In this spirited indictment of totalitarianism, the two improbable heroes, Pataki and Gyuri, travel the length and breadth of Hungary in an epic quest for food, lodging, and female companionship.

    But his fiancée is strangely altered and her family's fortunes have suffered a spectacular decline. The hotel's hundreds of rooms are disintegrating on a grand scale; its few remaining guests thrive on rumors and games of whist; herds of cats have taken over the Imperial Bar and the upper stories; bamboo shoots threaten the foundations; and piglets frolic in the squash court. Meanwhile, the Major is captivated by the beautiful and bitter Sarah Devlin. As housekeeping disasters force him from room to room, outside the order of the British Empire also totters: there is unrest in the East, and in Ireland itself the mounting violence of "the troubles." Troubles is a hilarious and heartbreaking work by a modern master of the historical novel.

    The matter: a deadly betrayal, unspoken and unspeakable, born of political enmity. As the boy listens through the silence that surrounds him, the truth spreads like a stain until it engulfs him and his family. And as he listens, and watches, the world of legend--the stone fort of Grianan, home of the warrior Fianna; the Field of the Disappeared, over which no gulls fly--reveals its transfixing reality. Meanwhile the real world of adulthood unfolds its secrets like a collection of folktales: the dead sister walking again; the lost uncle, Eddie, present on every page; the family house "as cunning and articulate as a labyrinth, closely designed, with someone sobbing at the heart of it."Seamus Deane has created a luminous tale about how childhood fear turns into fantasy and fantasy turns into fact. Breathtakingly sad but vibrant and unforgettable, Reading in the Dark is one of the finest books about growing up--in Ireland or anywhere--that has ever been written.

    In this carnival environment of roller-coasters and freak-shows, while the crest of the Edwardian amusement industry wave is breaking, Cy becomes enamoured with Grace, a mysterious East European immigrant and circus performer who commissions him to cover her body entirely with tattooed eyes.Hugely atmospheric, exotic, and familiar, The Electric Michelangelo is a love story and an exquisitely rendered portrait of seaside resorts on opposite sides of the Atlantic by one of the most uniquely talented novelists of her generation.

    With wonderful delicacy and subtle insight and intimation, McCabe creates Mr. Patrick "Pussy" Braden, the enduringly and endearingly hopeful hero(ine) whose gutsy survival and yearning quest for love resonate in and drive the glimmering, agonizing narrative in which the troubles are a distant and immediate echo and refrain. Twenty years ago, her ladyship escaped her hometown of Tyreelin, Ireland, fleeing her foster mother Whiskers (prodigious Guinness-guzzler, human chimney) and her mad household, to begin a new life in London. There, in blousey tops and satin miniskirts, she plies her trade, often risking life and limb amongst the flotsam and jetsam that fill the bars of Piccadilly Circus. But suave businessmen and lonely old women are not the only dangers that threaten Pussy. It is the 1970's and fear haunts the streets of London and Belfast as the critical mass of history builds up, and Pussy is inevitably drawn into a maelstrom of violence and tragedy destined to blow his fragile soul asunder. Brilliant, startling, profound and soaring, Breakfast on Pluto combines light and dark, laughter and pain, with such sensitivity, directness and restraint that the dramatic impact reverberates in our minds and hearts long after the initial impression.

    We tell them to stay alive or keep alive those who only live now in the telling. In Faha, County Clare, everyone is a long story...Bedbound in her attic room beneath the falling rain, in the margin between this world and the next, Plain Ruth Swain is in search of her father. To find him, enfolded in the mystery of ancestors, Ruthie must first trace the jutting jaw lines, narrow faces and gleamy skin of the Swains from the restless Reverend Swain, her great-grandfather, to grandfather Abraham, to her father, Virgil - via pole-vaulting, leaping salmon, poetry and the three thousand, nine hundred and fifty eight books piled high beneath the two skylights in her room, beneath the rain.The stories -- of her golden twin brother Aeney, their closeness even as he slips away; of their dogged pursuit of the Swains' Impossible Standard and forever falling just short; of the wild, rain-sodden history of fourteen acres of the worst farming land in Ireland -- pour forth in Ruthie's still, small, strong, hopeful voice.

    Their most important resource being their instinct to survive. Safety is 400 miles away, across savage country but all the time they are pursued by a helicopter which hovers overhead. From the author of NO MAN'S LAND.

    But the sky is marred by two  conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life.In effortless and tender prose, Jim Crace details the unraveling of a pastoral idyll in the wake of economic progress. His tale is timeless and unsettling, framed by a beautifully evoked world that will linger in your memory long after you finish reading.

    It is, perhaps, the fifteenth century and the ordered tranquillity of a Mediterranean island is about to be shattered by the appearance of two outsiders: one, a castaway, plucked from the sea by fishermen, whose beliefs represent a challenge to the established order; the other, a child abandoned by her mother and suckled by wolves, who knows nothing of the precarious relationship between Church and State but whose innocence will become the subject of a dangerous experiment.But the arrival of the Inquisition on the island creates a darker, more threatening force which will transform what has been a philosophical game of chess into a matter of life and death...

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    He travels back in time to Viking adventures at the court of the Byzantine Emperor in Constantinople. Part of the 1995 Scottish Book Fortnight promotion.

    Naturally, she takes their daughters and son with her. The children, however, only make it as far as the train station - and even after returning home remain unaffected by their brief exile. "They ought either to be quieter or more noisy than before," their father thinks, "and it was disconcerting that they seemed to be exactly the same." Frank's routines, however, drift into disorder as he tries desperately to take charge of life at home and work. Even his printing plant is suddenly confronted by the specters of modernization and utter instability. In Penelope Fitzgerald's fiction, affection and remorse are all too often allied, and desire and design seem never to meet. Frank wants little more than a quiet, confident life - something for which he is deeply unsuited, and which Russia certainly will not go out of her way to provide. 'The Beginning of Spring' is filled with echoes of past wrongs and whispers of the revolution to come, even if the author evokes these with abrupt comic brio. (In one disturbance, "A great many shots had hit people for whom they were not intended.") As ever, Fitzgerald makes us care for - and want to know ever more about - her characters, even the minor players. Her two-page description of Frank's chief type compositor, for instance, is a miracle of precision and humor, sympathy and mystery. And the accountant Selwyn Crane - a Tolstoy devotée, self-published poet, and expert at making others feel guilty -is a sublime creation. His appetite for do-gooding is insatiable. After one fit of apparent altriusm, "Selwyn subsided. Now that he saw everything was going well, his mind was turning to his next charitable enterprise. With the terrible aimlessness of the benevolent, he was casting round for a new misfortune." As she evokes her household of tears and laughter, Fitzgerald's prose is as witty as ever, rendering the past present and the modern timeless. - Kerry Fried

    Since childhood, Toby has been diffident and self-absorbed, but the threat of drug taking and his refusal (or inability) to discuss his evident unhappiness, disturbs them sufficiently to seek professional help. Veering between private agony and public cheerfulness, Maggie and Charlie struggle to support their son and cope with the reactions- and advice- of friends and relatives. Noted for the acuity with which she reaches into the heart of relationships, Nina Bawden here excels in revealing the painful, intimate truths of a family in crisis. Toby’s situation is explored with great tenderness, while Maggie’s grief and self-recrimination are rigorously, if compassionately, observed. It is a novel that raises fundamental questions about parents and their children, and offers tentative hope but no tidy solutions.

    Beginning in 1974 and ending with the fading of Thatcher's government in 1996, 'The Northern Clemency' is Philip Hensher's epic portrait of an entire era, a novel concerned with the lives of ordinary people and history on the move.

    The Green Road is a tale of family and fracture, compassion and selfishness—a book about the gaps in the human heart and how we strive to fill them.Spanning thirty years, The Green Road tells the story of Rosaleen, matriarch of the Madigans, a family on the cusp of either coming together or falling irreparably apart. As they grow up, Rosaleen's four children leave the west of Ireland for lives they could have never imagined in Dublin, New York, and Mali, West Africa. In her early old age their difficult, wonderful mother announces that she’s decided to sell the house and divide the proceeds. Her adult children come back for a last Christmas, with the feeling that their childhoods are being erased, their personal history bought and sold.A profoundly moving work about a family's desperate attempt to recover the relationships they've lost and forge the ones they never had, The Green Road is Enright's most mature, accomplished, and unforgettable novel to date.