Henrys, and shared the Young Lions Award. Now he has written one of the most beautiful, wise, and compelling first novels of recent times. David Winkler begins life in Anchorage, Alaska, a quiet boy drawn to the volatility of weather and obsessed with snow. Sometimes he sees things before they happen—a man carrying a hatbox will be hit by a bus; Winkler will fall in love with a woman in a supermarket. When David dreams that his infant daughter will drown in a flood as he tries to save her, he comes undone. He travels thousands of miles, fleeing family, home, and the future itself, to deny the dream. On a Caribbean island, destitute, alone, and unsure if his child has survived or his wife can forgive him, David is sheltered by a couple with a daughter of their own. Ultimately it is she who will pull him back into the world, to search for the people he left behind. Doerr's characters are full of grief and longing, but also replete with grace. His compassion for human frailty is extraordinarily moving. In luminous prose, he writes about the power and beauty of nature and about the tiny miracles that transform our lives. About Grace is heartbreaking, radiant, and astonishingly accomplished.

    It is an act he cannot excuse--a mistake that will change his life forever. Now Dan is on the run, heading south toward the Louisiana bayous. On his trail are police officers and bounty hunters, including the most memorable and bizarre team ever paired in modern fiction: Pelvis Eisley, an Elvis impersonator of the worst kind, and Flint Murtaugh, a fastidious, ruthluss loner and freak-show refugee who carries the body of his unformed twin brother on his side.As Dan heads down into the swampland in search of his own salvation, he meets a young woman who is on a similar journey. Like Dan, Arden Halliday bears a great burden--a disfiguring purple birthmark that blankets half her face. Wounded by the stares, by the pity and revulsion, she is making her way into the bayous to search of the Bright Girl--a legendary faith healer who will rid her of her birthmark and her suffering. Though on separate missions, Arden and Dan come to respect each other's quest for freedom, for a touch of simple kindness in a world grown cruel. Thrown together by circumstance, bound by a loyalty stranger than love, they set off on a journey of relentless suspense and impassioned discovery...an odyssey over dark, twisting road and waterways into the beautiful and mysterious depths of the human heart.

    "Confused today," read the notes clipped to the end of her bed. She forgets things she should know—what year it is, major events in the lives of her children. But she remembers things that don’t seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev.Her childhood, her years at Oxford during the Second World War—those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles?Two lives, two worlds, two versions of modern history. Each with their loves and losses, their sorrows and triumphs. My Real Children is the tale of both of Patricia Cowan's lives...and of how every life means the entire world.

    With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.Mayflies is a memorial to youth's euphorias and to everyday tragedy. A tender goodbye to an old union, it discovers the joy and the costs of love.

    As she watches over her father, she relives the past week and the events that brought the family together . . . and she recalls all the weeks before that served to pull it apart.There has never been anything normal about the lives raised in this house. It seems to her that sometimes her family is so colorful that the brightness hurts, and as they all join together in this time of impending loss she examines how they came to be the way they are and how it came to just be her, the drifter, that her father came home to die with.But, the middle of five children, the woman has her own secrets . . . particularly the draw that pulled her back to the house when her own life looked set to crumble. And sitting through her lonely vigil, she remembers the thing she saw out in the fields all those years ago . . . the thing that they found her screaming for outside in the mud. As she peers through the familiar glass, she can't help but hope and wonder if it will come again.Because it's one of those nights, isn't it Dad? A special terrible night. A full night. And that's always when it comes. If it comes at all.

    Selby's second novel is a claustrophobic descent into the tormented soul of a man trapped in a loveless society.

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...

    But there's no room for him in the 1980s. Thatcher's government is destroying working-class communities across Britain, and the post-war certainties of full employment, educational opportunity and a welfare state are gone. When his family starts to fracture, Mark's life swings out of control and he succumbs to the defeatism which has taken hold in Edinburgh's grimmer areas. The way out is heroin.It's no better for his friends. Spud Murphy is paid off from his job, Tommy Lawrence feels himself being sucked into a life of petty crime and violence - the worlds of the thieving Matty Connell and psychotic Franco Begbie. Only Sick Boy, the supreme manipulator of the opposite sex, seems to ride the current, scamming and hustling his way through it all.Skagboys charts their journey from likely lads to young men addicted to the heroin which has flooded their disintegrating community. This is the 1980s: a time of drugs, poverty, AIDS, violence, political strife and hatred - but a lot of laughs, and maybe just a little love; a decade which changed Britain for ever. The prequel to the world-renowned Trainspotting, this is an exhilarating and moving book, full of the scabrous humour, salty vernacular and appalling behaviour that has made Irvine Welsh a household name.

    Their murderer remains at large. Nora Chancel, wife of publishing scion Davey Chancel, fears she may be next. After all, her past has branded her a victim. . . . Then Davey tells Nora a surreal story about the Hellfire Club, where, years before, he met an obsessed fan of Chancel House’s most successful book, Night Journey—a book that has a strange history of its own. . . . Suddenly terror engulfs Nora: She must defend herself against fantastic accusations even as a madman lies in wait. And when he springs, Nora will embark on a night journey that will put her fears to rest forever, dead or alive. . . .From the Paperback edition.

    Distracted from her cause by the sudden return of her once-dear friend, the unhappily wed Helen Codrington, Fido is swept up in the intimate details of Helen's failing marriage and obsessive affair with a young army officer. What begins as a loyal effort to help a friend explodes into a courtroom drama that rivals the Clinton affair --complete with stained clothing, accusations of adultery, counterclaims of rape, and a mysterious letter that could destroy more than one life.Based on a scandalous divorce case that gripped England in 1864, The Sealed Letter is a riveting, provocative drama of friends, lovers, and divorce, Victorian style.

    Who is he? Who was he? Who owns him? Who trained him? Secrets of state are at risk. As the truth about Pym gradually emerges, the reader joins Pym's pursuers to explore the unsettling life and motives of a man who fought the wars he inherited with the only weapons he knew, and so became a perfect spy.

    It is the beginning of an unshakeable bond between Elizabeth and Aisling O'Connor, a friendship which will endure through twenty turbulent years of change and chaos, joy and sorrow, soaring dreams and searing betrayals...Writing with warmth, wit and great compassion, Maeve Binchy tells a magnificent story of the lives and loves of two women, bound together in a friendship that nothing could tear asunder - not even the man who threatened to come between them forever.

    The nation, seething with religious and political discontent, has erupted into violence and terror. Jacob Cullen and his fellow soldiers dream of rebuilding their lives when the fighting is over. But the shattering events of war will overtake them. A darkly erotic tale of passion and obsession, As Meat Loves Salt is a gripping portrait of England beset by war. It is also a moving portrait of a man on the brink of madness. Hailed as a masterpiece, this is a novel by a most original new voice in fiction.

    Like all good coaching inns, the Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy, rumoured to have killed his wife. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All the while, the skeletons in the cupboard of Allington's own domestic affairs rattle to get out too.