazis, Lola must flee again, this time hiding with another family in a dirt hole beneath a barn. Struggling against cold and hunger, the hidden family lives under the constant threat of discovery. Lola has lost everything - her home and her family. All she has left is one article of clothing, a dress lovingly embroidered by her mother. Will Lola ever find safety - or freedom?

    Will the children be able to withstand the interrogation and harassment?

    Vibrant storytelling and finely wrought action have made her version of the classic tale of the Fall of Troy accessible to generations of young readers.

    For the first fifty years of her life nothing at all out of the ordinary had ever happened to her. She was an old-maid watchmaker living contentedly with her spinster sister and their elderly father in the tiny Dutch house over their shop. Their uneventful days, as regulated as their own watches, revolved around their abiding love for one another. However, with the Nazi invasion and occupation of Holland, a story did ensue. Corrie ten Boom and her family became leaders in the Dutch Underground, hiding Jewish people in their home in a specially built room and aiding their escape from the Nazis. For their help, all but Corrie found death in a concentration camp. The Hiding Place is their story.

    And before long The Wave, with its rules of "strength through discipline, community, and action", sweeps from the classroom through the entire school. And as most of the students join the movement, Laurie Saunders and David Collins recognize the frightening momentum of The Wave and realize they must stop it before it's too late.

    Sadako's determination to fold one thousand paper cranes and her courageous struggle with her illness inspired her classmates. After her death, they started a national campaign to build the Children's Peace Statue to remember Sadako and the many other children who were victims of the Hiroshima bombing. On top of the statue is a girl holding a large crane in her outstretched arms. Today in Hiroshima Peace Memorial Park, this statue of Sadako is beautifully decorated with thousands of paper cranes given by people throughout the world.