In the suburban streets of Calcutta where they wandered before dusk and in the hyacinth-strewn ponds where they played for hours on end, Udayan was always in his older brother's sight. So close in age, they were inseparable in childhood and yet, as the years pass - as U.S tanks roll into Vietnam and riots sweep across India - their brotherly bond can do nothing to forestall the tragedy that will upend their lives. Udayan - charismatic and impulsive - finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty. He will give everything, risk all, for what he believes, and in doing so will transform the futures of those dearest to him: his newly married, pregnant wife, his brother and their parents. For all of them, the repercussions of his actions will reverberate across continents and seep through the generations that follow. Epic in its canvas and intimate in its portrayal of lives undone and forged anew, The Lowland is a deeply felt novel of family ties that entangle and fray in ways unforeseen and unrevealed, of ties that ineluctably define who we are. With all the hallmarks of Jhumpa Lahiri's achingly poignant, exquisitely empathetic story-telling, this is her most devastating work of fiction to date.

    Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

    Rupa Mehra, are both trying to find—through love or through exacting maternal appraisal—a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence.

    Mistaken for a holy man, he plays the part and succeeds so well that God himself intervenes to put Raju's newfound sanctity to the test. Narayan's most celebrated novel, The Guide won him the National Prize of the Indian Literary Academy, his country's highest literary honor.

    Tower A is a relic from a co-operative housing society established in the 1950s. When a property developer offers to buy out the residents for eye-watering sums, the principled yet arrogant teacher is the only one to refuse the offer, determined not to surrender his sentimental attachment to his home and his right to live in it, in the name of greed. His neighbours gradually relinquish any similar qualms they might have and, in a typically blunt satirical premise take matters into their own hands, determined to seize their slice of the new Mumbai as it transforms from stinky slum to silvery skyscrapers at dizzying, almost gravity-defying speed.

    When the mystified librarian opens it, she screams before she falls unconscious to the floor. An elite group calling itself the Lashkar-e-Talatashar has scattered around the globe, the fate of its members curiously resembling that of Christ and his Apostles. Their agenda is Armageddon. In the labyrinthine recesses of the Vatican, a beautiful assassin swears she will eliminate all who do not believe in her twisted credo. In Tibet, Buddhist monks search for a reincarnation while in strife-torn Kashmir, a tomb called Rozabal holds the key to an ancient riddle. Father Vincent Sinclair, has disturbing visions of himself and of people familiar to him, except that they seem located in other ages. He goes to India to piece together the violent images burnt onto his mind. Shadowing his every move is a clandestine society, which would rather wipe out creation than allow an ancient secret to be disclosed.

    Combining Indian myths, epic history, and the story of three college kids in search of America, a narrative includes the monkey's story of an Indian poet and warrior and an American road novel of college students driving cross-country.

    Set in modern-day India, it is the story of two compelling and achingly real women: Sera Dubash, an upper-middle-class Parsi housewife whose opulent surroundings hide the shame and disappointment of her abusive marriage, and Bhima, a stoic illiterate hardened by a life of despair and loss, who has worked in the Dubash household for more than twenty years.

    At fourteen, she finds herself traded in marriage to a stranger across the ocean in the fascinating land of Malaysia. Duped into thinking her new husband is wealthy, she instead finds herself struggling to raise a family with a man too impractical to face reality and a world that is, by turns, unyielding and amazing, brutal and beautiful. Giving birth to a child every year until she is nineteen, Lakshmi becomes a formidable matriarch, determined to wrest from the world a better life for her daughters and sons and to face every new challenge with almost mythic strength.By sheer willpower Lakshmi survives the nightmare of World War II and the Japanese occupation -- but not unscathed. The family bears deep scars on its back and in turn inflicts those wounds on the next generation. But it is not until Lakshmi's great-granddaughter, Nisha, pieces together the mosaic of her family history that the legacy of the Rice Mother bears fruit.

    This is not just Shakespeare repurposed for our times – it’s a novel that urgently matters in 2017, and which will resonate for years to come. Jivan Singh, the bastard scion of the Devraj family, returns to his childhood home after a long absence – only to witness the unexpected resignation of the ageing patriarch from the vast corporation he founded, the Devraj Company. On the same day, Sita, Devraj’s youngest daughter, absconds – refusing to submit to the marriage her father wants for her. Meanwhile, Radha and Gargi, Sita’s older sisters, must deal with the fallout… And so begins a brutal, deathly struggle for power, ranging over the luxury hotels and spas of New Delhi and Amritsar, the Palaces and slums of Napurthala, to Srinagar, Kashmir. Told in astonishing prose – a great torrent of words and imagery – We that are young is a modern-day King Lear that bursts with energy and fierce, beautifully measured rage. Set against the backdrop of the anti-corruption protests in 2011–2012, it provides startling insights into modern India, the clash of youth and age, the hectic pace of life in one of the world’s fastest growing economies – and the ever-present spectre of death. More than that, this is a novel about the human heart. And its breaking point.

    The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

    Now, with breathtaking imagination and brilliant storytelling, Ashok K. Banker has recreated this epic tale for modern readers everywhereIn this first book of the Ramayana, it is predicted Ayodhya, legendary capital of warriors and seers, will soon be a wasteland of ashes and blood. Only Rama, Prince of Ayodhya, can hope to prevent the onslaught of darkness. Is Rama’s courage enough in the final battle to halt the demons’ invasion and save Ayodhya?

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    Between Em, the mother, driven frequently to hospital after her failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he could, they tried to be a family.

    Ayyan Mani, one of the thousands of dalit (untouchable caste) men trapped in Mumbai’s slums, works in the Institute of Theory and Research as the lowly assistant to the director, a brilliant self-assured astronomer. Ever wily and ambitious, Ayyan weaves two plots, one involving his knowledge of an illicit romance between his married boss and the institute’s first female researcher, and another concerning his young son and his soap-opera-addicted wife. Ayyan quickly finds his deceptions growing intertwined, even as the Brahmin scientists wage war over the question of aliens in outer space. In his debut novel, Manu Joseph expertly picks apart the dynamics of this complex world, offering humorous takes on proselytizing nuns and chronicling the vanquished director serving as guru to his former colleagues. This is at once a moving portrait of love and its strange workings and a hilarious portrayal of men’s runaway egos and ambitions. .