Amy is certain she can resist the attraction of this man who holds a secret. But is Amy as strong as she thinks she is? Will the truth of Dan’s past tear their love apart?

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    When the corporate rug is pulled from under her Maddison Markham heads back home – back to Blue Gum Flat. It won’t be for long, just time to regroup and get her life back on track. But Blue Gum Flat is not the sleepy little town she remembers from her childhood. New people, new attitudes and even a coffee machine. Cameron Dean has every intention of making his dream of a rural life a reality and when Maddison arrives in town it seems his stars have finally aligned. But he hasn’t considered the impact their relationship will have on his son and after the mistakes he has made family comes first.

    But this farmer isn’t looking for a wife — his first love ended in tragedy, and he will never put his heart on the line again. The land is his love, and he’s happy that way.Sasha Hepworth has goals and ambitions and she has worked very hard for her success. She’s just forgotten how to enjoy herself. So a weekend fling with a gorgeous cowboy is just what she needs — after all, it can’t go any further. She’d never leave the conveniences and beauty of the city for a dusty outback town.But a weekend of fine dining and spectacular sights isn’t enough for Blake and Sasha, and the growing feelings that neither can deny make them question everything about their lives. When a city girl meets a country boy, will they find middle ground?

    He's been part of five premierships: three as a player at Essendon, where he was coached by the best, and two at Geelong, where he coached that club's greatest team of all. He exited the game amid the Essendon supplements scandal with unfinished business. After 34 years 'at a thousand kilometres an hour', Thompson has taken the opportunity to reflect on the game that shaped him and to reveal the personal cost of his involvement at the top level. We ride the bumps of the coaches' box, the boardroom and the press conferences as Mark Thompson handles things his own way. He talks about his mentors, his proteges and contemporaries with insight and candour. And he reveals the development of what became his trademark as a successful coach: building a team from the ground up to play defence-first accountable footy, with kamikaze ball movement, under a teacher-mentor relationship. This is as good a book about football as you'll get, from a purist who is not interested in the politics of the AFL. His legacy is some of the greatest footy to be played in the modern era. 'I hate group-think, it's just not my style. I have never been part of any boy's club in footy. I have been an independent going right back to my youth ...I make no apologies for saying what I think. It is my story, after all.'

    All sides of production are clearly explained in jargon-free prose, and unfamiliar terms are highlighted and defined in an appended glossary. In addition to discussions on the more traditional elements of technical theater, this book gives equal weight to the new technologies that have become mainstream, including software (DMX, MIDI, and SMPTI) for show control systems, software to build audio cues, and PC-based audio play-back systems.Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

    Both are newly-weds; Dulcie has a baby girl and Fran is expecting a baby. But there the similarities end.Fran is a Detroit city girl enjoying modern conveniences. Dulcie is a pineapple farmer’s wife enduring the extremes of Australia. Bushfires, floods, cyclones, droughts, dingo attacks and accidents are all too common. Regardless, Dulcie’s optimism shines through, revealing her love of the land and fascination for the wild creatures that share her corner of Queensland.Each book purchased will help support Careflight, an Australian aero-medical charity that attends emergencies, however remote.

    And then when you take it--wham--you are faced with a savage choice of do-overs to correct past blunders. Roy Hobbs blew the cash windfall from his best-seller book. Gone was his money, and then his wife Rachel was murdered with the killer never found. Roy chose to pick up the pieces, riding into his sunset as a crime reporter in a smaller market. Then a weird stranger made him a freaky offer. The stranger would pay Roy the same money as his best-seller book in return for Roy to write a book for the stranger. The subject of the book would be secret until after Roy makes a decision. Big payday or walk away?Roy chose big money, and his life hurled into a dimension he could have never imagined. It was there that he faced the most savage do-over that would re-invent his life in stunning ways.Could he truly have do-overs on his biggest mistakes in life? Would he make those same mistakes again, this time knowing the consequences? Could a do-over allow him to rescue Rachel and put an end to the killings?Roy Hobbs wouldn’t be writing this strange new book, he would be living it, and the ending could kill him and kill Rachel again and again.This is a trip you gotta take. You won't guess the twists and turns, and probably not even the final destination, but you'll certainly have fun. Take the trip today.

    But as she vows to start over, she meets Jake – and life gets more complicated than she could ever have imagined. Jake is the direct competitor for the family business, and a man with a dark secret, and Tamara struggles to fight her attraction to him as she deals with secrets of her own and an ex who refuses to give up. Tamara is soon drawn in to the small community of Brewer Creek where she becomes the coordinator for an old fashioned Friendship Tree – a chart telling people who they can call on in times of trouble. And before long, she realises the Friendship Tree does a lot more than organise fundraising events and working bees; it has the power to unite an entire town. Should you ever try to run from your past? ‘An enjoyable read by a new author. One to watch!’ Katie Fforde 'A fantastic sense of place, a traditional romance, contemporary issues and a nice touch of mystery.' Sue Moorcroft. 'The gorgeous setting, impossible romance and fabulous main characters are making this such a fantastic read.' Librarian Lavender ***Shortlisted for the Romantic Novelists' Association's Joan Hessayon New Writers' Scheme Award 2016***

    From high-class hookers to 7/7 survivors these monologues paint a revelatory picture of Britain as it is today. After rave reviews at the 2008 Edinburgh Festival and in New York, "Eight" opened in London's West End in July 2009.

    Sally De Rooze is almost thirty. She survived the accident that killed her father and brothers. Her mother never forgave her for that. But she survived her mother too. Surviving is what she does best. Farmer Ross Bertram, who offers her his acres and safety, is the answer for a while. Until he starts pushing for a wedding. Sally wants ... wants more. Wants to know great love. Wants to find herself. One year. That's what she wants. One year of freedom in the big, bad city. Her survival skills are tested in the urban sprawl and she discovers more about herself than she had ever dared to imagined.

    Nations cease to exist. Refugees flock to other lands in search of safety and security.What remains of the Australian Government moves its borders to the south and evacuates the survivors from the northern half of the continent. Australia becomes a smaller country.But some survivors are left behind. They face a perilous existence.One such survivor is John Timms, a former outback cop.Timms embarks on an odyssey that takes him across much of the north. Along the way he encounters other Australians as well as many of the newcomers. Timms finds that he must confront the darkness and violence of the new frontier.

    Rose Gordon knew the farm would be hers when her grandfather died. Strong and sassy, she was the only heir to five generations of cattle country and the magnificent Barrington Homestead. But Charlie’s will was not as she expected and the appearance of Angus Hamilton on the day of the funeral unsettled her. Handsome and single, she was attracted to him in a way she had never experienced. The ongoing drought and discovering she had friends, if not family, in the small rural community complicate matters. More sinister threats lurk in the shadows. Will Rose give up city life to face the threats head on and fight for her inheritance?

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.