of photos.

    

    Indeed, London, Paris, Berlin, Vienna, Madrid, Brussels, Amsterdam are all are mere infants compared to Plovdiv. This is just one of the paradoxes that haunts and defines the New Europe, that part of Europe that was freed from Soviet bondage in 1989 which is at once both much older than the modern Atlantic-facing power centers of Western Europe while also being in some ways much younger than them. Eastern Europe! is a brief and concise (but informative) introduction to Eastern Europe and its myriad customs and history. Even those knowledgeable about Western Europe often see Eastern Europe as terra incognita, with a sign on the border declaring "Here be monsters." This book is a gateway to understanding both what unites and separates Eastern Europeans from their Western brethren, and how this vital region has been shaped by, but has also left its mark on, Western Europe, Central Asia, the Middle East and North Africa. Ideal for students, businesspeople, and those who simply want to know more about where Grandma or Grandpa came from, Eastern Europe! is a user-friendly guide to a region that is all too often mischaracterized as remote, insular, and superstitious.Illustrations throughout include: 40 photos, 40 maps and 40 figures (tables, charts, etc.)

    A story that Jane Austen famously declined to tell, declaring: “I could no more write a romance than an epic poem.”Charlotte was the only legitimate royal child of her generation, and her death in childbirth resulted in a public outpouring of grief the like of which was not to be seen again until the death of Diana, over 150 years later. Charlotte’s death was followed by an unseemly scramble to produce a substitute heir. Queen Victoria was the product.James Chambers masterfully demonstrates how the personal and the political inevitably collide in scheming post-Napoleonic Europe, offering a vivid and sympathetic portrait of a couple whose lives are in many ways not their own. From the day she was born, Charlotte won the hearts of her subjects and yet, behind the scenes, she was used, abused, and victimized by rivalries—between her parents; between her father (the Prince Regent, later King George IV) and (Mad) King George III; between her tutors, governesses, and other members of her discordant household; and ultimately between the Whig opposition and the Tory government.Set in one of the most glamorous eras of British history, against the background of a famously dysfunctional royal family, Charlotte & Leopold: The True Story of The Original People’s Princess is an accessible, moving, funny, and entertaining royal biography with alluring contemporary resonance.James Chambers is a professional historian and author of many books on British and colonial history, including The Daily Telegraph History of the British Empire, which sold over 250,000 copies. He has also written extensively for television and made countless BBC TV and radio appearances.

    Acknowledged as her heir by Elizabeth 1, Arbella's right to the English throne was equaled only by James. Raised under close supervision by her grandmother, but still surrounded by plots -- most of them Roman Catholic in origin -- she became an important pawn in the struggle for succession, particularly during the long, tense period when Elizabeth lay dying. The accession of her cousin James thrust her into the colourful world of his extravagant and licentious court, and briefly gave her the independence she craved at the heart of Jacobean society. At thirty-five, however, Arbella's fate was sealed when she risked everything to make a forbidden marriage, for which she was forced to flee England. She was intercepted off the coast of Calais and escorted to the Tower where she died some years later, alone and, most probably, from starvation.This is a powerful and vivid portrait of a woman forced to carve a precarious path through turbulent years. But more remarkably, the turmoil of Arbella's life never prevented her from claiming the right to love freely, to speak her wrongs loudly, and to control her own destiny. For fans of historical biography, Arbella is possibly the most romantic heroine of them all. Hers was a story just waiting to be told.Sarah Gristwood is a journalist and broadcaster, specializing in the arts and women's issues. She is the author of one previous book, Recording Angels, a study of women's diaries through the ages.

    The prejudices of later historians diminished this high reputation, until recent research confirmed Edward as a ruler of substantial achievement, whose methods and policies formed the foundation of early Tudor government.  This classic study by Charles Ross places the reign firmly in the context of late medieval power politics, analyzing the methods by which a usurper sought to retain his throne and reassert the power of a monarchy seriously weakened by the feeble rule of Henry VI. Edward's relations with the politically active classes—the merchants, gentry, and nobility—form a major theme, and against this background Ross provides an evaluation of the many innovations in government on which the king's achievement rests.

    A detailed history of Princess May of Teck who married Duke of Clarence (House Of Windsor) who died before their marriage.

     One of today's premier historical novelists, Margaret George dazzles here as she tackles her most difficult subject yet: the legendary Elizabeth Tudor, queen of enigma-the Virgin Queen who had many suitors, the victor of the Armada who hated war; the gorgeously attired, jewel- bedecked woman who pinched pennies. England's greatest monarch has baffled and intrigued the world for centuries. But what was she really like? In this novel, her flame-haired, lookalike cousin, Lettice Knollys, thinks she knows all too well. Elizabeth's rival for the love of Robert Dudley, Earl of Leicester, and mother to the Earl of Essex, the mercurial nobleman who challenged Elizabeth's throne, Lettice had been intertwined with Elizabeth since childhood. This is a story of two women of fierce intellect and desire, one trying to protect her country, and throne, the other trying to regain power and position for her family and each vying to convince the reader of her own private vision of the truth about Elizabeth's character. Their gripping drama is acted out at the height of the flowering of the Elizabethan age. Shakespeare, Marlowe, Dudley, Raleigh, Drake-all of them swirl through these pages as they swirled through the court and on the high seas. This is a magnificent, stay-up-all-night page-turner that is George's finest and most compelling novel and one that is sure to please readers of Alison Weir, Philippa Gregory, and Hilary Mantel.

    But this was far from the only difference between him and his predecessors. Neither of the previous Georges was faithful to his wife, nor to his mistresses. Both hated their own sons. And, overall, their children were angry, jealous, and disaffected schemers, whose palace shenanigans kick off Hadlow's juicy narrative and also made their lives unhappy ones.Pained by his childhood amid this cruel and feuding family, George came to the throne aspiring to be a new kind of king—a force for moral good. And to be that new kind of king, he had to be a new kind of man. Against his irresistibly awful family background—of brutal royal intrigue, infidelity, and betrayal—George fervently pursued a radical domestic dream: he would have a faithful marriage and raise loving, educated, and resilient children.The struggle of King George—along with his wife, Queen Charlotte, and their 15 children—to pursue a passion for family will surprise history buffs and delight a broad swath of biography readers and royal watchers.

    Full-color illustrations.

    Gunnar Karlsson, that country's premier historian, chronicles the age of the Sagas, consulting them to describe an era without a monarch or central authority. Equating this prosperous time with the golden age of antiquity in world history, Karlsson then marks a correspondence between the Dark Ages of Europe and Iceland's "dreary period", which started with the loss of political independence in the late thirteenth century and culminated with an epoch of poverty and humility, especially during the early Modern Age.Iceland's renaissance came about with the successful struggle for independence in the nineteenth and early twentieth centuries, and with the industrial and technical modernization of the first half of the twentieth century. Karlsson describes the rise of nationalism as Iceland's mostly poor peasants set about breaking with Denmark, and he shows how Iceland in the twentieth century slowly caught up economically with its European neighbors.

    To everyone's great surprise, this playboy prince sobered up and became an extremely effective leader and the founder of England's modern monarchy. For readers of Sally Bedell Smith's Elizabeth the Queen and Robert K. Massie's Catherine the Great."This is not only the best biography of King Edward VII; it's also one of the best books about royalty ever published." So began the London Independent's review of this wonderfully entertaining biography of Britain's playboy king-a Prince Charles of the Victorian age, only a lot more fun-who waited for nearly six decades to get his chance to rule. A notorious gambler, glutton and womanizer (he was dubbed "Edward the Caresser"), the world was his oyster as this aging Prince of Wales took advantage of his royal entitlements to travel, hunt, socialize, over-indulge-he smoked a dozen cigars a day-and bed a string of mistresses and married women in addition to his own wife. His mother Queen Victoria despaired: "Bertie, I grieve to say, shows more and more how totally, totally unfit he is for ever becoming king." And yet by the time he died in 1910, after only nine years on the throne, he had proven to be a hard working, effective king and an ace diplomat, at home and abroad.A bestseller in the UK, this "exhaustively researched, richly colorful and wittily observed biography" (the London Sunday Times) is a tremendously entertaining read for history buffs and royal watchers.

    This official companion to the show's first season is an in-depth exploration of the early years of Elizabeth II's time as Queen, complete with extensive research, additional material, and exclusive, beautifully reproduced images. One of the show's most powerful themes is that royals do not choose their duty; it is thrust upon them. Princess Elizabeth never expected her father to die so suddenly, so young, leaving her not only a throne to fill but a global institution to govern. Crowned at twenty-five, already a wife and mother, follow the journey of a woman learning to become a queen while facing her own challenges within her own family. This is the story of how Elizabeth II drew on every ounce of strength and British reserve to deal with crises not only on the continent but at home as well. Written by bestselling historical biographer Robert Lacey, who also serves as the show's historical consultant, this official companion provides an in-depth exploration from behind the palace gates. Relive the majesty of the first season of the hit show, with behind-the-scenes photos, meticulously researched images from the time, and more.

    Although his scandalous liaisons with prostitutes and duchesses, a "secret" marriage to his true love - the Catholic Mrs. Fitzherbert - and a publicly ridiculed (bigamous) marriage to Caroline of Brunswick threatened to eclipse his contributions to British history, Saul David's engrossing biography Prince of Pleasure shows a man of high intelligence and political ambition. His actions reflected the ambivalent relationship of the monarchy to Parliament at a time when the nation was infected by revolution fervor in America and France. The participation of George IV in public affairs had enduring positive influences. His support for overseas campaigns against Napoleon, culminating in such historic victories as Trafalgar and Waterloo, consolidated Britain's status as the preeminent world power amid the great social and economic upheavals of the industrial revolution. His passion for the arts left England with cultural legacies such as the Royal Pavilion in Brighton, Regent's Park and the National Portrait Gallery in London, and the defining architectural image of Regency style. At once farce, tragedy, and melodrama, the story of George IV is depicted with artistry and great force, introducing a cast of contemporary figures such as Beau Brummell, Lord Byron, and Jane Austen.

    How did one family turn a war-ruined principality into the world’s greatest empire? And how did they lose it all? This is the intimate story of twenty tsars and tsarinas, some touched by genius, some by madness, but all inspired by holy autocracy and imperial ambition. Simon Sebag Montefiore’s gripping chronicle reveals their secret world of unlimited power and ruthless empire-building, overshadowed by palace conspiracy, family rivalries, sexual decadence and wild extravagance, with a global cast of adventurers, courtesans, revolutionaries and poets, from Ivan the Terrible to Tolstoy and Pushkin, to Bismarck, Lincoln, Queen Victoria and Lenin.