A Passage North begins with a message from out of the blue: a telephone call informing Krishan that his grandmother's caretaker, Rani, has died under unexpected circumstances--found at the bottom of a well in her village in the north, her neck broken by the fall. The news arrives on the heels of an email from Anjum, an impassioned yet aloof activist Krishnan fell in love with years before while living in Delhi, stirring old memories and desires from a world he left behind.As Krishan makes the long journey by train from Colombo into the war-torn Northern Province for Rani's funeral, so begins an astonishing passage into the innermost reaches of a country. At once a powerful meditation on absence and longing, as well as an unsparing account of the legacy of Sri Lanka's thirty-year civil war, this procession to a pyre "at the end of the earth" lays bare the imprints of an island's past, the unattainable distances between who we are and what we seek.Written with precision and grace, Anuk Arudpragasam's masterful new novel is an attempt to come to terms with life in the wake of devastation, and a poignant memorial for those lost and those still alive.

    George's, befriends her. But even as their relationship develops, so too does another: Sheba has begun an illicit affair with an underage male student. When the scandal turns into a media circus, Barbara decides to write an account in her friend's defense—and ends up revealing not only Sheba's secrets, but also her own.

    Each of the 15 stories offers glimpses into the lives of ordinary Dubliners, and collectively they paint a portrait of a nation.

    On the stormy night of his arrival, he stumbles across a tense gathering of twelve local men who have met in secret to discuss a series of unexplained events: A wealthy man has vanished, a prostitute has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely ornate as the night sky. Richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust, The Luminaries is a brilliantly constructed, fiendishly clever ghost story and a gripping page-turner.

    Isolated at home and an outlander at school, Madeline is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of his arrest deeply affect Madeline as she wrestles with her own fledgling desires and craving to belong. And then the young Gardner family moves in across the lake and Madeline finds herself welcomed into their home as a babysitter for their little boy, Paul. It seems that her life finally has purpose but with this new sense of belonging she is also drawn into secrets she doesn’t understand. Over the course of a few days, Madeline makes a set of choices that reverberate throughout her life. As she struggles to find a way out of the sequestered world into which she was born, Madeline confronts the life-and-death consequences of the things people do—and fail to do—for the people they love

    She struggles to fit in—she’s young and unexotic, a naive new girl—but soon she forges friendships and finds a place for herself in the big city.Then she meets an attractive older man. He’s an established actor, 20 years older, and the inevitable clamorous relationship that ensues is one that will change her forever.A redemptive, captivating story of passion and innocence set across the bedsits of mid-1990s London, McBride holds new love under her fierce gaze, giving us all a chance to remember what it’s like to fall hard for another.

    From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

    Every failure he suffers in his efforts to become established as a professional writer weighs against the uneasy knowledge that his wife, Lucy, has an untapped private fortune amounting to millions of dollars. Lucy, for her part, always elegant but often shy, is never quite certain what is expected of her. And as a couple, the Davenports are repeatedly dismayed at meeting other people whose lives appear brighter and better than their own. In this magnificent novel, at once bitterly sad and achingly funny, Richard Yates again shows himself to be the supreme, tenderly ironic chronicler of the 'American Dream' and its casualties. 'Yates is good at bad couples, sad, sour marriages, young hopes corroded by suburban life...These are bitterly perceptive books, depressing but difficult to put down' Grace Ingoldby, New Statesman'Yates intends to spare his readers nothing. He is a truthful and ruthless writer' Robert Nye, Guardian'A natural story-teller' Nina Bawden, Daily Telegraph

    Her insurgent lover Xavier has been imprisoned. Resolute, sensuous and tender, A’ida’s letters to the man she loves tell of daily events in the town, and of its motley collection of inhabitants whose lives flow through hers. But the area is under threat, and as a faceless power inexorably encroaches from outside, so the smallest details and acts of humanity—an intimate dance, a shared meal—assume for A’ida a life-affirming significance, acts of resistance against the forces that might otherwise extinguish them. From A to X is a powerful exploration of how humanity affirms itself in struggle: imagining a community which, besieged by economic and military imperialism, finds transcendent hope in the pain and fragility, vulnerability and sorrow of daily existence.

    Following an incident with an escaped tiger, Jaffy goes to work for Mr. Charles Jamrach, the famed importer of exotic animals, alongside Tim, a good but sometimes spitefully competitive boy. Thus begins a long, close friendship fraught with ambiguity and rivalry. Mr. Jamrach recruits the two boys to capture a fabled dragon during the course of a three-year whaling expedi­tion. Onboard, Jaffy and Tim enjoy the rough brotherhood of sailors and the brutal art of whale hunting. They even succeed in catching the reptilian beast. But when the ship’s whaling venture falls short of expecta­tions, the crew begins to regard the dragon—seething with feral power in its cage—as bad luck, a feeling that is cruelly reinforced when a violent storm sinks the ship. Drifting across an increasingly hallucinatory ocean, the sur­vivors, including Jaffy and Tim, are forced to confront their own place in the animal kingdom. Masterfully told, wildly atmospheric, and thundering with tension, Jamrach’s Mena­gerie is a truly haunting novel about friendship, sacrifice, and survival.

    If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe opposes him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

    During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church. Already an international bestseller, Small Things Like These is a deeply affecting story of hope, quiet heroism, and empathy from one of our most critically lauded and iconic writers.

    Watts, object of much curiosity and scorn, who sweeps out the ruined schoolhouse and begins to read to the children each day from Charles Dickens's classic Great Expectations.So begins this rare, original story about the abiding strength that imagination, once ignited, can provide. As artillery echoes in the mountains, thirteen-year-old Matilda and her peers are riveted by the adventures of a young orphan named Pip in a city called London, a city whose contours soon become more real than their own blighted landscape. As Mr. Watts says, “A person entranced by a book simply forgets to breathe.” Soon come the rest of the villagers, initially threatened, finally inspired to share tales of their own that bring alive the rich mythology of their past. But in a ravaged place where even children are forced to live by their wits and daily survival is the only objective, imagination can be a dangerous thing.

    His sister's deformity, a grocer's moonlight indiscretion, the passionate illusions of the women who love him - all are used as fodder for his art. It is only when Hurtle meets an egocentric adolescent whom he sees as his spiritual child does he experience a deeper, more treacherous emotion in this tour de force of sexual and psychological menace that sheds brutally honest light on the creative experience.

    It is a horrifying yet restrained narrative of the Holocaust. It is a searing vision of the wounds of our century, and an attempt to heal them. Interweaving poetry and case history, fantasy and historical truth-telling, The White Hotel is a modern classic of enduring emotional power that attempts nothing less than to reconcile the notion of individual destiny with that of historical fate.