Knowing she would become a hunted woman, Edith tore the yellow star from her clothing and went underground, scavenging for food and searching each night for a safe place to sleep. Her boyfriend, Pepi, proved too terrified to help her, but a Christian friend was not: With the woman's identity papers in hand, Edith fled to Munich. There she met Werner Vetter, a Nazi party member who fell in love with her. And despite her protests and even her eventual confession that she was Jewish, he married her and kept her identity secret.In vivid, wrenching detail, Edith recalls a life of constant, almost paralyzing fear. She tells of German officials who casually questioned the lineage of her parents; of how, when giving birth to her daughter, she refused all painkillers, afraid that in an altered state of mind she might reveal her past; and of how, after her husband was captured by the Russians and sent to Siberia, Edith was bombed out of her house and had to hide in a closet with her daughter while drunken Russians soldiers raped women on the street.Yet despite the risk it posed to her life, Edith Hahn created a remarkable collective record of survival: She saved every set of real and falsified papers, letters she received from her lost love, Pepi, and photographs she managed to take inside labor camps. On exhibit at the Holocaust Museum in Washington, D.C., these hundreds of documents form the fabric of an epic story - complex, troubling, and ultimately triumphant.

    Concentrating purely on the role of German girls in Hitler's Third Reich, we learn of their home lives, schooling, exploitation and eventual militarization from firsthand accounts of women who were indoctrinated into the Jung Madel and Bund Deutscher Mädel as young girls. From the prosperous beginnings of 1933 to the cataclysmic defeat of 1945, this insightful book examines in detail their specific roles as defined by the Nazi state. Few historical literary works have gone as deep to find the truth, the conscience and the regret, and in this sense 'Hitler's Girls' is a unique work unlike any other yet published. Written in an attempt to provide a definitive voice for this unheard generation of German females, it will leave the reader to decide for themselves whether or not the girls were the obedient accessories to genocide, and it will lead many readers to question many aspects of what they have previously thought about the role of girls and young women in Hitler's Third Reich. This is their story.

    I hate Nazis.I am a Nazi.I hate myself.This book is about the Holocaust. It's violent and graphic. To talk about what happened differently would not be fair to Lilo.World War II: A young Nazi guard stationed in a ghetto in Regensburg, Germany finds himself in a time and place that he hates. He has never directly participated in the bloodletting but has done nothing to stop it. He wonders if his soul can be saved. He saves a Jewish girl's life when ordered to murder her. He refuses despite the consequences. Perhaps the girl he saved can save him? Maybe she can be the key to his redemption and a light for his soul, to guide the way home.

    For eight years, he masqueraded as a Nazi journalist and burrowed deep into the German embassy, digging for the secrets of Hitler’s invasion of Russia and the Japanese plans for the East. In a nation obsessed with rooting out moles, he kept a high profile—boozing, womanizing, and operating entirely under his own name. But he policed his spy ring scrupulously, keeping such a firm grip that by the time the Japanese uncovered his infiltration, he had done irreversible damage to the cause of the Axis.The first definitive account of one of the most remarkable espionage sagas of World War II, Target Tokyo is a tightly wound portrayal of a man who risked his life for his country, hiding in plain sight.

    Using dogsleds to patrol a stark 500-mile stretch of the Greenland coast, their wartime mission was to guard against Nazi interlopers - an unlikely scenario given the cruel climate. But one day, a footprint was spotted on desolate Sabine Island, along with other obvious signs of the enemy. escaped to the nearest hunting hut only to have the Germans pursue on foot. In the dead of the Arctic night, the men escaped capture at the last instant and, without their coats or sled dogs, walked fifty-six miles to get back to base. While the Sledge Patrol had only hunting rifles, resilience and their knowledge of outdoor survival, the Germans were armed with machine guns and grenades and greatly outnumbered them.

    Exempted from military service, Keller is burdened with the demoralizing task of playing for wounded soldiers in hospitals and makeshift infirmaries.As he leaves his apartment one morning to pick up a new assignment at headquarters, Keller finds an SS driver waiting for him and is escorted without explanation to a labor camp outside his town. There he is introduced to the camp's Kommandant, who tells Keller that he will spend the next four days performing for the inmates as part of an experiment in reviving hope in those who have lost it completely.Overwhelmed by fear and compelled by the temptation of using his talent to affect others so powerfully, Keller finds himself playing a series of concerts for the prisoners -- and seeing with his own eyes the horrifying truths within the barbed-wire fence. As he plays the music of Ysaÿe, Hindemith and Bach, most notably the searing Chaconne, Keller's own questionable past unfolds, revealing the loss of his closest friend and the Jewish fiancee from whom he fled in fear of being caught as a Jew-lover. As he bears witness to the camp's atrocities, Keller's horror toward the perpetrators and their crime begins to fade, revealing his own culpability.Beautifully conceived and gracefully written, "The Savior" is a complex and illuminating character study of a man severed from his past expectations and an artist struggling with his identity in the face of human catastrophe.

    In October 1940, as the storm clouds of World War II gathered, the SS Atlantic set sail for Palestine. A condemned and overcrowded ship, it was overflowing with bedraggled Jewish refugees who, having bought their way out of Nazi Germany and Austria, hoped to find safety from the concentration camps that had begun to claim their brethren. But they were not destined to find the shelter they sought. In this poignant novel, Hanna Sommerfeld recalls her long-ago voyage on the Atlantic—a journey plagued by epidemics and food shortages that led not to freedom but, improbably, to incarceration in a British penal colony off the eastern coast of Africa. For Hanna, it would also lead to a heartbreaking loss. Weaving Hanna’s current life with her son’s family in Haifa, Israel, with her memories of marriage and her coming-of-age in the jungles of Mauritius, Boat of Stone is a unique Holocaust story that not only reveals a little-known chapter of history, but also introduces one of the most unforgettable characters you are likely to meet: a gritty, humorous, wise, and adventurous woman who refuses to become a victim. It is “a splendid novel” from National Book Award finalist Maureen Earl, author of Gulliver Quick (Milwaukee Journal Sentinel).

    In the face of evil, she vowed to live by the truth--or die by it."Be brave. Don't run. Fight." With her eyes tightly shut, tears rolling from under her dark lashes, she felt his lips gently touch her burning cheek. The train on the platform whistled, and he disappeared into the steam.Nineteen-year-old Libby moves to Berlin to escape her suffocating family--but instead of offering freedom, the city is under siege by the Nazis. Jewish books are burned, storefronts smashed and every day innocent people vanish into thin air. Libby cannot--will not--turn a blind eye.When Libby meets Harro, she knows there's more to him than his dazzling smile and cornflower-blue eyes. The whip marks on his back, scars from the SS, tell his true story: he is a resistance fighter.Libby and Harro fall madly in love, devoted to each other and to tearing down Hitler's regime. Knowing they can make the greatest difference from the inside, Harro works for the Air Ministry, infiltrating government secrets.Together, they smuggle classified documents and hold clandestine meetings in the middle of the night, with blackout curtains and a single candle burning. Under the cover of darkness, they distribute leaflets, exposing the Nazis' hideous lies.In the frostbitten winter of 1942, Libby is certain the Gestapo is stalking them--their every move watched, their phone calls recorded. In the end, they must decide what is more important: to be free or to be brave? To survive or to stand up for the truth?Fans of The Tattooist of Auschwitz, The Alice Network and The Lilac Girls will be utterly gripped by this heartbreaking page-turner. Based on a true story, this beautiful novel shows that even when our freedom is stolen, we still have a choice...Readers love Ellie Midwood: "AMAZING read! I loved this so much!... Sensational... One of the most inspiring love stories of all time... HIGHLY HIGHLY RECOMMEND. 100% 5 STARS!!" Goodreads reviewer, ⭐⭐⭐⭐⭐

    The name of the detention centre -- Auschwitz.It was only after arriving at the camp that he started to discover the Nazi’s terrifying designs. Over the next two and half years, Witold forged an underground army that smuggled evidence of Nazi atrocities to the West, culminating in the mass murder of over a million Jews. His reports from the camp were to shape the Allies response to the Holocaust - yet his story was all but forgotten for decades.This is the first major account of his amazing journey, drawing on exclusive family papers and recently declassified files as well as unpublished accounts from the camp’s fighters to show how he saved hundreds of thousands of lives.The result is a enthralling story of resistance and heroism against the most horrific circumstances, and one man’s attempt to change the course of history.

    Hoffmann published his first book of photographs in 1919, following his work as an official photographer for the German army. In 1920 he joined the Nazi Party, and his association with Hitler began.He became Hitler's official photographer and traveled with him extensively. He took over two million photographs of Hitler, and they were distributed widely, including on postage stamps, an enterprise that proved very profitable for both men. Hoffmann published several books on Hitler in the 1930s, including The Hitler Nobody Knows (1933). Hoffmann and Hitler were very close, and he acted not only as a personal confidante - his memoirs include rare details of the F�hrer - but also as a matchmaker - it is Hoffmann who introduced Eva Braun, his studio assistant, to Hitler.At the end of the war, Hoffmann was arrested by the US military, who also seized his photographic archive, and was sentenced to imprisonment for Nazi profiteering.This edition of a classic book includes photographs by Hoffmann and a new introduction by Roger Moorhouse.

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    In the first week of October, 1918, six hundred men charged into the forbidding Argonne Forest. Against all odds, they surged through enemy lines--alone. They were soon surrounded and besieged. As they ran out of ammunition, water, and food, the battalion withstood constant mortar attack and relentless enemy assaults. Seven days later, only 194 soldiers from the original unit walked out of the forest. The stand of the "Lost Battalion" was--and remains--an unprecedented display of heroism under fire.The narrative of Never in Finer Company focuses on the stories of four men: the battalion's commander, Major Charles Whittlesey, a lawyer eager to prove his mettle; his New York stockbroker executive officer, Captain George McMurtry; Sergeant Alvin York, whose famous exploits help rescue the battalion; and Damon Runyon, the soon-to-be famous newspaper man who struggled to understand the events he witnessed. From the patriotic frenzy that sent young men "over there" to the hurried stateside training, shipping overseas, and encounters with life at the front, each man trod a unique path to the October days that engulfed them. And their stories did not end on the battlefield--each man was haunted by the experience as America tried to come to grips with the carnage of the war.Character-rich, abundantly textured, sometimes tragic, sometimes uplifting, but always compelling, Never in Finer Company is a deeply moving and dramatic story on an epic scale.

    As a young army officer in the late nineteenth century serving in conflicts in India, South Africa, and the Sudan, his attitude toward the Empire was the Victorian paternalistic approach - at once responsible and superior.Conscious even then of his political career ahead, Churchill found himself reluctantly supporting British atrocities and held what many would regard today as prejudiced views, in that he felt that some nationalities were superior to others, his (some might say obsequious) relationship with America reflected that view. America was a former colony where the natives had become worthy to rule themselves, but - he felt - still had that tie to Britain. Thus he overlooked the frequently expressed American view that the Empire was a hangover from a bygone era of colonisation, and reflected poorly on Britain's ability to conduct herself as a political power in the current world order. This outmoded attitude was one of the reasons the British voters rejected him after a Second World War in which he had led the country brilliantly. His attitude remained decidedly old-fashioned in a world that was shaping up very differently. However, it would be a mistake to consider Churchill merely as an anachronistic soldier. He grasped the problems of the Cold War immediately, believing that immature nations prematurely given independence would be more likely to be sucked into the vortex of Communism. This view chimed with American foreign policy, and made the Americans rather more pragmatic about their demands for self-governance for Empire countries. This ground-breaking volume reveals the many facets of Churchill's personality: a visionary leader with a truly Victorian attitude toward the British Empire.

    Spending his days walking the streets and his nights drinking and gambling, meeting revolutionaries, zealots, lovers and libertines, he adjusts his eyes to the darkness that falls over Europe, and threatens to destroy him. Mihail Sebastian's 1934 masterpiece, now translated into English for the first time, was written amid the anti-Semitism which would, by the end of the decade, force him out of his career and turn his friends and colleagues against him. For Two Thousand Years is a prescient, heart-wrenching chronicle of resilience and despair, broken layers of memory and the terrible forces of history.

    Five years later, Anna packed her bags and walked out on Armand, taking the typewriter and their children. Aside from one brief encounter, the two never saw or spoke to each other again, never remarried, and never revealed what had divided them forever.A Fifty-Year Silence is the deeply involving account of Miranda Richmond Mouillot's journey to find out what happened between her grandmother, a physician, and her grandfather, an interpreter at the Nuremberg Trials, who refused to utter his wife's name aloud after she left him.  To discover the roots of their embittered and entrenched silence, Miranda abandons her plans for the future and moves to their stone house, now a crumbling ruin; immerses herself in letters, archival materials, and secondary sources; and teases stories out of her reticent, and declining, grandparents.  As she reconstructs how Anna and Armand braved overwhelming odds and how the knowledge her grandfather acquired at Nuremberg destroyed their relationship, Miranda wrestles with the legacy of trauma, the burden of history, and the complexities of memory.  She also finds herself learning how not only to survive but to thrive – making a home in the village and falling in love.With warmth, humor, and rich, evocative details that bring her grandparents' outsize characters and their daily struggles vividly to life, A Fifty-Year Silence is a heartbreaking, uplifting love story spanning two continents and three generations.