Mia embarks on a perilous odyssey through war-torn Poland to join the ranks of a secret cadre of Jewish militia who have sworn to save their brethren, before escaping to Switzerland and then to America.Determined to avenge her family's deaths, she leaves behind the man she loves and risks her life once more to return to Europe as a double agent and undermine the Germans in the final days of the war. Just when it seems that pain and loss will be her permanent companions, a surprising letter offers the prospect of a very different outcome.Brimming with historical detail, passion, and intrigue, "Songbird" draws richly upon the author's own experiences as an American soldier in World War II, making history come alive with a unique freshness and emotional candor rarely ever seen in a first novel.

    A compelling chronicle of humans in conflict with inhuman events, Gone to Soldiers is an unforgettable reading experience and a stirring tribute to the remarkable survival of the human spirit.

    The Bible Recap is here to help. Tara-Leigh Cobble, host of the popular Bible Recap podcast, walks readers through a one-year chronological Bible reading plan and explains each day's passage in an easy-to-understand way.Emphasizing how God's character can be seen throughout Scripture, the recaps are simple and short yet deep enough to help you understand the hard parts and press into knowing God better. As Cobble says, The primary role of Scripture is to show me who God is, and if I behold God, my life will naturally conform around what I learn about him. The Bible Recap will not only help you understand the entire narrative of the Bible, it will fortify your faith.

    The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things—obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.”So begins Susan Faludi’s extraordinary inquiry into the meaning of identity in the modern world and in her own haunted family saga. When the feminist writer learned that her 76-year-old father—long estranged and living in Hungary—had undergone sex reassignment surgery, that investigation would turn personal and urgent. How was this new parent who identified as “a complete woman now” connected to the silent, explosive, and ultimately violent father she had known, the photographer who’d built his career on the alteration of images?Faludi chases that mystery into the recesses of her suburban childhood and her father’s many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. When the author travels to Hungary to reunite with her father, she drops into a labyrinth of dark histories and dangerous politics in a country hell-bent on repressing its past and constructing a fanciful—and virulent—nationhood. The search for identity that has transfixed our century was proving as treacherous for nations as for individuals.Faludi’s struggle to come to grips with her father’s metamorphosis self takes her across borders—historical, political, religious, sexual--to bring her face to face with the question of the age: Is identity something you “choose,” or is it the very thing you can’t escape?

    This complex, contested intersection has led to censorship and worse-alarm, irrationality, and a failure to examine our ways of teaching, particularly teaching literacy to boys. In this book Tom Newkirk takes an up-close and personal look at elementary boys and their relationship to sports, movies, video games, and other venues of popular culture. Unlike the alarmists, he sees these media not as enemies of literacy, but as resources for literacy.Through a series of extraordinary interviews, Newkirk listens to young boys, and girls, who describe the pleasure they take in popular culture. They explain the ways in which they use visual narratives in their writing. They even defend their use of violence in their work. Newkirk disproves the simplistic stereotype of boys who are primed to imitate the violence they see. He shows that, rather than mimic, boys most often transform, recombine, and participate in story lines, and resist, mock, and discern the unreality of icons of popular culture.Using a mixture of memoir, research project, cultural analysis, and critique of published findings, Newkirk encourages schools to ask questions about what counts as literacy in boys and what doesn't, to allow in their literacy programs boys' diverse tastes, values, and learning styles. In other words, if we want boys to join the literacy club, then we have to invite them in with genres of their own choosing.

    Best known for his hard-boiled, white-knuckle thrillers and for the movies made from them—among them True Crime (directed by Clint Eastwood) and Don’t Say a Word (starring Michael Douglas)—Klavan was born in a suburban Jewish enclave outside New York City. He left the faith of his childhood behind to live most of his life as an agnostic in the secular, sophisticated atmosphere of New York, London, and Los Angeles. But his lifelong quest for truth—in his life and in his work—was leading him to a place he never expected.In The Great Good Thing, Klavan tells how his troubled childhood caused him to live inside the stories in his head and grow up to become an alienated young writer whose disconnection and rage devolved into depression and suicidal breakdown. But he also stumbled into a genuine romance, a passionate and committed marriage whose uncommon and enduring devotion convinced him of the reality of love.In those years, Klavan fought to ignore the insistent call of God, a call glimpsed in a childhood Christmas at the home of a beloved babysitter, in a transcendent moment at his daughter’s birth, and in a snippet of a baseball game broadcast that moved him from the brink of suicide. But more than anything, the call of God existed in stories—the stories Klavan loved to read and the stories he loved to write.The Great Good Thing is the dramatic, soul-searching story of a man born into an age of disbelief who had to abandon everything he thought he knew in order to find his way to the truth.

    But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.With unflinching honesty and lyrical prose, spanning from 1960s Hawai'i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It's a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.

    Wiseman showed how girls of every background are profoundly influenced by their interactions with one another. Now, Wiseman has revised and updated her groundbreaking book for a new generation of girls and explores:•How girls’ experiences before adolescence impact their teen years, future relationships, and overall success•The different roles girls play in and outside of cliques as Queen Bees, Targets, and Bystanders, and how this defines how they and others are treated•Girls’ power plays–from fake apologies to fights over IM and text messages •Where boys fit into the equation of girl conflicts and how you can help your daughter better hold her own with the opposite sex•Checking your baggage–recognizing how your experiences impact the way you parent, and how to be sanely involved in your daughter’s difficult, yet common social conflictsPacked with insights about technology’s impact on Girl World and enlivened with the experiences of girls, boys, and parents, the book that inspired the hit movie Mean Girls offers concrete strategies to help you empower your daughter to be socially competent and treat herself with dignity.

    Gordon alone survived. And forgave. He said of the bombers, ' I have lost my daughter, but I bear no grudge . . . I shall pray, tonight and every night, that God will forgive them.' His words caught the media's ears — and out of one man's grief, the world got a glimpse of grace. Grace is the church's great distinctive. It's the one thing the world cannot duplicate, and the one thing it craves above all else — for only grace can bring hope and transformation to a jaded world. In What's So Amazing About Grace? award-winning author Philip Yancey explores grace at street level. If grace is God's love for the undeserving, he asks, then what does it look like in action? And if Christians are its sole dispensers, then how are we doing at lavishing grace on a world that knows far more of cruelty and unforgiveness than it does of mercy? Yancey sets grace in the midst of life's stark images, tests its mettle against horrific 'ungrace.' Can grace survive in the midst of such atrocities as the Nazi holocaust? Can it triumph over the brutality of the Ku Klux Klan? Should any grace at all be shown to the likes of Jeffrey Dahmer, who killed and cannibalized seventeen young men? Grace does not excuse sin, says Yancey, but it treasures the sinner. True grace is shocking, scandalous. It shakes our conventions with its insistence on getting close to sinners and touching them with mercy and hope. It forgives the unfaithful spouse, the racist, the child abuser. It loves today's AIDS-ridden addict as much as the tax collector of Jesus' day. In his most personal and provocative book ever, Yancey offers compelling, true portraits of grace's life-changing power. He searches for its presence in his own life and in the church. He asks, How can Christians contend graciously with moral issues that threaten all they hold dear? And he challenges us to become living answers to a world that desperately wants to know, What's So Amazing About Grace?

     Rachel Bloom has felt abnormal and out of place her whole life. In this exploration of what she thinks makes her "different," she's come to realize that a lot of people also feel this way; even people who she otherwise thought were "normal."In a collection of laugh-out-loud funny essays, all told in the unique voice (sometimes singing voice) that made her a star; Rachel writes about everything from her love of Disney, OCD and depression, weirdness, and female friendships to the story of how she didn't poop in the toilet until she was four years old; Rachel's pieces are hilarious, smart, and infinitely relatable (except for the pooping thing).

    No matter what, I had that. It was all I needed." In language that is fresh, bracing, and deeply moving—and illustrations that are rich, irreverent, and gorgeous—here is a memoir that will change the way you think about art, sex, politics, and survival in our times.From a young age, Molly Crabapple was a rebel in search of a cause. After graduating from high school on New York's Long Island, she left America for Europe and the Near East, a young artist plunging fearlessly into cultures she had come to love through the stories of her artistic heroes.Returning to New York as an art student, she supported herself by working as a life model, a burlesque performer, and an early member of the famous Suicide Girls. Eventually she landed a gig as house artist at Simon Hammerstein's legendary nightclub The Box, the epicenter of decadent Manhattan nightlife before the financial crisis of 2008—where she witnessed the class divide, between the bankers of Wall Street and the entertainers who walked among them in a bawdy, drug-fueled circus of mutual exploitation. Then, in the wake of the crash, the emerging Occupy movement galvanized Molly to lend her talent to a new form of witness journalism. Dubbed "Occupy's greatest artist" by Rolling Stone, she went on to write and illustrate stories from Guantanamo to Syria to Rikers Island to the labor camps of Abu Dhabi, transforming her work—her lifelong tool for making sense of the world around her—into a voice for the powerless.Now, with the same blend of sharp-eyed reportage and unforgettable artwork that has marked her work in venues from The New York Times to Vanity Fair to Vice, Molly brings this tumultuous era back to life in a book that captures art and life in our times as viscerally as Patti Smith captured hers in Just Kids.

    By the time they were young teenagers, Zakia, strikingly beautiful and fiercely opinionated, and Ali, shy and tender, had fallen in love. Defying their families, sectarian differences, cultural conventions, and Afghan civil and Islamic law, they ran away together only to live under constant threat from Zakia’s large and vengeful family, who have vowed to kill her to restore the family’s honor. They are still in hiding.Despite a decade of American good intentions, women in Afghanistan are still subjected to some of the worst human rights violations in the world. Rod Nordland, then the Kabul bureau chief of the New York Times, had watched these abuses unfold for years when he came upon Zakia and Ali, and has not only chronicled their plight, but has also shepherded them from danger.The Lovers will do for women’s rights generally what Malala’s story did for women’s education. It is an astonishing story about self-determination and the meaning of love that illustrates, as no policy book could, the limits of Western influence on fundamentalist Islamic culture and, at the same time, the need for change.

    Polarizing, us-against-them discussions divide us and distract us from thinking clearly and communicating lovingly with others. Scott Sauls, like many of us, is weary of the bickering and is seeking a way of truth and beauty through the conflicts. Jesus Outside the Lines presents Jesus as this way. Scott shows us how the words and actions of Jesus reveal a response that does not perpetuate the destructive fray. Jesus offers us a way forward--away from harshness, caricatures, and stereotypes. In Jesus Outside the Lines, you will experience a fresh perspective of Jesus, who will not (and should not) fit into the sides.

    This book brings light, not just more heat, to the church's crucial debate through- historical and current global perspectives- a detailed study of women in Scripture- an examination of the fruit of women in public ministry- a powerful revelation of what's at stake for women, men, the body of Christ, God's kingdom, and the unreached

    Theology is important because what we believe affects how we live. Whether you're a relatively new believer in Jesus or a mature Christian looking for a better understanding of basics of the faith, Christian Beliefs is for you. This readable guide to twenty basic Christian beliefs is a condensation of Wayne Grudem’s award-winning book Systematic Theology, prized by pastors and teachers everywhere. He and his son, Elliot, have boiled down the essentials of Christian theology for the layperson and made them both clear and applicable to life. You will learn about the Bible, the characteristics of God, what it means that we are created in the image of God, what God has done for us in Christ, the purpose of the church, and much more. Each chapter includes questions for personal review or group discussion. "These truly are twenty basic beliefs that every Christian should know. Wayne Grudem is a master teacher with the ability to explain profound truths in simple language. He is a man of deep conviction and theological passion--and those who read this book will be both educated and encouraged in the faith."--R. Albert Mohler Jr., President, The Southern Baptist Theological Seminary, Louisville, Kentucky Based on Systematic Theology, this summary will certainly help beginners with Christ to get the hang of their faith."--J. I. Packer, Regent College, Vancouver, British Columbia As Wayne Grudem's Systematic Theology contracts into a compact book, I do not lose my enthusiasm for the truth he loves and the clarity of his words."--John Piper, Bethlehem Baptist Church, Minneapolis, Minnesota