After the United States showed its hand with the atomic bomb in Hiroshima, the Soviets refuse to be left behind. With Communism sweeping the globe, the two nations begin a neck-and-neck competition to build even more destructive bombs and conquer the Space Race. In their battle for dominance, spy planes fly above, armed submarines swim deep below, and undercover agents meet in the dead of night.The Cold War game grows more precarious as weapons are pointed towards each other, with fingers literally on the trigger. The decades-long showdown culminates in the Cuban Missile Crisis, the world's close call with the third—and final—world war.

    Now using a wheelchair, Barbara must adapt to a new normal, but she cannot shake the feeling that something is dangerously amiss. Within these walls, strange sounds escape at night; patients go missing; and Barbara begins to put together pieces of what she believes to be a larger puzzle.But is this suspicion simply a result of her trauma? Fellow patients try to connect with Barbara, but she pushes them away, and she'd rather spend time with ghost stories than participate in her daily exercises. Even Barbara's own judgment is in question.In The Oracle Code, universal truths cannot be escaped, and Barbara Gordon must battle the phantoms of her past before they swarm her future.

    There’s only one thing she does want: to fight dragons!Granted, no dragons have been breathing fire around Hereville, the Orthodox Jewish community where Mirka lives, but that doesn’t stop the plucky girl from honing her skills. She fearlessly stands up to local bullies. She battles a very large, very menacing pig. And she boldly accepts a challenge from a mysterious witch, a challenge that could bring Mirka her heart’s desire: a dragon-slaying sword! All she has to do is find—and outwit—the giant troll who’s got it!A delightful mix of fantasy, adventure, cultural traditions, and preteen commotion, Hereville will captivate middle-school readers with its exciting visuals and entertaining new heroine.

    But this Mary Shelley, named after her great-great-great-great-great grandmother, doesn’t want anything to do with that legacy. Then a strangely pale (and really cute) boy named Adam shows up and asks her to heal a wound he got under mysterious circumstances, and Mary learns something new about her family: the first Mary Shelley had the power to heal monsters, and Mary has it, too. Now the monsters won’t stop showing up, Mary can’t get her mother Tawny to leave her alone about writing something (anything!), she can’t tell her best friend Rhonda any of this, and all Mary wants is to pass biology.

    Now Edmund lives in secret as a changeling in the World Above, with fae powers that make him different from everyone else—even his unwitting parents and older sister, Alexis. The Childe lives among the fae in the World Below, where being human makes him an oddity at the royal palace, and where his only friend is a wax golem named Whick.But when the cruel sorceress Hawthorne takes the throne, the Childe and Edmund realize that the fate of both worlds may be in their hands—even if they’re not sure which world they belong to.

    Stationed now with her family in Central America because of her parents' work, Sophia feels displaced as an American living abroad, when she has hardly spent any of her life in America.Everything changes when she reads a letter she was never meant to see and uncovers her parents' secret. They are not who they say they are. They are working for the CIA. As Sophia tries to make sense of this news, and the web of lies surrounding her, she begins to question everything. The impact that this has on Sophia's emerging sense of self and understanding of the world makes for a page-turning exploration of lies and double lives.In the hands of this extraordinary graphic storyteller, this astonishing true story bursts to life.

      Lyra Belacqua is content to run wild among the scholars of Jordan College, with her dæmon familiar always by her side. But the arrival of her fearsome uncle, Lord Asriel, draws her to the heart of a terrible struggle—a struggle born of Gobblers and stolen children, and a mysterious substance known as Dust. As she hurtles toward danger in the cold far North, Lyra never suspects the shocking truth: she alone is destined to win—or to lose—this more-than-mortal battle.   The stunning full-color art offers both new and returning readers a chance to experience the story of Lyra, an ordinary girl with an extraordinary role to play in the fates of multiple worlds, in an entirely new way.   “Superb . . . all-stops-out thrilling.” —The Washington Post

    For one thing, kids as young as twelve get to apply for these prestigious summer jobs. And as for the applicant pool . . . well, these kids come from all over history.When Delia finds herself working at the Time Museum, the last thing she expects is to be sent on time-traveling adventures with an unlikely gang of kids from across the eons. From a cave-boy to a girl from the distant future, Delia's team represents nearly all of human history! They're going to need all their skills for the challenge they've got in store . . . defending the Time Museum itself!

    But never has his most famous speech--his 271 indelible words--been presented in such a visual and accessible format. Graphic artist and Civil War aficionado C. M. Butzer deftly uses a detailed, comic-book style to depict the Battle of Gettysburg; the national movement to create a memorial there; and the quiet day in 1863 when Lincoln delivered his galvanizing speech. Butzer uses only primary sources for the text, drawing from first-person letters and diaries, speeches, and Lincoln's own writing to unpack this series of historical events. The address itself is played out over eighteen pages, with every phrase given a visual interpretation that will resonate with young readers.

    Nate is the neurotic, scheming president of the robotics club. Their unlikely friendship nearly bites the dust when Nate declares war on the cheerleaders and the cheerleaders retaliate by making Charlie their figurehead in the ugliest class election campaign the school has ever seen. At stake? Student group funding that will either cover a robotics competition or new cheerleading uniforms--but not both. Bad sportsmanship? Sure.Chainsaws? Why not.Running away from home on Thanksgiving? Nothing can possibly go wrong.

    First love. First heartbreak. At once romantic and devastating, brutally honest and full of humor, this graphic-novel memoir is a debut of the rarest sort.Maggie Thrash has spent basically every summer of her fifteen-year-old life at the one-hundred-year-old Camp Bellflower for Girls, set deep in the heart of Appalachia. She’s from Atlanta, she’s never kissed a guy, she’s into Backstreet Boys in a really deep way, and her long summer days are full of a pleasant, peaceful nothing . . . until one confounding moment. A split-second of innocent physical contact pulls Maggie into a gut-twisting love for an older, wiser, and most surprising of all (at least to Maggie), female counselor named Erin. But Camp Bellflower is an impossible place for a girl to fall in love with another girl, and Maggie’s savant-like proficiency at the camp’s rifle range is the only thing keeping her heart from exploding. When it seems as if Erin maybe feels the same way about Maggie, it’s too much for both Maggie and Camp Bellflower to handle, let alone to understand.

    As in his Pulitzer Prize-winning Maus, cartoonist Spiegelman presents a highly personalized, political, and confessional diary of his experience of September 11 and its aftermath. In 10 large-scale pages of original, hard-hitting material (composed from September 11, 2001 to August 31, 2003), two essays, and 10 old comic strip reproductions from the early 20th century, Spiegelman expresses his feelings of dislocation, grief, anxiety, and outrage over the horror of the attacks—and the subsequent "hijacking" of the event by the Bush administration to serve what he believes is a misguided and immoral political agenda. Readers who agree with Spiegelman's point of view will marvel at the brilliance of his images and the wit and accuracy of his commentary. Others, no doubt, will be jolted by his candor and, perhaps, be challenged to reexamine their position.The central image in the sequence of original broadsides, which returns as a leitmotif in each strip, is Spiegelman's Impressionistic "vision of disintegration," of the North Tower, its "glowing bones...just before it vaporized." (As downtown New Yorkers, Spiegelman and his family experienced the event firsthand.) But the images and styles in the book are as fragmentary and ever-shifting as Spiegelman's reflections and reactions. The author's closing comment that "The towers have come to loom far larger than life...but they seem to get smaller every day" reflects a larger and more chilling irony that permeates In the Shadow of No Towers. Despite the ephemeral nature of the comic strip form, the old comics at the back of the book have outlasted the seemingly indestructible towers. In the same way, Spiegelman's heartfelt impressions have immortalized the towers that, imponderably, have now vanished. —Silvana Tropea

    Growing up in the 1990s as the only child of a single mother in Seoul, Korea, wasn’t always easy, but it has bonded them fiercely together.So when a vacation to visit friends in Huntsville, Alabama, unexpectedly becomes a permanent relocation—following her mother’s announcement that she’s getting married—Robin is devastated. Overnight, her life changes. She is dropped into a new school where she doesn’t understand the language and struggles to keep up. She is completely cut off from her friends at home and has no access to her beloved comics. At home, she doesn’t fit in with her new stepfamily. And worst of all, she is furious with the one person she is closest to—her mother.Then one day Robin’s mother enrolls her in a local comic drawing class, which opens the window to a future Robin could never have imagined.

    But one of them, Lisa, keeps an eye on the boy. So does the head of the Switchboard, Madame Alexander . . . a rather sharp eye.Enter Hannah, the spunky daughter of the building’s owner. She thinks Ever needs a friend, even if he doesn’t know it yet.Good thing she does!Lisa and Madame Alexander are each clearly up to something.Ever is beset by a menacing band of rogues looking to unlock the secret he holds–at any cost.And whatever is hidden deep in the Switchboard building will determine all of their futures.On a journey that twists and turns as much as the mechanical building Ever Barnes calls home, he and his new friend Hannah have to ­ and out what’s really going on in this mysterious city of secrets . . . or else!

    Against overwhelming adversity, these remarkable women raised their voices and changed history.With her one-of-a-kind wit and dazzling drawings, celebrated graphic novelist Pénélope Bagieu profiles the lives of these feisty female role models, some world-famous, some little known. From Nellie Bly to Mae Jemison or Josephine Baker to Naziq al-Abid, the stories in this comic biography are sure to inspire the next generation of rebel ladies.