It is a tour through a now unrecognizable city of abysmal poverty and habitual violence cobbled, as Luc Sante has written, "from legend, memory, police records, the self-aggrandizements of aging crooks, popular journalism, and solid historical research." Asbury presents the definitive work on this subject, an illumination of the gangs of old New York that ultimately gave rise to the modern Mafia and its depiction in films like The Godfather.

    The race to catch him would give birth to a new science called criminal profiling.Grand Central, Penn Station, Radio City Music Hall―for almost two decades, no place was safe from the man who signed his anonymous letters “FP” and left his lethal devices in phone booths, storage lockers, even tucked into the plush seats of movie theaters. His victims were left cruelly maimed. Tabloids called him “the greatest individual menace New York City ever faced.”In desperation, Police Captain Howard Finney sought the help of a little known psychiatrist, Dr. James Brussel, whose expertise was the criminal mind. Examining crime scene evidence and the strange wording in the bomber’s letters, he compiled a portrait of the suspect down to the cut of his jacket. But how to put a name to the description? Seymour Berkson―a handsome New York socialite, protégé of William Randolph Hearst, and publisher of the tabloid The Journal-American―joined in pursuit of the Mad Bomber. The three men hatched a brilliant scheme to catch him at his own game. Together, they would capture a monster and change the face of American law enforcement.

    Included here is Crown-Fire, Country Full of Swedes, The Windfall, Horse Thief, Yellow Girl and Kneel to the Rising Sun.

    Ira Katznelson, “a towering figure in the study of American and European history” (Cornel West), boldly asserts that, during the 1930s and 1940s, American democracy was rescued yet distorted by a unified band of southern lawmakers who safeguarded racial segregation as they built a new national state to manage capitalism and assert global power. This original study brings to vivid life the politicians and pundits of the time, including Walter Lippmann, who argued that America needed a dose of dictatorship; Mississippi’s five-foot-two Senator Theodore Bilbo, who advocated the legal separation of races; and Robert Oppenheimer, who built the atomic bomb yet was tragically undone by the nation’s hysteria. Fear Itself is a necessary work, vital to understanding our world—a world the New Deal first made.

    Meanwhile, still-President Hoover, worried about FDR's abilities and afraid of the president-elect's policies, became the first comprehensive critic of the New Deal. Thus, even before FDR took office, both the principles of the welfare state, and reaction against it, had already taken form.Winter War reveals how, in the months before the hundred days, FDR and Hoover battled over ideas and shaped the divisive politics of the twentieth century.

    It is rare that a historian of the Left has managed to retain as much credibility while refusing to let his academic mantle change his beautiful writing style from being anything but direct, forthright, and accessible. Whether his subject is war, race, politics, economic justice, or history itself, each of his works serves as a reminder that to embrace one's subjectivity can mean embracing one's humanity, that heart and mind can speak with one voice. Here, in six sections, is the historian's own choice of his shorter essays on some of the most critical problems facing America throughout its history, and today.

    Given full access to the Agency’s archives, he produced a vivid insider’s account, intended as a training manual for covert operators, detailing how the C.I.A. chose targets, planned strategies, and organized the mechanics of waging a secret war. In 1997, during a brief period of open disclosure, the C.I.A. declassified the history with remarkably few substantive deletions. The New York Times called it “an astonishingly frank account . . . which may be a high-water mark in the agency’s openness.” Here is that account, with new notes by the author which clarify points in the history and add newly available information.In the Cold War atmosphere of 1954, the U.S. State Department (under John Foster Dulles) and the C.I.A. (under his brother Allen Dulles) regarded Guatemala’s democratically elected leftist government as a Soviet beachhead in the Western Hemisphere. At the C.I.A.’s direction, the government was overthrown and replaced by a military dictatorship installed by the Agency. This book tells, for the first time, how a disaster-prone operation—marked by bad planning, poor security, and incompetent execution—was raised to legendary status by its almost accidental triumph.This early C.I.A. covert operation delighted both President Dwight D. Eisenhower and the Dulles brothers, and Allen Dulles concluded that the apparent success in Guatemala, despite a long series of blunders, made the venture a sound model for future operations. This book reveals how the legend of PBSUCCESS grew, and why attempts to imitate it failed so disastrously at the Bay of Pigs in 1961 and in the Contra war in the 1980’s. The Afterword traces the effects of the coup of 1954 on the subsequent unstable politics and often violent history of Guatemala.

    The Force of Things follows two families across the twentieth century—one starting in czarist Russia, the other starting in the American Midwest—and takes them across revolution, war, fascism, and racial persecution, until they collide at mid-century. Their immediate attraction and tumultuous marriage is part of a much larger story: the mass migration of Jews from fascist-dominated Europe in the 1930s and 1940s. It is a micro-story of that moment of cross-pollination that reshaped much of American culture and society. Theirs was an uneasy marriage between Europe and America, between Jew and WASP; their differences were a key to their bond yet a source of constant strife. Alexander Stille's The Force of Things is a powerful, beautifully written work with the intimacy of a memoir, the pace and readability of a novel, and the historical sweep and documentary precision of nonfiction writing at its best. It is a portrait of people who are buffeted about by large historical events, who try to escape their origins but find themselves in the grip of the force of things.

    Compiled and edited by Edmund Wilson shortly after Fitzgerald's death, "The Crack-Up" tells the story of Fitzgerald's sudden descent at age thirty-nine from a life of success and glamor to one of emptiness and despair, and his determined recovery. This vigorous and revealing collection of essays and letters renders the tale of a man whose personality still charms us all and whose reckless gaiety and genious made him a living symbol and the Jazz Age. For those who grew up with "The Great Gatsby" or "Tender is the Night," this extraordinary autobiographical collection provides a unique personal blend of the romance and reality embodied by Fitzgerald's literature and his life.

    Based on dozens of interviews conducted over six years, Green spins the master narrative of the 2016 campaign from its origins in the far fringes of right-wing politics and reality television to its culmination inside Trump’s penthouse on election night. The shocking elevation of Bannon to head Trump’s flagging presidential campaign on August 17, 2016, hit political Washington like a thunderclap and seemed to signal the meltdown of the Republican Party. Bannon was a bomb-throwing pugilist who’d never run a campaign and was despised by Democrats and Republicans alike.  Yet Bannon’s hard-edged ethno-nationalism and his elaborate, years-long plot to destroy Hillary Clinton paved the way for Trump’s unlikely victory. Trump became the avatar of a dark but powerful worldview that dominated the airwaves and spoke to voters whom others couldn’t see. Trump’s campaign was the final phase of a populist insurgency that had been building up in America for years, and Bannon, its inscrutable mastermind, believed it was the culmination of a hard-right global uprising that would change the world. Any study of Trump’s rise to the presidency is unavoidably a study of Bannon. Devil’s Bargain is a tour-de-force telling of the remarkable confluence of circumstances that decided the election, many of them orchestrated by Bannon and his allies, who really did plot a vast, right-wing conspiracy to stop Clinton. To understand Trump's extraordinary rise and Clinton’s fall, you have to weave Trump’s story together with Bannon’s, or else it doesn't make sense.

    As a retrospective summation of his essays and interviews, it is essential reading in tandem with Roth’s novels, both for the discussions of his own books and as a record of his profound engagement with other writers: Kafka, Bellow, Malamud, and the leading figures of Cold War–era Czechoslovakia among them.Divided into three sections, Why Write? begins with Roth’s selection of the indispensable core of Reading Myself and Others, first published in 1975 and expanded for a second edition ten years later. It opens with the remarkable hybrid story-essay, “‘I Always Wanted You to Admire My Fasting’; or, Looking at Kafka,” a critical evaluation that yields to a fictional imagination of Kafka as young Roth’s Hebrew School teacher in 1940s Newark, the first of the provocative forays into speculative alternative realities that would take shape in novels like The Ghost Writer and The Plot Against America. In the essays and interviews given in the wake of the explosive release of Portnoy’s Complaint, Roth clarifies how he sought to “raise obscenity to the level of a subject,” provides sharp-edged insights into an America wracked by political turmoil and sexual revolution, and defends the imaginative freedom of writers and readers alike.The volume’s second section presents in its entirety the 2001 book Shop Talk, a series of conversations with writers such as Aharon Appelfeld, Primo Levi, and Edna O’Brien, as well as essays on Malamud, Bellow, and the artist Philip Guston. The collection highlights Roth’s skill as an astute literary interlocutor, engaged with writers whose traditions, assumptions, and experience can differ markedly from those of the American world of his own fiction.The concluding section, “Explanations,” comprises fourteen later pieces collected here for the first time, six of them never before published. Among the essays gathered are “My Uchronia,” an account of the genesis of The Plot Against America, a novel grounded in the insight that “all the assurances are provisional, even here in a two-hundred-year-old democracy”; “Errata,” the unabridged version of the “Open Letter to Wikipedia” published on The New Yorker’s website in 2012 to counter the online encyclopedia’s egregious errors about his life and work; “Forty-Five Years On,” Roth’s absolute last word on Portnoy; and “The Ruthless Intimacy of Fiction,” a speech delivered on the occasion of his eightieth birthday that evokes the Newark of Roth’s childhood and examines the “refractory way of living” of Sabbath’s Theater’s Mickey Sabbath. Also included are two lengthy interviews given after Roth’s retirement, which take stock of a lifetime of work: “Morning after morning for fifty years, I faced the next page defenseless and unprepared. Writing for me was a feat of self-preservation.”

    But awakened one morning by the crackle of musket fire, Horwitz starts filing front-line dispatches again this time from a war close to home, and to his own heart.Propelled by his boyhood passion for the Civil War, Horwitz embarks on a search for places and people still held in thrall by America's greatest conflict. The result is an adventure into the soul of the unvanquished South, where the ghosts of the Lost Cause are resurrected through ritual and remembrance.In Virginia, Horwitz joins a band of 'hardcore' reenactors who crash-diet to achieve the hollow-eyed look of starved Confederates; in Kentucky, he witnesses Klan rallies and calls for race war sparked by the killing of a white man who brandishes a rebel flag; at Andersonville, he finds that the prison's commander, executed as a war criminal, is now exalted as a martyr and hero; and in the book's climax, Horwitz takes a marathon trek from Antietam to Gettysburg to Appomattox in the company of Robert Lee Hodge, an eccentric pilgrim who dubs their odyssey the 'Civil Wargasm.'Written with Horwitz's signature blend of humor, history, and hard-nosed journalism, Confederates in the Attic brings alive old battlefields and new ones 'classrooms, courts, country bars' where the past and the present collide, often in explosive ways. Poignant and picaresque, haunting and hilarious, it speaks to anyone who has ever felt drawn to the mythic South and to the dark romance of the Civil War.

    The congressional hearings, Nixon’s increasing paranoia, and, finally, the devastating revelations of the White House tapes had torn the country apart. Within the White House and the Republican Party, Nixon’s resignation produced new fissures and battle lines—and new opportunities for political advancement.Ford had to reassure the nation and the world that he would attend to the pressing issues of the day, from resolving the legal questions surrounding Nixon’s role in Watergate, to dealing with the wind down of the Vietnam War, the precarious state of détente with the Soviet Union, and the ongoing attempts to stabilize the Middle East. Within hours of Nixon’s departure from Washington, Ford began the all-important task of forming an inner circle of trusted advisers.In richly detailed scenes, Werth describes the often vicious sparring among two mutually distrustful staffs—Nixon’s and Ford’s vice presidential holdovers—and a transition team that included Donald Rumsfeld (then Nixon’s ambassador to NATO) and Rumsfeld’s former deputy, the thirty-three-year-old coolly efficient Richard Cheney. The first detailed account of the ruthless maneuvering and day-to-day politicking behind everything from the pardon of Nixon to why George H. W. Bush was passed over for the vice presidency, to the rise of a new cadre of Republican movers and shakers, 31 Days offers a compelling perspective on a fascinating but relatively unexamined period in American history and its impact on the present.

    But what is American democracy? In America (The Book), Jon Stewart and The Daily Show writing staff offer their insights into our unique system of government, dissecting its institutions, explaining its history and processes, and exploring the reasons why concepts like one man, one vote, government by the people, and every vote counts have become such popular urban myths. Topics include: Ancient Rome: The First Republicans; The Founding Fathers: Young, Gifted, and White; The Media: Can it Be Stopped?; and more!

    An outstanding observer of the American scene, he became one of the world’s best-loved broadcasters, and a foreigner who helped Americans better understand themselves.Here, in print for the first time, is a collection of Cooke’s finest reports that celebrates the inimitable style of this wise and avuncular reporter. Beginning with his first letter in 1946, a powerful description of American GIs returning home, and ending with his last broadcast in February 2004, in which he expressed his views on the United States presidential campaign, the collection captures Cooke’s unique voice and gift for telling stories.Gathered in this volume are encounters with the many presidents Cooke knew, from Roosevelt to Nixon, Reagan, Clinton, and Bush, both Senior and Junior. His friends are warmly recollected–among them Leonard Bernstein, Philip Larkin, Humphrey Bogart, Charlie Chaplin, and Katharine Hepburn. We observe a variety of political landmarks–the Vietnam War, Watergate, Cooke’s remarkable eyewitness account of Robert Kennedy’s assassination, through to the scandals that surrounded Clinton and the conflict in Iraq. His moving evocation of the events of September 11 and its aftermath remains essential reading, while his recollections of holidays and sporting events remind us of Cooke’s delight in the pleasures of everyday life.Imbued with Alistair Cooke’s good humor, elegance, and understanding, Letter from America, 1946—2004 is a captivating insight into the heart of a nation and a fitting tribute to the man who was for so many the most reassuring voice of our times.From the Hardcover edition.