This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Disch- The Little Black Box (1964)- The War With the Fnools (1964)- A Game of Unchance (1964)- Precious Artifact (1964)- Retreat Syndrome (1965)- A Terran Odyssey (1987)- Your Appointment Will Be Yesterday (1966)- Holy Quarrel (1966)- We Can Remember It for You Wholesale (1966)- Not by Its Cover (1968)- Return Match (1967)- Faith of Our Fathers (1967)- The Story to End All Stories (1968)- The Electric Ant (1969)- Cadbury, the Beaver Who Lacked (1987)- A Little Something for Us Tempunauts (1974)- The Pre-Persons (1974)- The Eye of the Sibyl (1987)- The Day Mr. Computer Fell Out of Its Tree (1987)- The Exit Door Leads In (1979)- Chains of Air, Web of Aether (1980)- Strange Memories of Death (1984)- I Hope I Shall Arrive Soon (1980, variant of Frozen Journey)- Rautavaara's Case (1980)- The Alien Mind (1981)- NotesFront cover illustration by Chris Moore

    In it, Hawthorne parodies the seventeenth-century book The Pilgrim's Progress by John Bunyan, which portrays a Christian's spiritual "journey" through life. In this story, the pilgrim journeys by iron horse rather than by foot, the burden of sin that Bunyan portrays is pulled by the same train, and Bunyan's figure Evangelist, preaching a message of conversion, is replaced by a figure known as "Mr. Smooth-it-away." Hawthorne mostly wrote against his own religious belief,popular at the time, Unitarianism or Transcendentalism,but according to some educators, several of his comments also indicate his dissatisfaction with Bunyan's religiously exclusive theology.In addition to this underlying view, however, he states "we were rushing by the place where Christian's burden fell from his shoulders at the sight of the Cross...for our burdens were rich in many things esteemed precious throughout the world." The story ends with the traveler's relief that what he'd seen was just a dream and an element of hope that is rare in Hawthorne's romantic era literature.

    In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.Contains:Car Crash While HitchhikingTwo MenOut on BailDundunWorkEmergencyDirty WeddingThe Other ManHappy HourSteady Hands at Seattle GeneralBeverly Home'

    This large print title is set in Tieras 16pt font as reccomended by the RNIB.

    Ten tales of murder, mayhem, madness, and dark magic from a #1 bestselling author. A man finds that fast cars and fast women don't mix. An artist uses very special tools to convey his passion. A rebellious teen will make any sacrifice for rock stardom. A mother finds a new role in a post-apocalyptic world. Gateway Drug. It leads to more dangerous things.Features "Hounds of Love, "Sung Li," and other tales from the pages of Cemetery Dance, The Book of All Flesh, and more, along with the afterword "One Sick Puppy." Bonus contributions from British horror master Tim Lebbon and multi-award-winning Australian dark fantasy writer Shane Jiraiya Cummings.

    NINE NUANCED STORIES THAT EXPLORE THE THEMES OF DESIRE, INTIMACY AND LOVE...A contractor at a dam site develops so obsessive a desire for a tribal woman that he brings home and holds captive another man's wife; a kathak dancer trapped in a marriage of convenience redefines notions of fidelity; an accidental step into an occupied bathroom changes a Delhi servant boy's life forever; a young married couple beleaguered by infertility desperately tries to reignite the romance and passion of their honeymoon on a houseboat in Kashmir...Set across India, each of the stories in this collection unerringly locates the defiant undercurrent of individual expression in people shackled by societal norms.

    Her characters—young women struggling to find happiness, love, success, security, and adventure—wait tables, run away from home, fall for married men, betray their friends, and find themselves betrayed as well.In "Hungry Self," a young waitress descends into the basement of a seemingly ordinary Chinese restaurant; in "Twenty Grand," a young wife tries to recover her lost fortune; in "Monsters," one family's paranoia leads to a sacrifice; and in "The Witches," an innocent swim on prom night proves more dangerous than anyone could have imagined. With elegant prose and a wicked sense of humor, these stories reveal Curtis's provocative and uncompromising view of life, one that makes her writing so poignant and irresistible.

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    A cross between William Faulkner (Times-Picayune) and John Irving (Detroit Free Press), Dufresne once again masterfully charts the power of truth and lies and the magic hidden in the mundane.

    Strangely pro-active, and keen to form friendships with the underlings and residents, he begins to uncover skeletons in the closet. At the same time, he's indulging his drink-ravaged landlady's desire for company. His intentions are good - too good to be true?Part of the Storycuts series, this short story was previously published in the collection In Between the Sheets.

    Well, perfect except for one thing…the neighbor.

    If you enjoy small 'bite-size' stories, or are a fan of micro-fiction and flash fiction, you'll appreciate these sharply written, miniature creations from a "masterful wordsmith."