The truth is that I am just a journalist who asks questions, but one who does in fact take a stand."—Jorge Ramos After 30 fascinating years uncovering the hard truth, Emmy Award-winning journalist Jorge Ramos opens up for the first time about life-altering lessons by sharing captivating never-before-told stories. Widely recognized for his unapologetic, no-holds-barred approach to interviewing global leaders, business titans, democratic policy makers and dictators who threaten to derail those principles, Ramos unearths their one common trait—they are all rebels.   Rebels are different. At some point they decided to challenge the prevailing status quo. Sometimes they rebelled to change a regime, other times to prevent abuse or discrimination, but in all cases they strived to correct an injustice.In Take a Stand, Ramos looks back on groundbreaking interviews with rebels such as President Barack Obama, Supreme Court Justice Sonia Sotomayor, Spike Lee, Barbara Walters, Fidel Castro and more. Candid and at times controversial, Ramos draws invaluable awareness of issues that influence the mindset of the largest minority in the country and how they will undoubtedly shape not only Presidential elections but also the future of America.

    With objectivity and restraint, Ramirez tells the story of the fight against Nicaragua's Somozan dictatorship, the anguish of the subsequent war with the U.S. and its mercenary armies, and the overwhelming Sandinista failure in the elections. Finally, as head of the Sandinista opposition in the country, he confronts his former lifelong colleagues.

    Their lives and ways of understanding the world continue to be rooted in Mesoamerican civilization. An ancient agricultural complex provides their food supply, and work is understood as a way of maintaining a harmonious relationship with the natural world. Health is related to human conduct, and community service is often part of each individual's life obligation. Time is circular, and humans fulfill their own cycle in relation to other cycles of the universe.Since the Conquest, Bonfil argues, the peoples of the México profundo have been dominated by an "imaginary México" imposed by the West. It is imaginary not because it does not exist, but because it denies the cultural reality lived daily by most Mexicans.Within the México profundo there exists an enormous body of accumulated knowledge, as well as successful patterns for living together and adapting to the natural world. To face the future successfully, argues Bonfil, Mexico must build on these strengths of Mesoamerican civilization, "one of the few original civilizations that humanity has created throughout all its history."

     "When I say that I was a feminist in kindergarten, I am not exaggerating," begins Isabel Allende. As a child, she watched her mother, abandoned by her husband, provide for her three small children without "resources or voice." Isabel became a fierce and defiant little girl, determined to fight for the life her mother couldn't have.As a young woman coming of age in the late 1960s, she rode the first wave of feminism. Among a tribe of like-minded female journalists, she for the first time felt comfortable in her own skin, as they wrote "with a knife between their teeth" about women's issues. She has seen what has been accomplished by the movement in the course of her lifetime. And over the course of three passionate marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality.So what do women want? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over their bodies and lives, and above all, to be loved. On all these fronts, there is much work to be done, and this book, Allende hopes, will "light the torch of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished."

    Growing up, she learned the proper way to eat a guava, the sound of tree frogs in the mango groves at night, the taste of the delectable sausage called morcilla, and the formula for ushering a dead baby's soul to heaven. As she enters school we see the clash, both hilarious and fierce, of Puerto Rican and Yankee culture. When her mother, Mami, a force of nature, takes off to New York with her seven, soon to be eleven children, Esmeralda, the oldest, must learn new rules, a new language, and eventually take on a new identity. In this first volume of her much-praised, bestselling trilogy, Santiago brilliantly recreates the idyllic landscape and tumultuous family life of her earliest years and her tremendous journey from the barrio to Brooklyn, from translating for her mother at the welfare office to high honors at Harvard.

    His arrival coincided with the turning point of the revolution, when Castro began to repress the very intellectuals he once courted. In Kafkaesque detail, Edwards records the four explosive months he spent in Havana trying to open a Chilean embassy and his disenchantment with the revolution. His stay culminated in the arrest of his friend Heberto Padilla—the first imprisonment of a well-known writer by the regime—for giving Edwards a "negative view of the revolution." In a menacing midnight political debate with Edwards immediately after Padilla's arrest, Castro argued that in this phase of the revolution, bourgeois writers would no longer have "anything to do in Cuba." Castro accused Edwards of "conduct hostile to the revolution" and declared him "persona non grata." The winner of the Cervantes prize—the Spanish language equivalent to the Nobel Prize for literature—Jorge Edwards' memoir splendidly recounts this time and the wrath of Castro.

    The journey is treacherous and sometimes deadly, but worth the risk for migrants who are escaping gang violence and poverty in their home countries. And for those refugees who do succeed? They face an immigration process that is as winding and multi-tiered as the journey that brought them here.In this book, award-winning Mexican author Juan Pablo Villalobos strings together the diverse experiences of eleven real migrant teenagers, offering readers a beginning road map to issues facing the region. These timely accounts of courage, sacrifice, and survival—including two fourteen-year-old girls forming a tenuous friendship as they wait in a frigid holding cell, a boy in Chicago beginning to craft his future while piecing together his past in El Salvador, and cousins learning to lift each other up through angry waters—offer a rare and invaluable window into the U.S.–Central American refugee crisis.In turns optimistic and heartbreaking, The Other Side balances the boundless hope at the center of immigration with the weight of its risks and repercussions. Here is a necessary read for young people on both sides of the issue.

    Lured by a seemingly invincible gang culture, he witnessed countless shootings, beatings, and arrests and then watched with increasing fear as gang life claimed friends and family members. Before long, Rodriguez saw a way out of the barrio through education and the power of words and successfully broke free from years of violence and desperation. Achieving success as an award-winning poet, he was sure the streets would haunt him no more—until his young son joined a gang. Rodriguez fought for his child by telling his own story in Always Running, a vivid memoir that explores the motivations of gang life and cautions against the death and destruction that inevitably claim its participants.At times heartbreakingly sad and brutal, Always Running is ultimately an uplifting true story, filled with hope, insight, and a hard-earned lesson for the next generation.

     “I and my companions suffer from a disease of the heart which can be cured only with gold.” —Hernán CortésIt was a moment unique in human history, the face-to-face meeting between two men from civilizations a world apart. Only one would survive the encounter. In 1519, Hernán Cortés arrived on the shores of Mexico with a roughshod crew of adventurers and the intent to expand the Spanish empire. Along the way, this brash and roguish conquistador schemed to convert the native inhabitants to Catholicism and carry off a fortune in gold. That he saw nothing paradoxical in his intentions is one of the most remarkable—and tragic—aspects of this unforgettable story of conquest.In Tenochtitlán, the famed City of Dreams, Cortés met his Aztec counterpart, Montezuma: king, divinity, ruler of fifteen million people, and commander of the most powerful military machine in the Americas. Yet in less than two years, Cortés defeated the entire Aztec nation in one of the most astonishing military campaigns ever waged. Sometimes outnumbered in battle thousands-to-one, Cortés repeatedly beat seemingly impossible odds. Buddy Levy meticulously researches the mix of cunning, courage, brutality, superstition, and finally disease that enabled Cortés and his men to survive.Conquistador is the story of a lost kingdom—a complex and sophisticated civilization where floating gardens, immense wealth, and reverence for art stood side by side with bloodstained temples and gruesome rites of human sacrifice. It’s the story of Montezuma—proud, spiritual, enigmatic, and doomed to misunderstand the stranger he thought a god. Epic in scope, as entertaining as it is enlightening, Conquistador is history at its most riveting.From the Hardcover edition.

    history, Judith Adler Hellman, a leading authority on Mexican politics, went into the homes and workplaces of a variety of Mexicans, from rich industrialists to poor street vendors. In bringing us their stories, Hellman puts a human face on the political and economic transformation currently under way in this rapidly changing country, and puts in context the rage and frustration that is feeding the current rebellion in the Mexican state of Chiapas.The Mexicans interviewed in this remarkable book share their views on an array of subjects, including pollution, the political elite, corruption, economics, and the migrant experience in the United States. Some seek collective solutions to the challenges they face; others, for a variety of interesting reasons, have no involvement with any group beyond their immediate or extended family, and rely for their well-being only on themselves and their kin.Here we meet a small subsistence farmer, eager to break into the more profitable gourmet fruit and vegetable export market; a very wealthy family pondering how best to position its company to profit from NAFTA; and a former housewife turned union organizer, who must figure out what to do with her life savings: underwrite her son’s migration to the United States, put down a payment on a new house with running water, or buy an industrial sewing machine with which to start her own business.These personal portraits, combined with Hellman’s concise and engaging presentation of recent Mexican economic and political history, make this essential reading for those concerned about Mexico and the growing global economy.

    Since his assassination in 1967 at the age of thirty-nine, the Argentine revolutionary has become an internationally recognized icon, as revered as he is controversial. As a Marxist ideologue who sought to end global inequality by bringing down the American capitalist empire through armed guerrilla warfare, Che has few rivals in the Cold War era as an apostle of revolutionary change. In Che: A Revolutionary Life, Jon Lee Anderson and Jose Hernandez present the man behind the myth, creating a complex and human portrait of this passionate idealist.Adapted from Jon Lee Anderson's definitive masterwork, Che vividly transports us from young Ernesto's medical school days as a sensitive asthmatic to the battlefields of the Cuban revolution, from his place of power alongside Castro, to his disastrous sojourn in the Congo, and his violent end in Bolivia. Through renowned Mexican artist Jose Hernandez's drawings we feel the bullets wing past the head of the young rebel in Cuba, we smell the thick smoke of his and Castro's cigars, and scrutinize his proud face as he's called "Comandante" for the first time. With astonishing precision, color, and drama, Anderson and Hernandez's Che makes us a witness to the revolutionary life and times of Che Guevara.

    This remarkable book is his odyssey, first written in 1542 as an official report to the king of Spain under the title La Relacion.

    What he found was a thriving, miraculous urban center comprising centuries of living history, even as its rapid development was making it a prominent force on the world stage. Through the eyes of an American who has become an insider, First Stop in the New World is a street-level panorama of contemporary Mexico City—from the high arts to the sex industry; from the dense jungle of urban politics to the interactions of everyday commerce; from one end of this five-hundred-square-mile city to the other. Lida expertly captures the kaleidoscopic nature of life in a city defined by pleasure and danger, justice and lawlessness, ecstatic joy and appalling tragedy—in limbo between the developed and developing worlds. While London and Paris have become more homogenous, less captivating, and less surprising since the days when Dickens and Balzac wrote about them, Mexico City points to our urban future—if Manhattan was, as posited by Rem Koolhaas, the urban “Rosetta Stone of the twentieth century,” Mexico City will play that same role in the twenty-first. And with his personal, literary-journalistic account, David Lida will serve as the ultimate chronicler of this exciting city at a vital moment in its history.

    While spending the following summers and holidays together, herding cattle and fixing barbed-wire fences, he begins sharing stories with her, tales of a dramatic life filled with both intense love and brutal violence-from the final conversations he had with his own father, to his extradition from the United States for murder, to his mother's pride after he shot a man for the first time at the age of twelve.Written in spare, gripping prose, Bulletproof Vest is Venegas's reckoning with her father's difficult legacy. Moving between Mexico and New York, between past and present, Venegas traces her own life and her father's as, over time, a new closeness and understanding develops between them. Bulletproof Vest opens with a harrowing ambush on Venegas's father while he's driving near his home in Mexico. He survives the assault-but years later the federales will find him dead near the very same curve, and his daughter will be left with not only the stories she inherited from him but also a better understanding of the violent undercurrent that shaped her father's life as well as her own.

    Luis Alberto Urrea's Across the Wire offers a compelling and unprecedented look at what life is like for those refugees living on the Mexican side of the border—a world that is only some twenty miles from San Diego, but that few have seen.  Urrea gives us a compassionate and candid account of his work as a member and "official translator" of a crew of relief workers that provided aid to the many refugees hidden just behind the flashy tourist spots of Tijuana.  His account of the struggle of these people to survive amid abject poverty, unsanitary living conditions, and the legal and political chaos that reign in the Mexican borderlands explains without a doubt the reason so many are forced to make the dangerous and illegal journey "across the wire" into the United States.            More than just an expose, Across the Wire is a tribute to the tenacity of a people who have learned to survive against the most impossible odds, and returns to these forgotten people their pride and their identity.